Is that the hipster version of Behringer EDGE?

Good question - I'd like the mixer/power supply too ...

I built my own mixer that clips on the back prior to the trilogy coming out, but they really need to offer this to the people who bought these individually.

I also would like one. Have a Grandmother and these three and would like a simple mixer available!!

Errrm.. moog sound studio 3

No start making your own music/ samples to produce with

No sample here brother, all synthesis. You should start at the basics of it. Understanding soundsynthesis is the beauty of musicmaking

You can look for samples on youtube too, that takes some time and work and a good ear. I wouldn't use melodic samples provided by your daw

@@zzzz-yw4zk which resources would you recommend for an absolute beginner ? There are so many things around, hard to pick one

Not true. There are two sequencers and two oscillators and you can assign which sequencer controls which oscillators. You can have a sequencer control 1, 2, or even 0 oscillators

@@patrick5645 Yeah, you can definitely just have it trigger one, two, or none. Then, if you bring in the sub-oscillators you can have it trigger three, four, five, all six, or still none of the oscillators. It doesn't have to trigger both main oscillators at the same time...

@@davidm3569 There are many better examples of what you are talking about that use the Subharmonicon. I think this video was more of a demo of showing the polyrhythmic part of the Subharmonicon, which is cool, but I don't use it that way with all four polyrhythmic options. That is very niche. It is great using 2, for example. Also, using 2 and then a third at the same division. I hope that makes sense. I understand what you are saying because I felt that way at first too, but the deeper I went in and then pulled back a little, not trying to incorporate everything at once on the Subharmonicon, that's where I found my sweet spot.

I have them too and it is hard to get some sounds that perhaps another person would like to listen to :-) Guess its more for your own fun.

You can get some beautiful soundscapes going if you slow everything down a bit and focus on building chords. Also sounds amazing with reverb

@@THEELECTRONCREEPER EXACTLY! That is basically what I was trying to say with my last comment above. Pulling back and not trying to utilize everything, for example, making chords. And it's not just making chords like with any other paraphonic or polyphonic synth, it is a very beautiful and unique sound of the Subharmonicon. It's not just the weird, unusable polyrhythmic tempo stuff that seems to be unappealing to most people here. That is just one possibility. Slowing everything down, and adding some reverb and delay really makes the Subharmonicon shine! It is definitely an instrument that opens up sonic possibilities unavailable just on the Mother-32 and DFAM alone, or any other synth for that matter. At least that is what I have found in my experience, and I have a room full of musical equipment some of which I don't use anymore. However, I always come back to the Moog Trinty/Moog Sound Studio. Here is just one example. I wish I had videos to share, but I am sure he will not mind. Check this out for what I am trying to explain: kzfaq.info/get/bejne/Z6iHeZac3Zm0hnU.html