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** Amendment **
I do now highly recommend the Atomos Shinobi for the Pocket OG. The key setting detail is to keep the Shinobi at 16:9 and to only use the OG's 1.35:1 crop bars. This will allow the recording display data to show on the Shinobi.
For those who might be interested. This is a video showing how I transport and use my BMPCC OG.
The lens in this video and the one I use most is the Nikon 50mm Ais F1.4. Despite having most Nikon Ais primes the only other two I use regularly are the 24mm F2 and the 135mm F2.8. (I use the 135mm both with and without the speedbooster.)
The video I went on to film is here, (Welcome Back Brighton)
• Welcome back Brighton ...
As standard my internal camera settings are,
Raw | Film | 25 fps
ISO 800 | WB 4000K | 180 Shutter Angle
(ISO unchanged in grade)
I keep zebras on at 100% (but I don't necessary expose to the right)
Mic input at line level 10%
Tascam output line out +12db
NDs used.
Hoya 62mm Variable Density x3-400 Filter (purchased from Wex £120.00)
Step up rings to here from 52mm
1x Opteka ND 4x/ND4 (Ebay at £5)
1x Jacobs Super Slim ND4 (Ebay at £5)
Grading Notes (NB I am absolutely NOT a colorist)
For each edit I create global setting which I copy onto all clips
Camera Raw tab | Gen 1 | Colourspace Blackmagic Design
Lut = Blackmagic Cinema Camera Film REC709
‘Welcome Back Brighton’ specific settings
Colour Temp 4800 (varying slightly)
Tint I always set to 17
Highlights always dropped to -100
Shadows up to around 20/30
Contrast up to around 40/60
(I always drop the green using curves in every shot as standard)
Thanks to Ken for filming this. It wasn't something we had planned to do so apologies if the video is a little rough around the edges. Ken runs a very interesting and informative camera channel which will have a lot of new content coming soon.