as Abraham Lincoln said, "Give me six hours to chop down a tree and I will spend the first four sharpening the axe."

U can see nothing. It is so complicated he doesnt even say the hardware needed for running all the IR's

@Jun Escalona I think he's doing it this way: he has a normal guitar bus with the tracks he want to record (in this case the DI + the amp one) which is routed to the master bus as usual, but those tracks are recording only and their monitoring is muted, so he's not hearing anything from that. To hear what he's playing he created a track which is routed to another master (which you need to create as well), or it simply bypass the normal master bus going directly to the output, and in the case of another master the benefit is that this new monitoring master doesn't have anything on it, allowing the zero latency monitoring.

Heck yeah

i'm not alone who interest in shinra industries lol

i'd be interested in this as well. Don't know how he does it, but i just pick the zero latency monitorying on my focusrite mix control software.

@@slavesforging5361 Hey guys, Misha just explained his routing setup in a new video. Check it out, it's called "Misha's guitar tracking tips"

There is a simple way to do this, it is quite easy to integrate into any existing template: Select every track which has "Stereo Output" assigned as its output, and send it to a bus (any bus that you certainly haven't used before, for example Bus 100). I call this one "Mixbus" but you can call it anything you like. Normally Logic will automatically create the corresponding Aux Track in the mixer. (ctrl+t brings it to the arrange window as well) This is going to be your new "Stereo Output" track, on which you are doing all your mixbus compression,eq,limiting and all the fun stuff. This Track has "Stereo Output" assigned as an output. From this Track, you can now create as many post-fader sends at 0dB to outputs of your choice. If Logic sees the Headphone Output as a separate stereo pair of outputs, it's easy. You are going to find a second output channel, which you can call "Phones". This channel is, where you put your correction plugin. So you end up with one Stereo Out which is unaffected and one corrected Headphone Out. Option B is to send a copy of your Mixbus into an unused pair of outputs, for example the spdif's or 3 /4, which aren't connected to anything. In this case you call your second output channel "print" or "bounce" and you leave that one unaffected, while putting your plugin on the Stereo Out . The only downside of this case is, that you can't use the shortcut to bounce anymore, since it defaults to the Stereo Out. Instead, you have to click the "Bnc" Button next to the corresponding fader. There are many more ways to get creative with this, for example adding a layer on top, and sending your mixbus, together with a reference channel or two, into Bus 101, which you call "Main Bus". This allows you, using(alt+solo) to quickly check your mix, against a reference. Your send is then being sent from the Main Bus, which then acts as your "output distribution channel".Obviously, this doesn't add any latency at all. You just have to remember to put the Mixbus as the output of your audio and instrument tracks or group busses, but you quickly get used to it. Have a great day! :)

@@slunnes thank you for taking the time! i don't seem to have another output besides 'stereo out' ;/ so i guess muting the plugin is still the simplest and best option for me for now

@@darwindeeez You're very welcome! You could try adding a piece of software called "loopback" (was called soundflower in the past) inbetween your daw and your interface. It can simulate multiple outputs to your daw. Might be worth googling. And nonetheless, the use of a mix bus is good practice in mixing, it allows you to easily create multiple versions of your mix to compare it. Cheers

@@slunnes yes i use audio hijack pro for that which would certainly be a hands-free way of handling the issue and i'd never accidentally bounce through the EQ. but that program seems to use a lot of CPU. and i do use the mix bus setup you're describing with the fake master bus as well, it is really nice, i agree!

Wouldn't it be useless unless you had all the same plug ins and In/Outs as he does?

@@orlandomarinjr The template? No, the drums are MIDI mapped. Plug-ins? I have most and have followed his previous vids. Ins/outs are easily adjusted within Cubase and my UAD X6.

Yes. The interface makes a difference

Absolutely, my drummer hated my Focusrite, loves my RME...

👍👍this guy

Me too

@@williamdistasio9358 recently I've been using a boost in front of my interface into some LePou amp sims, or the Emissary, so I've just been saying screw recording DI and just commit to a tone XD

@@smoreshaunted huh, yeah that's what I do too. I've not used my Lapou sims in a long time, because I'm soo into the emissary. But yeah, my session chain is usually something like this; TSE 808 OR TS 999 then my noise gate,( Weirdly enough for some reason my Noise Gate works better in that spot in the chain rather than in front of everything. It seems like I don't lose the tail end of my sustain as quickly) then the Emissary, Nad IR, (mostly Kalthallen IR's), Anvil 5 amp ( I have this here in the chain as a boost, I use the clean channel but mess with the gain,bass, mid and treble. I'd suggest trying something similar, it's pretty cool for darkening a tone and making it super edgy and aggressive) then usually like TAL reverb on the end...but occasionally I'll put some delay, depending on what I'm trying to achieve. If it's a heavy chugging or technical "riffy" thing then I just use a touch of reverb and double track. So I use mostly free plug-ins man, as you can see from what I just explained to you. The only thing I haven't found yet that I really truly like is a good compression. What do you use for compression?

@@williamdistasio9358 I've been back and forth between LePou and the emissary for a few days I actually like the Mesa voiced amp quite a bit (the Lecto) sounds good with a real boost pedal and I've been using celestion 2x12 v30 IRs(md421) as well as Glenn fricker's free IR that he gave out a few weeks ago. Sometimes after recording I use a multi-band compression plugin(FL studio stock plugins) on guitars but usually no compression. Now if you're talkin compressor pedals, sometimes I use a Seymour Duncan vise grip compressor before the instrument input/DI same with my boost pedals

I use that IR too lol

Those are usually people who barely get any work done/released.

Most piano rolls are tempo locked

​@@erickmazur807 no no no, it's not about tempo, the notes are jumping up and down, when he draws a chord. I imagine he must have known the scale he is going to right in, and therefore preprogrammed it in some built-in Cubase plugin. I use Reaper though, so no idea how was it done.

@@L0wPressure on windows in the piano roll hold ctrl - shift - alt and cursor turns into a paintbrush. You can then paint chords. You can press 't' and from there you have more options as to what kind of chord to paint.

@@L0wPressure here is a vid that gives a great breakdown of how to dial this in for reaper kzfaq.info/get/bejne/qpyBqMJ_25uupKM.html

Misha loves FF7, he recorded several covers from the soundtrack with Mark several years back in Haunted Shores (searching Haunted Shores FF7 on youtube should bring them up).

Tarkess He’ll yeah. Good looking out!

Go look at Tom Holkenborg/Junkie XL's setup. You might reconsider your opinion :)

for sure, was about to write the same thing.

Make it yourself man he just outlined it. It's good practice

you're much better off learning how to make your own. whenever you accidentally create something that works well, just go to file and save as template. i've been making templates for about a year, and am just now getting to the point were i'm very comfortable and have a complete recording/editing/mixing/mastering process that's unique to me and my studio, and with complete templates. it's a beautiful thing.

he watches video tutorials of himself on youtube

@@AngelCIto10 From the future. #paradox

Trial and error baby

Google, forums, videos like these...my orchestral template has evolved into its current form through the years!

This time stamp is cursed

😂😂😂😂😂👌🏼

More than 99% of us could hope to invest in a recording setup by the time we're 75 years old focusing on only that. Just work with what you got. Hits have been written on shite setups

@@SamuelJamesVideos oh yeah im happy with the setup I have, aint worried :)