Τι υπεροχα λογια , γεματα αληθεια.❤❤❤

3:41, 12:13, *13:36 & 16:07 ... Lucia... the best knife wielding, cerial killing, slasher in all of Acting/Stage History :)

dramatic mezzo-soprano?!!! can you please explain better please, I'm confused.

​@@rogalesi58 yes, very gladly. The young Callas was "exchanged" for dramatic mezzo, and it was for this reason that she was entrusted with heavy roles such as Santuzza and Leonora of Fidelio. In fact, with Callas we are dealing with a natural mezzo-soprano / alto voice, with a low transition area between F and E (intermediate between those characteristics of mezzo-soprano and altos) with a notable propensity to the high-pitched zone, so much so that the transition between medium and treble is found between F and F #, characteristic of sopranos. Probably the singer's physique allowed her to develop her voice in an abnormal way, and to give full resonance to the whole high and even over-high area of ​​the soprano, also considering that Elvira de Hidalgo taught her the authentic technique of coloratura, applicable to any register

I think she was a soprano sfogato

The "Different Ideas ABOUT MARIA CALLAS' VOCAL TRAINING Are Not Based On FACTS!! There Are THREE REGISTERS IN THE SOPRANO VOICE!! THE CHEST, THE MIDDLE AND ""THE HEAD (With FALSETTO)!! MARIA "'WAS TRAINED"" In THE OLD ITALIAN METHOD OF SINGING!! If Taught CORRECTLY EACH REGISTER IS DEVELOPED Then BLENDED SoThat ONE ""MOVES /GROWES Out Of The OTHER REGISTER EASILY! Each REGISTER HAS IT'S OWN UNIQUE QUALITIES Regarding ""THE SINGER'S TYPE OF VOICE"'" The ABILITIES (TALENT- GIFT), BUILD- PHYSICAL ABILITIES, INTELLIGENCE, AMBITIONS Etc.!!! IT Regards TEXTURE, TIMBRES, And Other Unique Qualities Of The Singer's Voice!! SOLID, EXACT- VOCALISES Gets The BEST RESULTS!!!! PERFECT, PRODUCTIVE, METICULOUS (CORRECT) VOCALIZATION ,Etc. !!!! You MUST HAVE A ""GOOD TEACHER To A GREAT TEACHER"'' Who KNOWS The "OLD ITALIAN METHOD"And How To TEACH IT TO The STUDENT- And Get VERY HEALTHY VERY PRODUCTIVE RESULTS While TRAINING The Student CORRECTLY! The ""OLD ITALIAN METHOD OF SINGING-- (CLASSICAL MUSIC)! Over A PERIOD OF TIME- A THOROUGH - COMPLETE TRAINING Makes GREAT SINGERS Like MARIA CALLAS And OTHERS!!!! 17:05

@@cttpn2611 Let's keep calm please...what you say is all very well: there have been many singers educated with that ancient method, but none achieved the results that Callos did. In my very humble opinion, the uniqueness of the phenomenon can be explained by a bizarre and courageous choice of repertoire with respect to the natural classification of the voice, and this also explains the early decline, or at any rate the fact that very soon she was no longer able to perform those miracles with a huge, snappy voice that could sing everything while remaining intact...

ascult aceasta muzica de pe la 5 ,6 ani adica de cca 72 de ani .Maria ,a facut ceva ce nimeni in sec xx ,poate cu exceptia lui Enrico Caruso .Doamna Virginia Zeani ,spunea ca in ciuda problemelor ,pe care singura le-a creat ,Maria este cea mai mare soprana a sec. xx .Indraznesc sa spun ca nici sec xxi nu ne v-a da olta soprana de calibrul ei.

@@marcelpopa8018 sunt deacord cu dumneavoastră!

She encompassed the character and conveyed the drama through the use of her voice!! What does ‘beautiful voice’ even MEAN anyway?? Such an empty term (rather like those alleged ‘beautiful’ voices certain folks waffle on about!!) What La Callas did will NEVER be equalled, let alone surpassed!! She was an anathema…a one off. And, she rescued opera single handedly from the misguided road it had fallen into following!! Maria Callas WAS opera!!

Totally agree. Billie Holiday “objectively” didn’t have a pretty voice, and yet is still regarded as the best jazz singer of all time. Meryl Streep doesn’t have the prettiest face of any actress, and yet… And the list goes on and on. Genius goes way beyond conventionally “pretty”.

“Other singers deliver (more or less) pretty notes; Callas delivers the meaning, the emotion and the character.”

😢😢😢🎉❤❤❤❤❤❤❤❤

Why keep repeating idiocies from persons who know no better. It's their loss. Basta!

Eran los 50's, la televisión aún no tenía las enormes posibilidades que llegó a tener, el cine no se entendía mucho con la ópera, y a ella, por razones que no sabemos, no le gustaba que se transmitieran sus actuaciones de óperas completas. Sólo tenemos algunos conciertos de finales de los 50's y principios de los 60's y algunos de los 70's. Las actuaciones que hizo en México a principios de los 50's se dice que fueron grabadas pero que se destruyeron durante el terremoto del 85.

Your ignorance knows no limits.