Maria João Pires | Mozart: piano sonata "n.18" in f k.533 / k.494

Рет қаралды 21,859

5 жыл бұрын

Пікірлер: 31

@soup6943 3 жыл бұрын

0:00 1st movement 10:00 2nd movement 20:14 3rd movement

@salvatoremartella5397 4 ай бұрын

Questa Pianista non esegue, FA MIRACOLI!

@finlybenyunes8385 10 ай бұрын

Just WONDERFUL! 💜🎶

@soup6943 3 жыл бұрын

This is my favorite version!

@harryeyres1960 6 ай бұрын

Elegant, poised, yet poignant (in the searching Andante) - Mozart playing of a very high order

@michaels7889 Жыл бұрын

It is far from easy to make that rondo sound convincing after the andante but Mme Pires makes sense of Mozart's choice. A beautiful performance, singing, speaking playing, total communication.

@user-tn7rm8uf3x 7 ай бұрын

ピレッシュのこのテンポが好きです。ｋ533は今までブレンデルを聴いていましたが.ピレッシュとブレンデルを交互に聴きます.｛幸せだなあ！！）

@birgitnj Жыл бұрын

It’s my favorite version, too. Just the perfect mix of depth and elegance.

@remomazzetti8757 3 жыл бұрын

All 18 Sonatas are great, but I'd single out this Sonata as well as the astonishing A minor Sonata as Mozart's greatest solo piano works. And this performance is excellent!

@deej20007 3 жыл бұрын

She is one of the very best mozartists out there. Bravo!!

@lilianerodrigues3366 Жыл бұрын

Une technique prodigieuse. Merveilleuse interprète de Mozart. Y a t -il d’autres enrgistrements svp ?❤

@manuelrodrigueslx6883 Жыл бұрын

Merci Liliane Si vous demandez si j'ai d'autres interprétations de Maria João Pires, la réponse est oui : playlist kzfaq.info/get/bejne/pb2qdriAsqq9h2g.html

@lilianerodrigues3366 Жыл бұрын

@@manuelrodrigueslx6883 9

@MrInterestingthings 4 жыл бұрын

She is remarkable ! Again like Haebler and Uchida a delight . Pletnev and Gilels in this sonata frightfully slow tempi and long uncrisp tones. Amazing that the oldGreat russian school offers nothing in Mozart.Horsowsky got it right back in the 1930's !

@olgavolberg2523 7 ай бұрын

Heinrich Neigaus!

@deej20007 2 жыл бұрын

This is amazing but maybe a bit too fast.

@yiteng-piano7738 2 жыл бұрын

Ironic that Liszt should find anything too fast.

@johannsebastianbach3411 Жыл бұрын

What if i found it fast? Would you object to that too my dear sir?

@wolfgangdevries127 Жыл бұрын

@@johannsebastianbach3411 yep, way too fast. Where's the music?????

@antonygonzalez1672 4 жыл бұрын

*no.15

@fredhoupt4078 2 жыл бұрын

She plays the K533 with great panache. But, let us be honest here: she is NOT playing "Allegro". Not even close. She is playing a few notches faster than Allegro. I doubt whether Mozart's own clavichord could have been played this fast? I really doubt it. Faster articulation took time to develop and it did eventually come about but many decades later. So, why play it so fast? I think that such speeds with Mozart and Haydn, maybe even Beethoven as well, should be re-thought. The direction over the last 80 years is faster followed by faster. This does not mean that it is the right direction to take.

@manuelrodrigueslx6883 Жыл бұрын

The question is whether it is artistic interpretation / recreation or not... of course it will come out different from the original... obviously...

@fredhoupt4078 Жыл бұрын

@@manuelrodrigueslx6883 well, artistic interpretation is what all performers strive for. Some more, some less fresh perspectives. But my comment was more about the long term trend towards higher speeds. I recently fell in love with the 83 year old Shura Cherkassky. His live performance was spellbinding. He knew how to play fast but in Chopin, for example, he held back, allowed the music to breathe. He was playing the role of anti-Horowitz. So, speedy Mozart seems to be following a long trend towards higher velocity. I question the resulting music making.

@manuelrodrigueslx6883 Жыл бұрын

@@fredhoupt4078 I understand what you say, but what matters artistically is the result of musical quality. In the jazz musical form, the interpretations / improvisations move away "a lot" from the original, adding artistic recreation to the original... Thanks for this interesting conversation.

@fredhoupt4078 Жыл бұрын

@@manuelrodrigueslx6883 Another point can be discussed and I forward the example of Glenn Gould's recordings of some of the Mozart solo pieces. The exaggerations in tempo and overall speed are among the most extreme that Gould shared with us. To this day I would guess that the majority of pedagogues maintain their complete rejection of Gould's rather hilarious speeds. Gould knew exactly how to play Mozart in the "normal" sort of way and he refused to tow the line. Although I'm a big fan of his I think that even for him, his Mozart tempos are on the far side of the moon. They leave me wondering what he was trying to convey to us about the music? I am left speechless. Your thoughts?

@manuelrodrigueslx6883 Жыл бұрын

@@fredhoupt4078 "his Mozart tempos are on the far side of the moon" the "side" can be very far... as long as the "meaning" of the music is enriched...