Wow! I would have never thought to mix the purples and greens together. Looking forward to trying that!

I have to say that your approach to explaining this subject is absolutely over the top!!! Thank you so much. Your intuitive approach through a somewhat technical trial and error is extremely simple and clever. Thanks for sharing I can't wait to try this approach!!! //Chuck

Indanthrone blue is my favorite blue too, I can't decide which one I like better though...the Daniel smith indanthrone blue or Sennelier indanthrene blue! Great walk through on creating neutrals! I mentioned below but will add again how pleasantly surprised I was to see the dioxazine purple and hookers geeen mix a beautiful neutral!!

That's amazing, how you can make so many different neutrals! Love your cat!

This is really useful! Thought I already knew how to mix a black and that's all I needed....but some of these I never thought to try and just looks better as a shadow when they are the colors used in the painting in the first place.

This is great🔥🔥🔥🔥🔥🔥

👏 love it! Very interesting and some colours I never thought of mixing!

Great video! Thanks so much for sharing. You gave us a great range of neutrals.

Excited to watch this!

Such lovely shades of grey! This video shows me I need to be a little more creative in my color mixing. Thank you for sharing : )

I'm..in love with this video xD I have a lot of trouble with mixing neutrals so this is just a godsend! all the colors are gorgeous

Thanks for sharing this Eve. I'm really struggling with color mixing so this helped a lot.

a great demo of colour control, nice

I found out some time ago that the original mixture of Payne's gray consisted of Prussian blue, crimson lake, and yellow ochre.

Awesome video Eve :)

Hey, thats a reqlly informative and interresting video. Really awesome 😁

Great video, thank you!

This video was really helpful! Thank you for this :)

This is really informative.. helps me a lot..🤗 thank you so much

very informative video Eve. Thanks!

very nice video. good work! :)

Great video!!! Very helpful! Thanks for sharing! :D

I am about to start doing studies for a large painting with a very restricted palette - mostly browns and greys, so this video was particularly helpful. I will definitely be buying some Sennelier caput mortum and some Daniel Smith cobalt teal blue! That grey is the softest, most beautiful grey!

Very helpful...TFS

Wow so informative! Thank you again! I heard you mention handprint.com, do you ever use jane blundell's mixing charts? I just discovered her, but I'm going to check out handprint now, thanks again!

When we mix two secondary colours ( like green and purple ) we actually mix three primary ones ( yellow, red, blue ) because green comes from yellow and blue, purple comes from blue and red. That’s the theory and can be the practise as well, once you recognise, whereabout your triad - mixture is tending to take place on the colour-chart, and when you know the complementary opponents ( like red - green, orange - blue, and yellow - purple ) you can easily control and balance your greys, and make them as neutral you just want. Mixing triads allows you to experience more flexibility at choosing your way, and the result is more stable and rich at component and looking, as all the pigments have their own physical behaviour in different mixtures of pigments.( granulation, transparency, cold- warm relations, fluency, etc. ) Your lovely review shows wonderfully, that the right mixture of secondaries can work. The only thing is, when the ratio of the two mixtures ( I mean the two secondary colours ) are different, than can happen that we get one of the primary hues as a dominant ( blue, yellow or red ). The funny thing in the market, that the pigment called ‘neutral tint’ at some companies looks slightly bluish, se not exactly neutral, or the ‘Paynes Grey’ can be bluish as well. Overall, I don’t think it is something to worry about. Each and every individual painting and their local hue -relations in a picture we paint are different and at the end of the day we will find the most suitable hues of grey to choose as an element of the whole picture. Mixtured greys usually more exciting, they aren’t too ‘flat’ ( as you also mentioned ) however sometimes something more smooth and even will be more useful. I love your accurate work and I’d like to say thank for your sharing of all these great knowledge of you. Regards, Robert ☺️✋

First time I’ve seen it and I love your art style Eve!! also what quill brush did you use in this? o: thank you ~

Attractive mixes; loads of choice. Noticed you may be using two brushes. Would you mind sharing what you used? Thanks.

nice video, thanks for sharing

Great idea and very informative. Thank you!! What type of palette are you using??

nice work. would you say, the mixes with at least one opaque colour are not only more opaque but not that nice as well? or do you use all of these mixes at one point?

I can see you being the next Katvalk!

Very informative and helpful video. Thank you! :) Only thing is I get kind of put off by the very irritating single tone background sound :(

Darn, I don't own any of these colours...

I just bought Daniel Smith half pans Floral Inspiration on Blicks website. I hope you review those. I need to learn to mix with those floral.

colors were nice but here is the thing- If I were expert then I would have already known it and if I am not expert then I have a basic pallet. So this video was not useful for me, at least for now.