Welcome to the You Understand What I'm Saying Club, how You Understand What I'm Saying are ya? Sequel Here: kzfaq.info/get/bejne/h7N8ich2zazUemQ.html

The dad saying "you're not our little girl but you're still my angel" made me so damn happy. Poor android child deserves some reassurance after that existential nightmare. And mom may have said the android isn't rebellious like Liana, but what's more rebellious than defying the objectives you were literally made to fulfill?

Ah yes Mother seems very human today

Feels like I'm watching Manly have a slow burning mental breakdown through increasingly abstract video titles

This game is deeply unsettling. I had a feeling we're a robot/android very early on since everything felt so rigid and machine-like. I feel bad for the main character and I have a disdain for the mother. She seemed sincere at first but it's very clear she had this idea in her mind that the main character simply can't and never will replace her dead daughter. She made her eat dirt in order to confirm her inner bias that the main character simply follows instructions and is therefore unable to work like an individual, let alone act like her daughter. It's even sadder when we later realize that her daughter technically is trapped inside the main character's body and only the interface was preventing her from properly exposing her to the mother and confirming she's kind of the real deal. It's interesting to me that there are technically three "persons" somewhat controlling the main character: the player, the daughter's core and the interface. I don't think I've ever seen this kind of thing before. The game is really unique indeed.

Thank you so much for playing the game! It was made in 29 days over what was a pretty crazy period of my life, while riddled with sickness and stress (which I think may have shown in the final work tbh), so seeing it resonate with people means SO much to me. I wasn't sure if the story I had in mind would even make sense to other people - let alone connect with them in the way it was intended to - so this is rather surreal! (btw, to anyone who's interested in checking it out themselves, all those messages that appear in the bottom of the barn at the very end of this video can be clicked on for extra story content. It fills out a pretty comprehensive account of the father's actions up until that point. Have a wonderful day

I really liked it, I liked how it makes you initially think that mother is the "bad guy" of sorts, when there isn't really any true "bad guy" and it's just a little nightmarish all around

When you are talking to the dad on the phone, he lies to his coworker that he's talking to his wife because the coworkers don't know that original Liana is dead/he's making android recreations of her. Another thing I realized is the Liana can't kill mom because andorid probably has the 3 law of robotics programed into it.

I love horror games like this. Not everything needs to be filled with jump scares. The atmosphere is key in any horror game or movie. That's why I'm more into psychological horror. The old-school vibe is great too. I love the bizarre nature of the mother too. She's so animated but her character is executed perfectly.

And the brother is just doing his own thing, trying to ignore his parent's shenanigans.

I agree with Manly, it's very unique. I wasn't expecting Liana and the Interface to become connected. It's an interesting shift, from Liana talking like a human, to sounding more robotic. The interface being the one to talk and express doubts, just like a normal human. They truly have become one. Gameplay wise, pretty good. Mother genuinely got me a few times. Wish we heard more from the brother though. Also the ending part was so hard to see.

Although this is supposed to be a uncanny valley psychological horror, I feel like the game creators' strengths really came out most in the tragic elements of the story. Spoilers below . . . I really feel bad for the main character. Whenever she got trapped, rather than feeling scared as a viewer, I felt pity. It broke my heart for the poor little kid that just wanted desperately to be a good obedient kid and then go back to a loving parent. The simplistic style of emotions and phrases worked out amazingly to portray both an AI and a young child. When viewing it from a sci-fi tragedy lens, this is an amazing piece of work.

The dialogue that skipped said 11min “Your sister is back. Hopefully for good this time.” 17min “>>disengaging consciousness” 41min/44min “LEVEL UP...continued exposure to material that might suggest conflict with the pre-established self will result in further contamination. Please report this unit to ENIGMA TECHNOLOGIES urgently.”

it's so interesting at the second ending how we get to see liana being rebellious as her mother said she was. its so ironic that liana is able to come through but she's being so restricted by her father's interface that every time she truly shines through she's shut down. maybe that has something to do with how she died in the first place.

I love the eeriness and the expectation of something to be horribly wrong with the mother, only for the realization that she sounds weird and distant because she doesn't truly view you as her daughter. Just the construct that was built by her husband to resemble the one they lost. Classic "A.I can be truly intelligent with self values and worth" story, but as the unexpected twist, making it so much more impactful

This is a very interesting game. No loud jumpscares, no big scary monster chasing you, just pure uneasiness and psychological horror. I like how devs start off making the player feel suspicious towards the Mother and portray her unnaturally while also painting her as the villain (and looking at some of the comments here this seemed to have worked very well), before twisting the story around and making the MC seem to be the suspicious one. Then the endings roll around and suddenly the story just falls into tragedy for all the characters involved. Liana's "core" in her android body is trying to reach out to her Mother, but can't because the Interface is stopping her and instead forcing her to act like a robot. And every week she is killed for carrying out what she is forced by the Interface to do. The Mother is trying (and failing) to cope with having to deal with an unnatural simulacrum made in the likeness of her beloved dead daughter. Each week the Mother abuses Liana in the hopes she will rebel against her robot programming, but gets increasingly upset and terrified when Liana repeatedly fails to show any human emotion. Sadly her own actions speeds up Liana's core corruption, and she is ultimately forced to kill her "daughter" repeatedly in the hopes that the next version of Liana will be more human than the last. Meanwhile the Brother is just sick of everything and locks himself in his room to spare himself the trauma. He seldom speaks and when he does it just comes off as apathetic. It is almost as though he is speaking his thoughts out loud 'at' Liana, and not 'to' her. The Father comes off as rather uncaring too. He speaks nicely to Liana but he clearly doesn't see her as his daughter either, what with making her run through a heavy storm to fetch what is implied to be the severed head of her previous model. And every week he brings home a new robot version of Liana for Mother to test, not caring about the pain that he is causing his wife, son, and Liana herself. And he doesn't bother saying hello to Liana either when he comes to visit on Friday night. He is so focused on bringing Liana back to life that he doesn't see what he is doing. As Mother pointed out, his greatest strength (love for his daughter) has also become his greatest weakness. He carries on the cycle of suffering because he doesn't want to accept that Liana as a human is truly gone. But the Father is shown in a more favorable light in the good ending, when he realises and accepts that the android Liana is not his dead daughter brought back to life, but rather their own person. And with that, he stops the cycle.

I think the maker got the life simulation aspect across really well. It was very dreamlike, and for a while I was convinced this was a child's brain inside a computer, with Mother being a program and Father being the programmer... But I think your theory is correct in that every week Father brings home a new android with their daughter's consciousness they are trying to implant in a new body, but it just won't take. Every time the scripts fail, Mother has to destroy the machine, which explains why she must be so stressed out and upset having to basically kill what is presumed to be their daughter's new body over and over again, and why Brother never leaves his room. Traumatized grieving family who just can't let go of their precious little girl.

Manly: "there's a storm approaching" Dmc fans: I AM THE STORM THAT'S APPROACHING!!

Mom: I made your favorite. Me: **sees empty bowl** Ah yes, disappointment.

I love how Manly reads mother's dialogue at this kinda robotic tone/pace. He called her Disney animatronic and stuck with it haha! edit: After the first 20 minutes he stopped doing it :c

This game ended up being a lot more interesting than I thought it would be. Very good work by the creator!

“Isn’t this what you wanted to happen?” I like to think that this is why the brother no longer talks to anyone in the house, especially his mother. In the beginning, she tried so hard to try and make the player just like her dead daughter. And he’s been forced to watch this for who knows how long. Every time hearing her say “Maybe she’ll stay for good this time.” The constant arguments between his parents. And him being forced to see a constant reminder of his dead sister every week since this started. No wonder why he shut everyone else out

its a small thing, but i think my favorite piece of this game was that line the mother dropped about how "liana" looks wrong to her and that she's sure she looks weird too. the fact the uncanny appearance and movements of the mother is a result of how the android visualizes its surroundings is so cool.

Ah, yes, the title voices are in triplicate now. We have "i'm trying not to die, don't tell them i'm here", "screaming in your face", and "hey there, welcome, mind the gap and the bodies".

Well, this took a completely nuts turn. I can't say I don't like it, this was very interesting. I love the little details, like how every time you went to sleep it said "Disengaging consciousness." Plus, the mother mentioning that she probably looks just as unnatural to us as "Liana" does to her.

The mother was painfully abusive, even if I understand her perspective. Seeing core-Liliane trying to reach out to her only for her to recoil in disgust really hurt. Ironic how the father was the one trying to bring her back, yet he's the one who accepts Angel. It's very poignant how each cycle he mentions the approaching storm, and yet at the end when Angel becomes her own person, he's at peace and says it's finally over. A moment of silence for the brother as well, who's clearly depressed from everything going on and shows disdain towards his mother's actions. I can't imagine being in his situation. Very sad game overall, I loved all of it. I think this may be the best game out there portraying an AI going against its programming, while mixing in family abuse and psychology.

this is one of the only games for me that has achieved genuine dreamlike quality. the sort of peaceful but uneasy environment that hangs in nowhere combined with the narrative (coming home to everything being stilted and terrifying is an actual nightmare i have had several times) and the way mother herself moves, plus the "restricted areas" like the barn really help complete that feeling. absolutely great game, 10/10 will see in my nightmares tonight

Tv: You dont need to watch tv Manly: Not yet... I felt that line xD

Bro that ending, the box is the head of the previous robot, and the door was locked because your replacement couldn't bring the father you head. She must have went in there, couldn't complete the task and got stuck. So when you came out with the rotten apples he knew you left your path on Wednesday.

There’s so much depth to this story. It makes me feel like we the player are the bit of liana that’s left of her human, and the voice that tells us not to do things is our coding, but at the same time the voice that is supposed to be lianas thoughts is also just the coded personality. (It wants to kill the mother and disobey it’s script because it’s programmed to be rebellious like she was). Sort of like an ‘angel and devil on each shoulder situation’, we the player are the one who makes the ultimate choices, whilst listening to the two scripts bickering. We are the true liana.

The poor android never had a chance. They never intended it to live, every Sunday Father expected the box (with the last android's head in it). It was a fight between the expectations of the Father and of the Mother. Father made the critical path, be with mother, which invariably lead to death because Mother always pushed the Android towards corruption/actually linking with the core, her daughter, which she always rejected. I feel like, she's clearly started resenting the process. She's ready to move on from her daughter's death and the Father wasn't, up until the end when he accepts the surviving Android and gives it a new name to signify Liana is gone. Even if a version of her once existed in the core, it is corrupted by the past memories of every failed and destroyed Android, she...can't really ever be what they wanted initially. Only mystery right now is how the hell his entire workplace wasn't noticing materials going missing on a WEEKLY basis. They didn't reuse crap, they burned it all (minus the head). There was a fire in front of the barn waay back on the very first day, seen through the windows. I'm also kinda bummed we didn't get to snoop around brother's room though but that's just the younger sister in me I guess. Kinda interesting that door is the only one the Android respected, pushed through the other blocks but left that door be.

youtube: hmmm yes, he's playing DEADLY PREMONITION

19:40 Listening to this speech while doing work in my veggie garden, I froze and legit had to stop what I was doing to watch. I get the undercurrent of what she was *really* talking about, but it's a very poignant way to do it. You're GONNA kill a few plants before you have the skill to perfect raising them right; that's just common collateral in the gardening world when you're working on getting your green thumb. Made the ending hit me a lot harder. For such a bizarre, otherworldly presentation, the writing in this is REALLY good. 😬😬😬

For some reason, at first the game reminded me of that one movie when mother returns home from a hospital, and her twin sons trying to figure out of it's really her or someone else. Of course the movie ended with a very intriguing twist, but the beginning with Liana returning from hospital after 'an operation', mother acting very weird, mirrors being covered, just.. reminded me of the movie. I don't remember the title (it was probably something generic like Mother or Mommy), but I got the vibe.

i enjoyed this a whole lot more than i thought i did? Everything about it is such a cool concept to me! The bits of symbolism were placed around well, the world building is really interesting. I personally watched you play while thinking Mother wasnt going to be the true antagonist and instead i found her pretty charming rather than scary, and i think ultimately that helped me understand her character better. She said we look as unnatural to her as she looks to us, so imagine if she were just perfectly human, not robotic at all, but we just cant perceive her that way. I think a lot of horror games try to use the bring-child-back-to-life concept very plainly, making the parent seem insane or out of their mind, but this one seems different? Like, the Mother has her own doubts and feelings and doesn't believe its working, and even so she still tries sometimes. It must be painful. And the father believes in his machinery and thinks hes just so close, and is doing all that he can. Neither of them are particularly scary, just secretive, and i think that leads to a really good atmosphere. The brother never shows his face because he doesnt want to be involved anymore, the mother feeds us dirt because it doesnt matter what we eat. But symbolicly dirt also nourishes the apple trees, which give life to apples with cores. It all wraps together very well!! I think this game might get stuck in my thoughts for a little while lol

Manly reading the mom's text is the same way he read [hyperlink blocked]

"MOTHER HAS LEFT THE GAME" so powerful

I hope I can get to see more games like this cause this was really interesting to see and i like how they slowly gave out more information about Liana or more specifically the android.

i do like how manly did a robotic voice for the mother (the pausing between words)

I first I thought the dev did the weight paint wrong with Mother’s model (that’s why part of her dress moves along with her hand. I don’t judge cause weight painting with models can be a bitch sometimes.) but with what happens later I wonder if that was intentional and part of the story rather than it being just small little touch to Mothers odd animation. Either way, a nice breath of fresh air for a horror game. I really enjoyed it. Especially the VHS cutaways. I remember those exactly when they played movie trailers before the tape starts the actual movie. I never thought I’d ever see that again haha.

i love the mesh of ai becoming self aware with the near ghost of a dead girl formed through memories handshaking to become an entire different person of their own, in a way

Currently at my parents’s place while watching this. What could go wrong lol

I get it’s hinted heavily Mother isn’t alright, and so aren’t you (hidden mirrors, unquestioning orders). But you gotta love it when games start as a nightmare simulator, then you become lucid and realise: wait a second, it’s not me who is stuck here, *you* are stuck here with *me*. Hunting down Mother after her helicopter-parenting was a great reversal. Interesting game overall of identity between Manly, Liana-core, and android interface.

Did you know that Manly greets his mother saying "nutriens" instead of "hello"?

The “mother” made me feel quite uneasy. I was having breakfast while watching Manly plays but I have to stop eating to watch or the other way around because of the uneasiness it gave me. The game did a great job on the design of the mother in terms of the creepiness it gave.

"Now honey I know you just had major surgery but please run through the cold rain and bring back my package, thankees" Wow, great dad we have.

How is the older brother not even phased?? I'd be broken by now as an older sister. Also you're getting *SO* close to 1M subs Manly, I'm so proud!! Keep it up!

Honestly I like how he talks to the brother like a real person even if he isn't there at the time

Oh man, this was a wild ride. Honestly, i feel like the mom got it the worst, being emotionally manipulated by an absent husband to take care of a homunculus lodged in some realdoll of her late baby girl that she must put down, week after week, lest it could possibly hunt the family down in some cyber-psychotic malfunction. Being there's a mountain of ash from the multitude of attempts, it's safe to say that *did* happen at least once before the parents came up with the "End It" failsafe.

Now this is how I imagine the "AI" movie actually going. A beautifully haunting story of trying to retain what has been lost by defying nature and yet even though its working, that fear of the possibility will frighten someone and eventually impede that progress. The dynamics are amazing, the Father sees the progress and knows if the family could just act normal Liana may return, the brother is the only one who has somewhat matured and moved on from their loss and acting indifferent, almost pitying the android's existence because its playing a role with the world against it, the Mother could use this opportunity to move on and find something new but instead she thinks its better to mistreat and alienate an AI, rather than give it that new experience she claims she would hope for it. I think what helps so much is how realistic it is with an Android and AI technology. Clearly its not the same little girl and its learning to function and speak as a human but only briefly can it properly activate a sound, then we have the obvious thing that if it saw itself it would restart, so there's already this tension of hiding the truth rather than introducing her as their new child. Its just so well thought out, and it really adds a chilling factor with how the game glitches, acts static at times and changes your perception to impede deviating. Every time you had to roam after that first day my skin was full of goosebumps and absolutely uncomfortably on the edge of my seat. I don't think I've ever had an experience like that at least in the last 2 decades. What an amazing game.

When the mother said to “stay away” I started crying, by then I’d already read the comments and I knew what the lore was then it was so sad that the mother is scared

This one is so good game I actually like the plot alot We are IA made with their daughter core but as we go along we discover we aint their daughter and forge new identity of ourselves Also love how we are not only one Because the core is talking with the interface as the core have more understanding about what's going on ordering the interface till they start working out together

It’s sad how the mother is in disbelief that her child is in there. She thinks that the robot will hurt her for giving it no objective but in reality it’s trying to receive love and affection from its mother. It went from a story about a sick daughter to a robot who’s family doesn’t truly love it and is using it to “replace” their daughter.

Y’know, based on the video’s title and thumbnail, I was 100% expecting the mother to be a control freak who was the “villain” of the game. But I actually never got that vibe from her in the game, even in the beginning. She seemed like someone who had plenty of her own troubles to deal with, but actively tried to avoid taking them out on Liana, despite how easy that would be. Oh, and the way Manly said “nutrients?” every time he went near the kitchen? A++ comedy, subtle but tickled my funny bone every time.

Holy crap the use of lighting is insanely good, right from the start Really kept me on edge throughout! Really great CORE theme to the game, was not expecting for it to be as nuanced as it ended up being The whole part about two different realities was interesting, and really showed why everything seemed so off

A beautiful game, exquisite script and excellent handling of the graphics issues. I think the ending needs a _lot_ more work and extending, and they definitely needed to use the brother more and flesh out each day a lot more. Already good, massive potential... I hope they expand on it.

I like all the subtle dialogue clues to help you piece together whats going on with the player character

12:07 *you knock on the door. . . there was no answer* Manly:"... You lied. "

For some reason, Mother doesn’t seem to be that threatening… Oh god, we are the threat

this made me cry a river lol. i love the story so much, when you begin to realize what's happening it's really just heartbreaking instead of scary. big props to the devs!

That robot should have been able to escape at the end, I was rootin for them

This game is making me so uncomfortable. I love it.

"No, that was, something else." Manly: How ya doin'. Hahaha! That caught me by surprise. Everything about this game has been weird and meta, but that moment when Manly acknowledges his part in it is hilarious. Perfect 4th wall break. Well done.

Mother: "This can't be Liana, my daughter is rebellious." Also Mother: "The robot is acting rebellious, THIS IS NOT MY DAUGHTER GET AWAY FROM ME"

The Mother was being abusive towards the child. Feeding the child dirt and making them sleep outside. The Mother looks cold and distant and robotic because that’s the way she is acting towards the child because she’s not recognizing the child as a person. Because the child is not acting the way ‘it’ is programed to act as. If the child doesn’t act as programmed their humanity is disregarded. Meanwhile all the child was trying to do is reach out to their mom. But the mother is so obsessed with the idea of Liana as she was that she does not recognize the humanity in the child in front of her. Well, Liana as she was before is gone and the child is still an angel just with a new path and a new interface and they deserve a new name. Incredible game. Truly great storytelling if you look at it literally it’s a fascinating sci-fi story but if you read into the metaphor it elevates itself even further. Cheers to the devs. 🍻

This was so well done, I am quite impressed. I felt genuinely creeped out throughout this, at first because of the "mother" and eventually just the entire situation going on with our protagonist. Great stuff, the ending has my attention. If this actually links to the developer's other projects, I'm intrigued.

39:09 i like how its the first time when liana doesnt think that 'nutrients' aren't her favourite food, but instead that her mother says so (and its right after her mother makes her sleep outside...)

This game does actually have a direct continuation into The Enigma Machine, this one is sort of a prequel / origin story, is the best way I can put it. Enigma Machine's plot is already pretty dark and messed up, but playing this one and knowing what happens in it just makes that game's story even darker. Though there are some things that dont seem quite explained even after playing both (like what the "core" is) so I'm hoping the next game after that gives some more answers once it releases.

the end of the game felt the way i do during dissociative episodes "who are you?" "i am you"

This game turned out far different from what I was expecting, and I'm not disappointed. From my experience at least I felt like I was learning things with the character, and I think this is greatly needed in a game, it often feels frustrating or disillusioning when the player figures things out far before the character. I think that with the context of story the retro graphics really helped blend this, as I could easily pass the robotic objectives as meta scares or a stylistic choice

I don't know why but I wish there was an ending that the cyborg escapes and runaway.

Wow this was fantastic! Quite loved it; kept me engaged and has an interesting plot! Super unique, and definitely a fan. I love how there's so much to unpack; -The father's inability to realize that his obsessive attempts to bring his daughter back do more harm than good. -The mother's cold and abusive tendencies towards the android, despite Liana's core still being there. (It's understandable as to how she's gotten to that point, but still very difficult to fathom.) - The brother's complete disengagement from his surroundings most of the time. He knows what's going on but is distracting himself from it. It also seems like the parents failed to help support the brother as well in a time of need after Liana's death. As a result he's shut them out, relying on pure online interaction, struggling on his own. It's quite a dark and heartbreaking plot, where a family can't properly recover from their young girl's death.

These videos are so good to listen to while im drawing.Manly hassuch a calming voice and i love all the horror games he plays :)

i love how the mom has to have this talk with her daughter at the barn, she sort of maybe? realizes that liana is in the android but she can’t allow herself to hope for that. she has to tell her android daughter that it’s not her fault and the android is constrained by the nature of what it is. the liana core is limited based on the fact it’s in a robot. and how she says there’s her reality and the androids reality and they could never see the world through each other’s perspective. somewhere in between their realities the remaining liana exists, but she isn’t really herself anymore. at least not the her they could have known because now she has all these new experiences that would change who she is.

"Why have you brought me a basket of rotten apples? I told you I needed a box that your mother had-" ...He had already put another Liana in the house.

10:02 BOY AM I GLAD SHE'S COOKING IN THERE AND THAT WE'RE OUT HERE, AND THAT SHE'S THE MOTHER, AND THAT WE'RE CHILDREN OUT HERE AND THAT WE'RE IN THERE AND I JUST REMEMBERED WE'RE OUT HERE. What i wanna know is where's the caveman?

When it said Liana's Grave the video started buffering This game kind of reminded me of NieR Automata for some reason, notably how you play an android and it's possible to differ from the path you're not meant to take, which gets you endings that aren't meant to happen so it just kicks you back to the menu, and how the androids die at the end of the game because of a virus but as the player you get the choice to "save" them for the "true ending". During the story you come across a village of peaceful machines, trying to live like humans, smaller robots even being referred to as "children", they are taught about every emotion, even fear, which unfortunately backfires later on, you are then given the choice to either kill the last machine Pascal or erase their memory, if you choose to erase their memory they wander the village wondering where everyone is

32:00 The note says "From, Mom" not "Love, Mom" That unsettled me a bit.

This is how the world looks like without my glasses

Genuinely brilliant 10/10 5 stars A+ Gold Medal game Is it weird that the overall tone of the story reminded me of Hideo Yamamoto's writing? Not in terms of violence, obviously. But, something about the way the hero was slowly revealed to be the real threat kind of reminded me of stuff like Homunculus.

Ngl, this is actually a really cool game. This story is really good to me, and I really wish I could see further. It reminds me a *bit* of Higurashi and I really enjoy that. I really wish I could read a story to come from this, if not play a game from it.

Ooh! I thought this was the usual spooky mother game but it was really original and psychological so the game was refreshing!

Godzilla had a stroke while reading title so hard that he died

If I am honest, I would had loved to see more dialogue with the brother, or that he sees that a part of the sister is in the last android.

At 25:23 when you slow down and pause at the right time it says ">>disengaging conciousness" man that's spooky

14:08 “nice sunset huh? Especially when you are a soulless automaton”. given how the game ended, this line turns out to be some kind of dramatic irony

11:20 it says “your sister is back! Hopefully this time for good.”

I'm not one to really recommend games, but since you noted an interest in The Enigma Machine at the end, I'll throw in a few thoughts about it... (really, this is for everyone who's reading this) - It's an excellent game. It superficially touches on similar themes as Mothered (AI and "decontamination") and visually has a reasonably similar style, but it approaches the topic in a different manner. A lot of other comments have noted similarity in the languages and symbols used, indicating that they be an interconnected world. - If you're liking the weird aesthetics of Mothered and how things don't exactly look right, it's worth a shot. It has similar flaws in this regard (the end game is pretty hard to actually navigate), but it's also going to be something you really haven't seen before - In many ways, it's very easy to say "if you liked Mothered, you'll like The Enigma Machine". After seeing these two games, it seems pretty clear that the creator has specific things they want to try out and is going to stick to them. And, you know what? All the power to them for it. It's hard to find anything like it out there

You should play "The Enigma Machine" , I'm watching a play through and it's already explained a lot of what's going on in this game. Loved the game ❤️

I kinda knew it was about a conscience being implemented in a robot when we saw Liana's grave but I really hoped they would show us it's physical appereance. It can "rest" the brother doesn't care about it the mother is affraid of what it can do if it's contaminated and I'm just left with a whole bunch of questions :D

Great voicing in this one Manly it really set the the mood.

For anyone who was curious enough to try and figure out what the mother said to the son in the skipped dialogue it was "I have great news Your sister is back! Hopefully this time for good." The text on screen before it switched to Tuesday morning said "Disengaging android"

Ah, yes, deadly premonition my favourite game, thanks youtube.

Is it just me or is the atmosphere actually kind of calming and peaceful? Like the scenery seems nostalgic, but I’m not sure why.

16:10 One of the few times we heard Manly get startled

:mother: "we have trust in this family" also the mother "we have boarded ALL the windows for your safety" "you can not enter our room we always keep it locked" ya.... sure....

ten minutes in, mom says it's ok if we hate her: 'oh god did my mom have us lobotomized'

Nice to see a 1hour video, thanks for occupying even more of my time Manly

Thanks so much for reading (most) of the lines. As someone who loves to put this stuff on in the background while I'm working I've genuinely enjoyed your voicework! You have a knack for it! I loved this one and Blank Frame!

I like that you read the text out loud. I lets me enjoy the show without having to be 100% attentive, letting me draw at the same time.