These types of tutorials are SO much better than the 2 hour waffling talky ones. Absolutely fantastic and we need more of these types of videos in this format please.

I hope Epic continues with these types of tutorials. They're perfect.

Im so going to build my own music instrument with this. Thanks!!!

Concise and straight to the point, thank you for respecting our time by establishing these half-hour format tutorials! These 2 hours Inside Unreal talks are interesting, but especially when the people are in different locations, quite hard to follow.

Seeing the minigun example was a really nice surprise as I also had to do one with the exact same logic: wind up, idle spin, firing, wind down. Also extremely nice video short and to the point. Please do more examples/videos :D

I found this video amazing and easy to follow and grasp the concepts. My only issue is that many of the functions/variables have been deprecated in the UE 5.1 which makes an otherwise fantastic tutorial very very frustrating. Nothing works at all without referencing UE docs to find out what the solution is now after the updates. Case in point Send, Receive, Trigger Sounds. It would be awesome if you posted an update because your teaching style is the best I've seen and I've watched a lot of tutorials. Cheers. If I missed something here please let me know and I will absolutely apologize for my criticisms and grievances. Again your tutorial method is second to none. Good stuff.

Hands down, Chris is a jewel in the Epic’s crown! What a gentle introduction with nicely picked examples 👏🏻

I am just getting into this. but it seams like UE5 is creating its own verison of wwise inside its engine. And this is the best tutorial I have watched.

Such a powerful tool! Thx Epic

Great introductory video, thank you!

Very cool. Can't wait to see, err, hear what people do with this!

This was extremely helpful, thank you!

I went with these tutorials completely backward, started with the Lyra deep dive, got confused, and moved to the 3h long one, which started to make sense but it was a little bit all over the place for me, and ended with this which finally hit home. I am super excited to dive into metasounds more and A/B some practical situations with Wwise.

Just wonderful!! Thanks a lot

Awesome stuff! Thanks :)

if doing this in UE5.1, the "get parameter interface" is now "execute trigger parameter"

Wonderful presentation. I approve. Thank you for showing us this.

Great tutorial, thanks Chris!

This is fascinating!

Nice, thank u Chris, love all of your explanations ❤️👍

This is absolutely mind blowing.

I've just gotten into unreal and this is blowing my mind

Oh yes we need more tutorials when we see things working not theoretical talking. I love mini gun anyway. Blueprint system working well! Well done please share more videos like this!

Thanks for this, it's very inspiring!

Always great clicking a video and finding out its hosted by chris

For those of you not seeing "SendTime" Just create a variable to contain "Seconds" and hook it up the envelope as shown in the video.

Woow, very nice video!

I like the old style music in a modern realistic based engine. Cool stuff

... beautiful one , thank you very much. ... : ) ,,,

inspiring, thx!

This is pretty great! Pro & cons versus the FMOD workflow, but I'm keen to play with this on some new projects soon! 🎧💙👍

Excellent one

AMAZING

Marvelous 🤩

Great stuff Chris, as a hearing impaired person I appreciate that you speak so clearly. Is there a downloadable project for this?

Chris Murphy does the best UE tutorials...hands down....

This is such a cool system, I do think we need features in blueprints like functions, collapsed graphs, and macros though

I'm loving Metasounds vs Fmod BUT why would you ever want a sound to stop and replay from the beginning clipping the last sound? Instead of having to copy and paste it over and over, make int checks and throw it into the mixer wouldn't it be better to layer sounds by default?

Christopher Murphy great teacher, i like you)

This guy was really great. I hope you are still making tutorials :)

A tutorial like this for car engine sounds would be great. I'm trying to follow along for that specific need, but it's challenging because car sounds are tied to RPM, speed, etc

6 mins in... this is SO COOL :D

great tutorial, would love to see something that goes more in-depth into procedural sound/music generation. If anyone has any links to good tutorials on it, that'd be great too. :)

Oh man, can't wait to get obsessed with this and then fail miserably.

omg right now I'm so damn glad that i have a past as dj and producer :'D knowing every word in those nodes and not having to learn that as well is just yeahhhhh :D

WOW!

18:43 this functionality apparently doesn't exist as of 5.4.2, and all I could find was a forum post from months ago pointing to this exact video asking where these nodes are, and getting no response at all. The quintessential Unreal experience.

I see you're chasing Reaktor there. Nice! But why are none of these graph sound systems automatically polyphonic? Drag a box around a block of nodes, press the "polyphony x4" button, and some macro just Does The Thing!

This tutorial is amazing thank you! I have a question, is there a node that can take in real-time audio, and use that audio to manipulate things inside the world?

Chris! Hello, you’re the best.

UE needs to arrange more sessions like these instead of the ones where folks just demonstrate cools stuff WITHOUT the internal workings and how to leverage them in practice.

I hope someone makes an editor based music tracker or sequencer using this tech. I want to license it and incorporate music from it into my game!

Excellent Tutorial, On Point & Quick to understand. Im Just having an Issue getting the Get Parameter node from the audio component

Why does this use a completely different kind of UX from blueprint. Multiple outputs from a single node, but you need an extra node if you want to combine triggers (this is the opposite of blueprint with its multiple allowed execution inputs, but sequence node for output). Lots and lots of string based routing, rather than just... variables... I can imagine you might want slight tweaks for an audio node editor, but I'd expect the workflow to be somewhat consistent least.

To anyone who try to follow this like me, in UE 5.3 send and receive function are not there, my workaround as a complete noob is to promote as variable for "send" and get the variable as receive. hope this can help This kind of content is amazing and Chris did a great work

Chord Tones Only :)

This is 2 years old, so hopefully there's a much more straightforward way of handling concurrency.

Sorry if this is a complete noob question but would anything similar to this work in UE4 ? This would be perfect to implement into a project I’m currently working on but I’ve had a lot of issues moving my project over to UE5

Claps in f#, wow.

Nice! Accessible Pd for games..

👍👍👍

Is the project available anywhere? Would be interested to know how one syncs animations with metasounds

for a minute i thought it said from mingus to music....one can always hope.

😍😍😍

was just doing car engine sound with sound cue . this looks way easier to me . i would love mess with this arround .

For the mini gun or anything how can I make a realistic reverb? Does metasounds have that

Is there a way of using MIDI library or maybe VST plugins?

should add instruments to MetaSounds.

Are the minigun sounds/this project available anywhere to download?

"Shot array", you can call it a booster.... randomized.... in a loop...

👍

ok, so what happened to send/receive in Preview 2? have they been deprecated for variables? I found that global send/receive was super, I could cast audio to local subnodes...

How to print out the time points and duration data in MIDI notes?

❤❤

I would like to know how the spinning of the barrel was animated

Semoga sukses kak cover VErlita hader kak

where did yall find the barrel audios

is there any way to get access to that minigun project to practice this tutorial?

This was really cool! Is it possible to somehow feed Metasound information into Niagara systems and modules?

Lol at 10:10 he's going to solve the machine gun effect (a midi issue with repeated musical notes, solved by round robin) on a machine gun.

Dunno why but that second audio segment was super grinding 9n my ears

i cant find the send and recieve time node.. anyone knows if they have been replaced or i have to enable somthing?

It is a useful tutorial. But it is too fast and sometimes doesn't say where to find the stuff!

where do i find this project files(miniguns Prj) ?

I followed this tutorial PRECISELY and the sound still cut each other off. I wonder why? I put in longer sounds to make sure and they definitely cut each other off.

can we get this miniguns environment?

trying to follow along with the creation of sci-fi music, but at the point your at at 16:34 it just comes out super distorted. Do you have any idea why this is? Many thanks

When will the UE5 be available? I am making a game as my last year project in college. This would totally help me to do more in the game.

12:13 anyway to do that without having to copy past the logic? like a loop? Kind of annoying have to keep copying the entire ting just to not have the sound stop playing the previous one I feel like we should have a checkbox somewhere like "allow overlap" or something instead of having to copy and past again again

There is nothing connected to the Output - On Finished node. I am doing something simular but with footsteps and im getting the problem that it keeps starting new loops and eventually crashes. Any tips?

Can you download and provide the project? I ask of you.

Do i need to buy the minigun? Or can i find it for free?

Okay

14:00

although, not being pro musician I've found myself looking for a dictionary of 'elements' to add and conjugate. it seemed that soundmaking - for once - had a grammar. It was insightfull to hear gun build up of sound fx as logic based instead of sensorial based. made me expand my range of audio from stuff... which is a new height delight. in contrast the musical part was a bit devoid of musical meaning... [ I know Schoenberg admoestars about music emotions being related to memory and pattern recognition "how so much stanislavsk of him !' ] perhaps if the 'color spheres' sounded more like the flowers in Star Trek pilot the cage... all scifi should hear as more eerie... are there reverbs in sound meta ? the fun part: 'metasound' programming section made me wonder: would a calculator find pleasure in a scale ?

1 or 3 Unity fans always be like Nah 👎

I’m still failing to see how this is in any way an improvement over using SoundCues with regard to sfx. With music MetaSounds seem better, but with sfx it just seems like everything has become far more convoluted for no reason.

this video is much better than those girl voice videos

I'm down

You totally lost me at 14:08 ;(