Everything that has ever happened is underrated

my bf plays this constantly lol

I call them Canadian Radiohead. They're amazing.

Silversun Pickups also do the same but they aren't 90s

James Brice 2009 had it

It's not pop though really. It's more alternative rock, alt post punkish. I'd litterally throw up if I where listening to pop lol.

No offense but I think it's a rock song. A damn good one.

its rock n rolllll

dave wanted a slice of that

see: donald marshall

Molly Malone she's amazing to watch live, I saw her last night and oh my god she's perfect. she's so full of energy in front of an actual crowd

+Arik Haydn Actually i'm discovering them live after listening to them for a few years now, and it's rare, but i have to say i think i prefer the albums (Fantasies, my love

no mames

@@I.AM.Issachar. si mames

@@meowbruhhh4586 si es a tu hermana si

@@I.AM.Issachar. no mames, te pasas de guey

@@meowbruhhh4586 No soy ni güey ni vaca pero soy el que te la retaca

see: donald marshall

@@cankhovich1796 Why is that? What about Donald Marshall? Who is he anyway? I Googled and came up with a man from Canada wrongfully accused of murder. Donald Marshall Jr.

still some of todays best music from 2018

@@benatchison2371 And 2020.

@@Zizzyyzz And 2022.

@@MrBrno And soon to be 2023.

Yesss! 😊

YES!! Best live experience. They can't be captured fully in recordings.

+jeffthrow6892 sometimes live versions are way better than the studio ones

+Diego García Ríos -- True enough, but, as the other comments here prove, this was hardly a perfect performance. Emily's vocals need to be up in the mix more, for one thing. Anyway, all I know is that I find the studio version disappointing compared to this, mainly 'cause the guitar parts sound SO much better here.....

That's could be right. The point is (talking about the instrumental background) that in live versions we get to notice details that are not so obvious in studio ones because of the mix and edition.

+jeffthrow6892 Been a while since I listened to the studio version but google, "the loudness wars" which may in part explain it, i.e, every part (vocals, drums, guitars, keys, etc.) are brought up to equal volume in the mix and to nearly an extreme point that there aren't many dynamics left in the music. So it sounds decent at low to mid volumes, especially in cars, on the bus, anywhere that background noise can intrude so the natural dynamics of real music must be tamed (or so the studio practices justification goes). But the negative byproduct of these "modern" studio recording & mastering practices is that the excitement and vitality is diminished and even becomes fatiguing to listen to when played at high volumes. The studio recordings sound too processed and some of that nuanced detail disappears. Detail and dynamics that are re-emerging again in this live setting. Not to say the live mix here is perfect, btw. But it does have a raw vitality that the studio version probably lacks.

I still think that guitar part sounds cool on the album version, but it's definitely got a bit more crunch (or overdrive) and a little touch of phaser or something on this vid. Rocks it out a bit more. +kikkiokioli 's probably right as well.

I think it's that dress. If I were wearing that thing I'd be nervous as hell... about everybody seeing my titties.

The Last Show isn't live it's taped. But yeah.

Funny I think she looks confident.

why do you think she looks nervous?