Happy you got that vibe :)

Inverted- Popes thanks! Have a great techno with it! :)

Thank you. (It ended up really monotonous, but I simply got carried away :)

@@EY-zz7xj no way! Your arpeg on the DFAM has made me seriously think about getting one. I have a SUBSEQUENT37 and love it (especially for dual mode… yum!) but like the crisp percussive nature of the DFAM

@@sandwich-breath SUBSEQUENT37 is a beast :)

StotheEtotheB thanks:) Ableton effects. Might be a bit of internal reverb on the snare.

Cinematic thanks :D yes! You have detected that groove. I guess it is not “audible” at the beginning (if you know what I mean) ;)

Agree with this! Very acid! Inspiring me to get my DFAM out at the weekend!

David Brown yes! Rock with it! :D

Felixx Prod Да уж, тогда и заметил :) cutoff шуршит. Самый активный ноб)

Tim van Berg Thanks! Both are synced from Ableton (via an audio interface). Ableton sends midi to aira and pulse to dfam.

Pablito Pablo thx! Ableton sends midi to aira and pulse (sampled) to dfam :)

EY no cv tools? :) did you use the trigger out into the adv/clock of the dfam? thx for the reply! i have a dfam,tr8 and a minibrute2 and its kinda hard for me ro sync them properly :/

@@Pablosko611 Sorry, have just saw your question. My audio interface is not dc coupled so dfam sync via cv tools worked improperly. Synced DFAM to the devices via DAW. This way: kzfaq.info/get/bejne/Z9FigsZ52tSvmKc.html

Hey, using ableton echo here. You can here it at 4:10 an on :)

Hey! The second option is not possible, as DFAM uses cv and aira uses midi. Synced from Ableton (TR8 from Ableton via midi, DFAM from ableton via a dedicated project. More info on DFAM sync is here: m.kzfaq.info/get/bejne/Z9FigsZ52tSvmKc.html)

@@EY-zz7xj thanks I'll check that video out,no daws are used in this set up though . Am sure the Moog should at least advance it's sequencer via an audio click,for example a hat .

@@mowbyone Unfortunately there is no way to sync those two together without a daw or some midi to cv converter/a box or synth having midi and cv outs.

If you have a sampler you can sample the trigger sound from the dfam, create a sequence with that sound playing every 16th or 8th note then reroute that audio sequence to adv clock input of the dfam and have the midi clock from the sampler running to the tr8. I do this with an mpc. Without a sampler you can use the rim shot sound from the tr8 routed from one of the outputs of the tr8 to the adv clock of the dfam. You may have to play with the level and tuning of the rim shot to get it going. Only problem here is that you have to remove the rim shot sound from your main output so you are playing down a sound but that can be made up with the dfam

@@graysonbrown6783 thank you

No idea. Maybe with some midi to cv boxes. Here I guess I sent midi to aira from ableton and cv pulses to dfam from ableton (my audio interface) too. Via a special ableton project.

@@EY-zz7xj thanks♥️♥️♥️♥️♥️

@@hedgehogwah6201 You're welcome :)

@@hedgehogwah6201 This is how I synced the dfam then kzfaq.info/get/bejne/Z9FigsZ52tSvmKc.html

@@hedgehogwah6201 Trigger out from Tr8 to adv/clock at dfam

Sounds And Stories yeah that was also a plan. Nice to read this :D

It is almost impossible to tweak the sequence and stay in tune, “thanks” to those tiny knobs :) its just a jam man :) I have got other tracks though that are more varying :)

Personally I love repetition.

DavidJKellett yep. This in eternal holywar :) I guess this is simply about the fact whether or not a certain person loves a certain repetition. You are either into it, or you hate it really fast :)

techno is mostly about the same pattern (whilst it's not progressive techno). evolving through all various possible parameter changes is beautiful