Ned Rorem - Piano Sonata No.1

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Pentameron

Pentameron

5 жыл бұрын

Composer: Ned Rorem (23 October 1923-)
Work Title: Piano Sonata No.1
Performer: Thomas Lanners (piano)
0:01 - I
4:34 - II. Adagio (Theme and Variations)
10:29 - III. Toccata: Clear, fast, and hard
Ned Rorem is an American composer and diarist. He won a Pulitzer Prize for Music in 1976 for his Air Music: Ten Etudes for Orchestra.
Rorem was born in Richmond, Indiana in 1923 as the son and second child of Clarence Rufus Rorem (1894-1988) and his wife, the former Gladys W. Miller, born in Illinois. They met and married in South Dakota in 1920, where Rufus Rorem was working for Goodyear Rubber. Ned Rorem had an older sister Rosemary.
Their paternal grandfather, Ole John Rorem, was an immigrant from Norway; their paternal grandmother, the former Sinnie Thompson, was born in Iowa, as their father was.
Rorem's father was a medical economist and worked for the Committee on the Costs of Medical Care in Washington, DC. His ideas and 1930 study contributed to the development of the later combined Blue Cross and Blue Shield medical insurance plans. The family moved to Chicago, where by 1942 the father worked for the American Hospital Association. Rorem showed an early interest in and talent for music. He received his early education at the University of Chicago Laboratory Schools and the American Conservatory of Music. He studied at Northwestern University before attending the Curtis Institute in Philadelphia and the Juilliard School in New York City. Rorem was raised as a Quaker and refers to this in interviews in relation to his piece A Quaker Reader, which is based on Quaker texts.
In 1966 he published The Paris Diary of Ned Rorem, which - together with his later diaries - has brought him some notoriety. He is open about his and other men's sexuality, describing his relationships with Leonard Bernstein, Noël Coward, Samuel Barber, and Virgil Thomson, and outing several others. Rorem also had a short affair with writer John Cheever.
Rorem has written extensively about music as well. These essays are collected in the anthologies Setting the Tone, Music from the Inside Out, and Music and People. His prose is much admired, not least for its barbed observations about such prominent musicians as composer and conductor Pierre Boulez. Rorem has composed in a chromatic tonal idiom throughout his career, and he is not hesitant to attack the orthodoxies of the avant-garde.
His notable students include Jonathan Bailey Holland, Daron Hagen, and David Horne.
Source: en.wikipedia.org/wiki/Ned_Rorem
Source videos:
1st movement: • Ned Rorem - Piano Sona...
2nd movement: • Ned Rorem - Piano Sona...
3rd movement: • Ned Rorem - Piano Sona...

Пікірлер: 33
@PentameronSV
@PentameronSV 5 жыл бұрын
0:01 - I 4:34 - II. Adagio (Theme and Variations) 10:29 - III. Toccata: Clear, fast, and hard
@damongatewood795
@damongatewood795 3 жыл бұрын
I hear a compositional structure more similar to French Renaissance. Clearly, it is more about the interplay of the voices and than it is about harmony. I love the interplay of 4ths and seconds.
@johnrondeau8500
@johnrondeau8500 4 жыл бұрын
🤔 I don't think I'll be playing this anytime soon. WOW! My late voice teacher Soprano Chloe Owen spoke very highly of Mr. Rorem
@michaelrodman158
@michaelrodman158 2 жыл бұрын
This is an excellent performance and first quality recording of a distinctly beautiful composition. Thank you!
@PentameronSV
@PentameronSV 2 жыл бұрын
Thank snowfjn, who made the source videos which I simply merged here, links in the video description.
@adlfm
@adlfm 3 жыл бұрын
That motif at 0:40 sounds so familiar! Frank Bridge maybe? Fantastic piece.
@benrubin8624
@benrubin8624 2 жыл бұрын
very familiar to me too but can’t remember from what
@PianoScoreVids
@PianoScoreVids 5 жыл бұрын
Nice upload!
@PentameronSV
@PentameronSV 5 жыл бұрын
Thanks!
@basilecortale8076
@basilecortale8076 5 жыл бұрын
oh!
@CatkhosruShapurrjiFurabji
@CatkhosruShapurrjiFurabji Жыл бұрын
2:59
@MartynaKulakowska
@MartynaKulakowska 4 жыл бұрын
Interesting. I hear here Bach, jazz.
@kyokusei
@kyokusei Жыл бұрын
Rorem died last month November 18th :(
@misterteaification
@misterteaification 4 жыл бұрын
Very interesting. Do we have a composition date for this?
@PentameronSV
@PentameronSV 4 жыл бұрын
Currently no.
@rondoin7225
@rondoin7225 4 жыл бұрын
Around 1947, when Rorem was 24.
@misterteaification
@misterteaification 4 жыл бұрын
@@rondoin7225 Many thanks.
@derdiktator8061
@derdiktator8061 4 жыл бұрын
Here because of xem , not disappointed
@greatmallard9318
@greatmallard9318 4 жыл бұрын
Who xem
@derdiktator8061
@derdiktator8061 4 жыл бұрын
@@greatmallard9318 the speedrunner
@timothywilliams1359
@timothywilliams1359 Ай бұрын
Every well-structured piece imparts a sense of having taken the listener on a journey, and having arrived somewhere. And this piece is no exception. However, the journey seems to have been particularly monotonous. Yes, if you listen carefully, you can hear a well-planned harmonic structure, intelligent counterpoint, motivic development, and so on. But this is more like a compositional exercise than a meaningful work. I am a great admirer of Rorem's best art songs. But here, he does not appear to have had much to say. At the end, one would rather have spent the time reading a good book.
@stevehinnenkamp5625
@stevehinnenkamp5625 4 жыл бұрын
Somehow it never allows one to emotionally invest in it. I do believe what I consider a fault was at the time of composition considered a virtue. So be it for those who write music based on trends.
@stevehinnenkamp5625
@stevehinnenkamp5625 4 жыл бұрын
Actually, your quite wrong. The easy listening music of the court was the trend during Mozart's time. The simplicity of harmony, trending during Bach's era was pretty much ignored by the master who faced criticism. In Ned Rorem's case the trend was to avoid melody at all cost. Aaron Copland reversed the trend for a while seeking clarity.
@johnrondeau8500
@johnrondeau8500 4 жыл бұрын
It sounds like a fairly fresh and original voice not a trend.
@braedonkirkpatrick2143
@braedonkirkpatrick2143 3 жыл бұрын
To be quite honest, although I'm not much a fan of the piece myself, I think the biggest fault is at the interpreter. If it was played softer and less bang-y, it'd likely sound like an entirely different piece.
@Whatismusic123
@Whatismusic123 Жыл бұрын
Your emotional response to music never has anything to do with the music itself, it's all just made up in your head
@themobiusfunction
@themobiusfunction 11 ай бұрын
This person is a troll, just ignore them -> @@Whatismusic123
@Whatismusic123
@Whatismusic123 Жыл бұрын
Just random noise
@themobiusfunction
@themobiusfunction 11 ай бұрын
"Random" has a precise, mathematical definition and it certainly does not apply to music.
@Whatismusic123
@Whatismusic123 11 ай бұрын
@@themobiusfunction the mathematical definition of random does not apply to a great majority of the word's use in other fields
@themobiusfunction
@themobiusfunction 11 ай бұрын
@@Whatismusic123 the word "random" does not apply to music (except when it is generated through a mathematically random process)
@themobiusfunction
@themobiusfunction 11 ай бұрын
@@Whatismusic123
@FuckFeminists
@FuckFeminists 3 жыл бұрын
Its like Ravel or a good work by Dukas, except with none of their emotional power - which music is all about. I swear I heard a melody at around 5:40 for a couple of bars. Then again at 8:00 for a few seconds. Otherwise its like he'll do anything to deliberately avoid being musical. Like a rapper pretending to be from the projects. Its way too try-hard.
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