Michael Haydn is definitely under-rated today

Thank you both Haydns. Refuge in troubled times.

In fact, young Mozart and his father played the Violin, when Michael Haydn s requiem was performed at the Salzburg cathedral. Remember Mozarts excellent memory abilities! He remembered even Allegris Miserere at St. Peters in Rome and he wrote it down the day after. In my opinion, Mozart uses Haydns Requiem like a scetchbook, whereout he takes some ideas, for he had to go along with composition very fast, because he felt his own death coming soon.

I listen to Hayden’s requiem at least twice a day ..I can not face this horrible life without it ..thanks dear Haydn ♥️

I have listened to this requiems 1000000000 times .. bless you Haydn .. you and your brother .. mother and father

I came cross this while watching the funeral of Otto von Habsburg. It definitely should be better known. It is a very fine piece of music. Thanks for posting.

this requiem has saved my mind in this harsh time of my life .. LOVE YOU HAYDN

1. Requiem aeternam - Kyrie [0:00] (Kyrie at [3:51]) 2. Sequentia Dies iræ [6:30] ( en.wikipedia.org/wiki/Dies_irae ) (Dies iræ dies illa 6:30, Quantus tremor est futurus 6:48, Tuba mirum 7:04, Mors stupebit et natura 7:28, Liber scriptus proferetur 7:48, Judex ergo cum sedebit 8:07, Quid sum miser tunc dicturus? 8:27, Rex tremendæ majestatis 8:50, Recordare Jesu pie 9:09, Quærens me sedisti lassus 9:21, Juste Judex ultionis 9:44, Ingemisco tamquam reus 9:56, Qui Mariam absolvisti 10:16, Preces meæ non sunt dignæ 10:31, Inter oves locum præsta 10:45, Confutatis maledictis 11:01, Oro supplex et acclinis 11:35 Cor contritum quasi cinis 11:53 GE-E-RE-E curam mei finis 12:02, Lacrimosa dies illa Qua resurget ex favilla 12:21 Judicandus homo reus 12:41 Huic ergo parce Deus 12:55, Pie Jesu Domine 13:03, ..., A-A-A-A-men... 13:38) 3. Offertorium: Domine Jesu Christe [14:31] 4. Offertorium: Quam olim Abrahae [17:19] 5. Offertorium: Hostias [18:32] 6. Sanctus [21:06] 7. Sanctus: Benedictus [22:34] 8. Agnus Dei [25:35] 9. Communio: Cum sanctis tuis in aeternum [31:00] www0.cpdl.org/wiki/index.php/Missa_pro_defuncto_Archiepiscopo_Sigismundo_(Johann_Michael_Haydn)

I am just in deep love with this requiem

Johann Michael Haydn, ou Michel Haydn, est un compositeur autrichien, né le 14 septembre 1737 à Rohrau (Autriche) et décédé le 10 août 1806 à Salzbourg. Il est le frère cadet de Joseph Haydn (1732-1809).Johann Michael Haydn est né en 1737 dans le village de Rohrau sur la Leitha en Basse-Autriche, près de la frontière hongroise. Son père Mathias Haydn était charron et sa mère Maria, née Keller, cuisinière au palais du comte von Harrach. Comme son frère ainé, Joseph Haydn, il reçoit une éducation musicale dans la maîtrise de la cathédrale Saint-Étienne de Vienne, dirigée par Georg Reutter. Il étudie également le violon et l’orgue. Il complète ensuite son éducation au séminaire jésuite. Après avoir occupé divers emplois de maître de chapelle, il finit par être nommé, en 1763, maître de concert (« Konzertmeister », c'est-à-dire premier violon, également chargé de diriger l'orchestre) et compositeur à la cour du comte de Colloredo-Waldsee, prince-archevêque de Salzbourg. En 1777, il devient organiste de la cathédrale de Salzbourg et aura notamment pour élèves Carl Maria von Weber et Anton Diabelli. Le 17 août 1768, il épouse la chanteuse Maria Magdalena Lipp (1745-1827) avec qui il eut une fille, Aloisia Josefa, morte en bas âge. Maria Magdalena tint le rôle de la Miséricorde dans la cantate Die Schuldigkeit des ersten Gebotes, puis celui de Tamiri dans Il re pastore, deux œuvres de jeunesse de Wolfgang Amadeus Mozart. En effet, grand admirateur des frères Haydn, ses aînés de vingt ans, Mozart a beaucoup étudié leurs compositions et s'en est inspiré à maintes reprises[réf. nécessaire]. Mozart a demandé à son père, qui jalousait Michael Haydn[réf. nécessaire], de lui envoyer les nouvelles compositions de son collègue de Salzbourg, spécialement tout ce qui relevait du contrepoint et de l'orgue. À sa mort, l'archevêque de Salzbourg fit des obsèques solennelles au cadet des Haydn

This is the first time I've heard this piece since 1970, when I was 17 and sang in the chorus in a performance at Juilliard. Funny how it all comes back.

Я думаю, что это один из лучших Реквием когда-либо написанных. Спасибо вам большое за видео.

Bueno que se podía esperar del hermano de J-Haydn ... Sólo una obra maestra, Y debo de decir que Mozart se inspiró en esta obra para Su Rèquiem.

A masterful rendition of sublime music - I wish that we could have more like this in our churches for Sunday Mass

Un Requiem fantastico. Una musica divina 💖

Mozart and his father were members of the orchestra during the premier. and possibly also the first few performances. no wonder Mozart's version is so similiar

je cherche encore les mots pour qualifier cette oeuvre

Un requiem fantastico, Molto bello

Этот реквием надо вывести в топ. Лучший. Прочитала, что Гайдн написал его после смерти своей годовалой дочери.

Beautiful work!

Beautiful!!!!!

truly beautiful. thank you kindly for this utube video.

This Requiem is fantastic, in my opinion as good as Mozart's...

Il est clair pour tout le monde que tout compositeur a subi l'influence musicale de son époque et de ses predécesseurs. Ce n'est pas exclusif à Mozart! Chacun a néanmoins créé une oeuvre musicale personnelle. Il n'y a pas à polémiquer sur ce sujet. Je ne suis qu'une humble mélomane , cependant je dois avouer que malgré mon intérêt pour ce Requiem de Michael Haydn, il estt certain que je ne ressens pas la même forte émotion en l'écoutant qu'en écoutant celui de Mozart !

Je l'apprends en ce moment avec les voix découpées je fais le tenor c'est magnifique en suivant la partition

very beautiful

I've been fan of k626 for over 20 years. Why have I never heard this before?

I love it :)

Man, it is so obvious Mozart got inspiration and musical ideas from the starting of Michael's Requiem. xD

Although Mozart's Requiem is so much inspired by Hayden's,both are still unrivaled amazing masterpieces..I ,myself, prefer Mozart's..

Fanstastic..

12:02 i like the bass line here 😍

❤❤❤

Capolavoro di grande ispirazione ed equilibrio, assolutamente avanti nella scrittura rispetto alla sua epoca.Geniale.

We are going to sing in Szeged, with vaszy viktor choir

Showed this to someone who doesn't listen to Classical/Baroque music. They described it as "A real banger" Don't know what that means, but, regardless, this song is LIT AF

Good job my brother

soprano solo🌸 3:20 4:28 7:20🎉 11:33 13:20 15:13 16:15 23:35 25:38 28:30 30:56

Over all, would not say that this is Baroque style. It is a very enlightenment style. Bach would had been scared. :D

that great opus had an impact on mozart

Mick deserves as much credit as his brother Joe.

The beginning of this Requiem is similar to the overture of Händel`s Messiah

I heard this in St. Peter's Church Salzburg. Haydn's tomb is in the south aisle.

This is the song in high school that the requiem was not complete… the first supprano in the Latin version is redeeming

cette oeuvre méconnue du frère du grand joseph haydn mérite une diffusion bien plus vaste ,, cette oeuvre m'avait fasciné la première fois que l'avais écoutée il y a bien longtemps déjà ,, curieux qu'elle soit la seule oeuvre ou presque que l'on connaisse de michael haydn,, joseph dût être bien fier de son frère ,, peut être existe t'il des partitions cachées de michael ,, ou bien perdues détruites ?? son répertoire est consistant , des symphonies par dizaines , des quatuors , des sonates , des cantates , motets , oratorios , opéras , arias , sérénades , psaumes , ect

Does anyone know where can I find some authorized source on the internet to read more about this requiem? For example Charles Sherman? Thank you

Much has been posted here about the musicology, but which the best Mass ? i.e which version expresses the religious sentiments and yearning of the theology of the Mass, namely the journey of the Soul.

P A R T S with L Y R I C S & T R A N S L A T I O N (by John Davies) 00:00 [Part A1] Requiem ---------------------- Requiem aeternam dona eis, Domine, / et lux perpetua luceat eis. Te decet hymnus, Deus, in Sion, / et tibi reddetur votum in Jerusalem. Exaudi orationem meam; / ad te omnis caro veniet. [EN] Grant unto them eternal rest, O Lord, and let perpetual light shine upon them. You are worthy of hymns, O God in Sion and vows are rendered to you in Jerusalem. Hear my prayer. Unto you, all flesh shall come. 03:50 [Part A2] Kyrie ---------------------- Kyrie eleison. / Christe eleison. / Kyrie eleison. [EN] Lord have mercy. Christ have mercy. Lord have mercy. 06:31 [Part B] Dies irae ---------------------- 06:31 (01.) Dies irae, dies illa / solvet saeclum in favilla, / teste David cum Sibylla. 06:48 (02.) Quantus tremor est futurus, / quando iudex est venturus, / cuncta stricte discussurus? 07:04 (03.) Tuba mirum spargens sonum, / per sepulchra regionum, / coget omnes ante thronum. [EN] Day of wrath, that day. Man’s time dissolves in ashes as was foretold by the prophets, David and the Sybil. What fear is to come when the Judge arrives! All things will be completely destroyed. The trumpets spreading their marvelous sound around the graves of all the regions will compel all before the throne. 07:28 (04.) Mors stupebit et natura, / cum resurget creatura, / iudicanti responsura. [EN] Death and nature will be astounded as all creation rises again to answer the Judge. 07:48 (05.) Liber scriptus proferetur / in quo totum continetur, / unde mundus iudicetur. 08:08 (06.) Iudex ergo cum sedebit, / quidquid latet, apparebit; / nil inultum remanebit. [EN] The written record will be brought forward in which all deeds are contained by which the world will be judged. Therefore, when the Judge sits, all that which is hidden will be revealed. Nothing will be left unpunished. 08:28 (07.) Quid sum miser tunc dicturus? / Quem patronum rogaturus, / cum vix iustus sit securus? [EN] At that time, what am I, a miserable wretch, to say? Who shall intercede for me when even the just are hardly secure? 08:51 (08.) Rex tremendae maiestatis, / qui salvandos salvas gratis, / salva me, fons pietatis. [EN] King of dreadful majesty, who freely saves those who deserve salvation: save me, fountain of holiness! 09:09 (09.) Recordare, Iesu pie, / quod sum causa tuae viae: / ne me perdas illa die. 09:21 (10.) Quaerens me, sedisti lassus: / redemisti crucem passus: / tantus labor non sit cassus. 09:45 (11.) Iuste Iudex ultionis, / donum fac remissionis / ante diem rationis. [EN] Remember kind Jesus that I am the reason for your life on earth. Do not let me be lost on that day Though weary, you resolutely sought me. You redeemed me by your suffering on the cross. Let not such great labour be in vain. Judge who punishes justly, give me the gift of forgiveness before the day of reckoning. 09:57 (12.) Ingemisco tamquam reus: / culpa rubet vultus meus: / supplicanti parce, Deus. 10:17 (13.) Qui Mariam absolvisti, / et latronem exaudisti, / mihi quoque spem dedisti. 10:31 (14.) Preces meae non sunt dignae: / sed tu bonus fac benigne, / ne perenni cremer igne. 10:45 (15.) Inter oves locum praesta, / et ab haedis me sequestra, / statuens in parte dextra. [EN] I groan like the guilty man. My face is red with guilt. Spare me, who kneel before you, O God. You who absolved Mary Magdalen and favourably listened to the good thief - to me also, you give hope. My prayers are unworthy, but you, full of goodness, treat me kindly so that I will not burn in fire forever. Find a place for me amongst thy sheep and separate me from the loathsome goats and stand me on your right side. 11:01 (16.) Confutatis maledictis, / flammis acribus addictis: / voca me cum benedictis. 11:36 (17.) Oro supplex et acclinis / cor contritum quasi cinis, / gere curam mei finis. [EN] After having confounded the wicked and consigned them to the fierce flames, call me along with the Blessed! I pray kneeling before you with a contrite heart as if in ashes. Take care of me at the end. 12:21 (18.) Lacrymosa dies illa / qua resurget ex favilla / iudicandus homo reus. 12:56 (19.) Huic ergo parce, Deus: / Pie Iesu Domine, / dona eis requiem. 13:38 Amen. [EN] What tears on that day when there will rise from the ashes the guilty man to be judged. Therefore, O God, spare him. Gentle Jesus, grant them rest. Amen. 14:33 [Part C] Offertorium ---------------------- 14:33 (1.) Domine Iesu Christe, Rex gloriae, / libera animas omnium fidelium defunctorum / de poenis inferni, / et de profundo lacu. 15:21 (2.) Libera eas de ore leonis, / ne absorbeat eas tartarus, / ne cadant in obscurum. 16:20 (3.) Sed signifer sanctus Michaël / representet eas in lucem sanctam, / quam olim Abrahae promisisti / et semini eius. 18:34 (4.) Hostias et preces tibi, / Domine, laudis offerimus. / Tu suscipe pro animabus illis / quarum hodie memoriam facimus. 19:19 (5.) Fac eas, Domine, / de morte transire ad vitam, / quam olim Abrahae promisisti / et semini eius. [EN] Lord Jesus Christ, King of Glory, deliver the souls of all the faithful departed from the pains of hell and the deep pit: release them from the lion’s jaws; let not Tartarus absorb them, let them not fall into darkness. But the Holy standard-bearer, Michael, brings them back into the Holy light which once you promised to Abraham and his descendants. We offer sacrifice and prayers of praise to thee, O Lord. Receive them for those souls which we remember today. Let them pass, O Master, from death to the life you promised to Abraham and his offspring. 21:07 [Part D] Sanctus ---------------------- 21:07 Sanctus, Sanctus, Sanctus, / Dominus Deus Sabaoth. / Pleni sunt coeli et terra gloria tua. / Osanna in excelsis. 22:35 Benedictus qui venit / in nomine Domini. / Osanna in excelsis. [EN] Holy, Holy, Holy, Master, Lord of Hosts. The Heavens and Earth are full of your glory. Hosanna in the highest. Blessed is he who comes in the name of the Lord. Hosanna in the highest. 25:36 [Part E] Agnus Dei ---------------------- Agnus Dei, qui tollis peccata mundi, dona eis requiem. Agnus Dei, qui tollis peccata mundi, dona eis requiem. Agnus Dei, qui tollis peccata mundi, dona eis requiem sempiternam. [EN] Lamb of God, who takest away the sins of the world, grant them rest. Lamb of God, who takest away the sins of the world, grant them rest. Lamb of God, who takest away the sins of the world, grant them eternal rest. 28:41 [Part F] Communio: Lux aeterna ---------------------- 28:41 Lux aeterna luceat eis, Domine, 29:14 cum sanctis tuis in aeternum, / quia pius es. 31:01 Requiem aeternam dona eis, Domine, / et lux perpetua luceat eis, 32:09 cum sanctis tuis in aeternum, / quia pius es. [EN] Let eternal light shine upon them, Lord, with your saints in eternity, because You are Holy. Grant unto them eternal rest, O Lord, and let perpetual light shine upon them. with your saints in eternity, because You are Holy. 33:54 Applause

00:01

Gloria tibi Domine

Wow so similar to Mozart's requiem

Fire walk with me

22:00

Et in Terra Pax

2:15

1:00

14:50

this lacrimosa sounds like mozarts dies irae

El de los minutos?

S

this is good, but mozart remix is much better i think.

HunterxHunter next OST?

You need to know a lot more about couterpoint, harmony and fugues before comparing this requiem to THE Requiem, the Requiem of all Requiems, Mozart's Requiem. The date has nothing to do and it's a puny argument. Michel Haydn did a good job....nothing else. On the other hand, Mozart composed the greatest, most impressive and ultimate piece of musical genius. Nothing compares to Mozart's Requiem.

both Michael Haydn and Mozart uses G. F. Handel's motifs far more than any other composers'. And Mozart references Handel's Messiah far more than works by any other composer. The opening of Mozart's Requiem references Handel's The ways of Zion do mourn, HWV 264. The dotted rhythm in the bass references Surely, He Hath Borne Our Griefs from Handel's Messiah and the fugal subject of Kyrie references And With His Stripes. To Mozart, Handel was the real hero, not Michael Haydn. All M. Haydn did was writing a very academic, weak work based on the foundations built by Handel.

l'inspiration par Mozart frole carrément le plagiat

Bad direction..

Mozart was influenced by THIS requiem to write his requiem ,,, it is very obvious that Mozart copied Haydn in many parts

Its an norml baroque . Mozart requim was written by god . Not mozart

Aha Mozart copied this one

Classic music sucks

Mozart and his father were members of the orchestra during the premier. and possibly also the first few performances. no wonder Mozart's version is so similiar