Masterclass On Selling A Movie And The Money They Make - Glen Reynolds [FULL INTERVIEW]

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Film Courage

Film Courage

Күн бұрын

0:00 - 3 Reasons Why Filmmakers Should Hire A Producer's Rep
9:14 - 3 Reasons Why You Should Submit To Film Festivals
22:38 - Harsh Truths About Selling A Movie
34:28 - What Filmmakers Don't Understand About Distribution
48:03 - Why 86 Percent Of Filmmakers Don't Trust Film Distributors
1:00:13 - How Much Money Do Independent Movies Make?
1:11:05 - 10 Minute Rule For Filmmakers According To A Producer’s Rep
1:24:55 - Honest Truth About Getting A Movie On Netflix
1:37:38 - How To Maximize The Money You Make When Selling A Movie
1:46:42 - How Movies Make Their Money Back
1:59:07 - Everything Filmmakers Need To Know About Negotiating A Distribution Deal
MORE FULL FILM COURAGE INTERVIEWS
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Glen Reynolds founded Circus Road Films in 2006 to provide strategic advisory services to filmmakers. Circus Road guides filmmakers through the festival and distribution process and negotiates licensing agreements on their behalf. Glen has participated in the sales of over 900 narrative and documentary feature films with many of them premiering at Sundance, Slamdance, SXSW, Cinequest, Tribeca, Hot Docs, Fantastic, Telluride and Toronto. Distributors of these films include Fox, Sony, Warner Bros, Universal, Lions Gate, Magnolia, IFC, Strand, Oscilloscope, Drafthouse, Netflix, Hulu, HBO, Showtime, Starz, Lifetime, ESPN and Syfy.
Some favorite films sold include the first films of some successful filmmakers such as Absentia, written and directed by Mike Flanagan (Midnight Mass); Pop Skull, written and directed by Adam Wingard (Godzilla vs Kong); and Newlyweeds, written and directed by Shaka King. (Judas and the Black Messiah).
Recent work includes Clean (Tribeca/IFC) with Adrien Brody, My Dead Dad and 18½ with Willa Fitzgerald (101 Films).
Glen has also co-produced twenty films to date including his favorite Conversations with Other Women which premiered at Telluride and stars Aaron Eckhart, Helena Bonham Carter, and Olivia Wilde. Other great production experiences include developing two projects with Craig Brewer (Hustle & Flow) and co-producing five films with Ram Bergman (Knives Out, Star Wars: The Last Jedi).
Glen holds a JD from the University of Texas at Austin, a BA in English from NYU and is a graduate of the Neighborhood Playhouse in New York. He serves as a judge for the UCLA Screenwriting Competition and on the jury for the Woods Hole Film Festival.
MORE VIDEOS WITH GLEN REYNOLDS
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CONNECT WITH GLEN REYNOLDS
www.circusroadfilms.com
/ circusroadfilms
/ filmsales
/ circusroadfilms
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Пікірлер: 30
@filmcourage
@filmcourage Жыл бұрын
What was helpful to you?
@pootmcphoot
@pootmcphoot Жыл бұрын
Love the full interview uploads rather than clips
@filmcourage
@filmcourage Жыл бұрын
We do our best to post full interviews on Saturdays. Here are our recent ones - tinyurl.com/3jvt2syz
@Jamminn555
@Jamminn555 Жыл бұрын
OMG yes. Thank you!
@KrunoslavStifter
@KrunoslavStifter Жыл бұрын
This is probably the best conducted interview and Q&A I've seen on the internet and definitely on this topic. Very, helpful. And you can tell when someone is holding back or dancing around the bush and when someone is open and honest. This man is on point. Kudos to everyone involved. Extremely well done. 2+ h of very well invested time.
@Yo_DynamoJoe
@Yo_DynamoJoe Жыл бұрын
This business-related content is fascinating to me. He's right about a knowledge gap that most creatives have. Please keep the vids coming Film Courage! You're one of the best uses of the KZfaq platform: truly free education and inspiration.
@HistoryBlitz
@HistoryBlitz Жыл бұрын
We had the pleasure of working with Glen on our feature film. In a business that seems to work against you most of the time, Glen cuts through all the clutter to get you the best deal you can. Brutally honest guy who will do more for you and your film than most people working on the film will. Highly recommended!
@bluezy710
@bluezy710 11 ай бұрын
A big reason why the writers and actor strike is going on is because of how these middle men (sales agents) and distributors rip off filmmakers everywhere. They're just middle men that make filmmakers and their teams lose a ton more money than they should. The only reason why they're necessary is because filmmakers are too lazy to learn the things they need to have an intelligent negotiation with distributors. So instead of filmmakers getting ripped off by 1 person, they get ripped off by 2.
@bluezy710
@bluezy710 11 ай бұрын
Let me break it down to you... film schools don't teach students what they really should know about distribution. Distribution companies that can really change your life financially won't give you any attention because they don't want to waste their time with thousands of filmmakers showing them films that won't be profitable to them and who don't know what they're doing in that space so they'll only deal with a sales agent to filter that a little. Sales agents will either work with every film to get their buck from their "effort"fees or they'll be extremely selective of what films they represent based on the films with the most financial potential for them and the distributors, even if that means you'll see little to no money yourself because, at the end of the day, they can't predict the outcome. The reality is quite a bit harsher than what's he depicting. Remember, he's a salesman who needs to be in good terms with both sides of the coin in order to sell.
@phoenixr6811
@phoenixr6811 Жыл бұрын
I love business segments 😊
@filmcourage
@filmcourage Жыл бұрын
We hope you find value in this one!
@Jamminn555
@Jamminn555 Жыл бұрын
Insight after insight from Glen on how selling a movie actually works. Thank you!
@laqueena333
@laqueena333 Жыл бұрын
Thank you
@ajourneyofriches3672
@ajourneyofriches3672 Жыл бұрын
It was helpful to see both sides of the coin so to speak. Thank you
@mannymoseley4005
@mannymoseley4005 Жыл бұрын
Thank you for posting these very informative and entertaining videos, they have been such a help, an education Be safe, happy and healthy. God loves you, God bless you.
@dejib.3930
@dejib.3930 Ай бұрын
Beautiful. I want this man to sell my movie.
@DLVRYDRYVR
@DLVRYDRYVR Жыл бұрын
🍿 🙏
@James_Bowie
@James_Bowie Жыл бұрын
Don't sign any contract without involving a lawyer who specializes in the field. There are far too many tales of woe for anyone to ignore that advice -- _especially_ novices.
@derekk2708
@derekk2708 Жыл бұрын
I'm just commenting for the 'Al-Gore ith-em'... Film Courage Rocks!! ; )
@filmcourage
@filmcourage Жыл бұрын
Cheers Derek!
@MaxMediaVip
@MaxMediaVip Жыл бұрын
Would Glen Reynolds help and independent film producer from South Africa?
@AldsSecurity
@AldsSecurity 5 күн бұрын
For $$$$ ll he's do it
@ComicBookGuy420
@ComicBookGuy420 Жыл бұрын
How today's movies are sold So we have a franchise that made us a lot of money and became iconic, let's change everything about it and act surprised when the fans hate it Movie Greenlit
@Yo_DynamoJoe
@Yo_DynamoJoe Жыл бұрын
You're not wrong about the state of legacy IPs held by major studios. But those movies *aren't* sold by a filmmaker to a distributor, they're developed in-house by the studio and self-distributed. So while I get your joke and wholeheartedly agree, for the sake of clarity, this video is describing a different process.
@ComicBookGuy420
@ComicBookGuy420 Жыл бұрын
@@Yo_DynamoJoe I know it's serious and I'm here to learn what sells if I decide to try and sell my work as a screenplay rather than a novel, weighing my options Regardless, I made a joke, laugh or do not
@megancarroll
@megancarroll 28 күн бұрын
The way he talks actors as a commodity was gross honestly. Some good info, but I’ve heard other places, but it soured for me.
@laughslapproductions4690
@laughslapproductions4690 22 күн бұрын
It’s true though. In the industry they’re treated as products. For the amount some of them get paid I’m sure they don’t care much 😂
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