진짜요?

Well put, and I agree a hundred per cent.

I thought the performer should fully understand and then serve the composer and his composition?! It's ALL about what the composer want's to tell us, about HIS story, isn't it???

Mister Morne Van der Berg krystian zimerman on schumann fantasiestücke:)

I plan to make it happen. Though it may be very difficult.

Max Hampl is that one where they played it perfect? Can I have a link to the video?

kzfaq.info/get/bejne/d7J0rduGmZuWl3U.html

@@dieaxeldesguten3688 Thank you for referencing this video....absolutely stunning Masterclass by Zimermann

Yo vengo llegando, que bueno que me adviertes, pondre mi alarma para no quedarme de mas jajaja

I died at this lmao

Hahaha I died too

앜ㅋ

Fantastic 🌚

And my mother is a non-dentist

See above.

his english dosen't sound french because Barenboim is not french!

Obviously I was talking about his student :)

El nació en argentina Buenos Aires, 15 de noviembre de 1942

@@ARGENTINE3 Now that’s some quid pro quo :) Me estaba refiriendo al chaval, quien a pesar de ser francés tiene un acento muy bonito cuando habla inglés.

Yes, you are right.I had the much beloved possibility to attend Barenboims rehearsals for over 30 years. There was never such a situation for which he was accused.

"that's not enough"

“I’m sorry in my score I’m sure it wasn’t” xd

a lot of pressure on the student!

Indeed. And it was a very tough lesson on Kadouch. Barenboim was nice and correct; but this was a heavy lesson for him

Dale Smith, the master wouldn’t put himself in that position if he would feel that way. He would be him , with or without audience.

Master classes are usually held in front of audiences

q hablai weón autoreferente

@@rxdxvxnxtx6331 Qué wea jajaja

Aaahh internet!

oh Chopin, im a big fan of you, love your nocturnes, bye 💁🏻‍♂️

Because I like it!

what is the DYNAMIC???

Agreed

Faces are for feelings. When you play with an open mouth, you also sing to yourself. In any case, practice over five hours a day, prepare for concerts, play for the audience and acquire an utter discipline to not screw up anything. Takes a lot of effort. Hands can't shakes, fingers can't shake, can't lose the rhythm and get too emotional. But at the end, combination of everything makes it all worth the effort. Perfection is everything.

You judge as a musician.

Can you spell?

This is... english🤤?

jajajajaajajajajaj

¡No seas malo... Me hiciste reír mucho 😂😂!

He really feels it. Simply fantastic.

kzfaq.info/get/bejne/gOCBgZR3sNGXp6M.html

XDXDXD

É Daví, es forte.

Barenboim habla seis idiomas con total naturalidad. Pronuncia el nombre David en francés porque el chico es francés. Se llama David Kadouch, no "Déivid Kéidoush".

God gave him a great gift.

Thenewjazz no creo que sea una cuestión de gustos, como ponerle carne molida a una tortilla de papas... hay que prestarle atención

pepeloco65 tu comparación es fuera de contexto. Claramente aquí se habla de gusto. El alumno dice lo toco así porque me GUSTA y Barenboim lo acepta, pero su argumento no es valido mientras que el de Barenboim le demuestra que sí lo es. Es cuestión de gusto o acaso existe una verdad absoluta?. Si yo pinto un paisaje digo que es la verdad o mi verdad?...será un gusto propio por pintar los paisajes de esa manera y todos me creerán si mi argumento es mejor que el de los demás.

How true. I finally realized just how vulgar most of the repertoire is. All the real musical value of a Twinkie. Give me Schubert or Haydn or Bach, Sibelius...

@@floxy20 most of the repertoire is choosen by the principle of lazyness, cowardice, or narcisismus. People play Mendelssohns violin concerto not exactly because it is beautiful or to comunicates his ideas,but because they know it will work somehow. The point is that there is a lot of knowledge about how to play it, and the students will of course learn it. But then it comes that it will be by default their repertoire even when the concert is too much for them or if the public is already sick of it. This happens with many pieces of good classicals composers that are indeed not that great pieces to hear ANYMORE. The Hamelin is an exception, he truly wanted to communicate what composers did best, not only what good composers did. One just need to think about the meaning of presenting Beethoven in 2020 for the XYZ time in public trying to imitate the own teacher, without being any true personality, when there is already a lot of better performances done and many other composers waiting to be promoted by these - most of the time- narcisist pianists, who think to high of themselves after just have being obedient for so much time. Most of the times the audience can just focus on the pianist to see" if maybe this one plays it as I want to hear it" , the focus comes more to the pianist than to the composer and in this aspect I think it is like a sport where people only have to win or to loose.

@@emanuel_soundtrack I think it's time to give Chopin a rest and tell people Beethoven wrote wonderful pieces other than symphonies and concertos. Maybe I've been around too long.

Hammerklavier, Beethoven’s toughest sonata

Sonata opus 54 no. 2 in G Major (Sonata no. 16)

@@jackiepike1466 No..He was speaking about another piece..Beethoven's Hammerklavier mvt 4

@@juansebastian768 Yes, it is a very difficult piece..But as Barenboim said..Beethovens music pushes yourself to the extreme. Beethoven's works can be soo difficult. Maybe not Liszt difficult..But very difficult.....That is why you must play his works carefully and try to feel what Beethoven was feeling at that stage in his life. A troubled man he was..Me and him have so much in common but...His music is beyond this world.

oh! and this one is opus 31, no.1 - still learning the opus numbers... Yes, the Hammerklavier...thank you