برنامج من اعداد وتقديم محمد شاني الوائلي يلقى الضوء على قصة حياة والسيرة الذاتية للموسيقار العالمي
موريس جار صاحب موسيقى فلم الرسالة للمخرج العربي العالمي مصطفى العقاد والذي شارك فيه نخبة مميزة من الممثلين تامشهورين منهم العرب والاجانب امثال الممثل العربي عبد الله غيث والممثل العالمي انتوني كوين والممثلة منى واصف وغيرهم الكثير من اهم الموسيقى التصويرية لثمانية أفلام التي تم ترشيحها لجائزة أوسكار أفضل فيلم
The Longest Day (1962) ، Lawrence of Arabia (1962) ، Doctor Zhivago (1965) ، A Passage to India (1984) ، Witness (1985) ، جاذبية قاتلة (1987) ، جمعية الشعراء الميتين (1989) وشبح (1990). ومن بين هؤلاء ، فاز لورنس العرب فقط (1962) في هذه الفئة وفاز جار بجائزة الأوسكار عن لورنس العرب (1962) ، والدكتور زيفاجو (1965) ، والممر إلى الهند (1984)
Released 1990. © 2005 All rights belong to Milan Entertainment, Inc. and the composer Maurice Jarre. No copyright infringement is intended. This video and its content are being posted solely for non-profit, education, research, comment and critique purposes -- all of which are allowed as "fair use" under the Copyright Act of 1976. It is meant only to educate others -- particularly figure skaters researching music for purchase and use in their programs -- on the existence of this beautiful music and details on the particular track, making it easier to find and purchase. In so doing, I also hope to ensure that this music is not forgotten but rather is kept alive and accessible for generations to come. PLEASE SHOW YOUR APPRECIATION FOR THIS BEAUTIFUL MUSIC, AND ITS COMPOSER AND PERFORMERS BY PURCHASING IT ON ITUNES, AMAZON OR OTHER RETAIL SITES WHERE IT IS AVAILABLE FOR PURCHASE.
"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."
§ 107.Limitations on exclusive rights: Fair use Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright.