0:00 - 0:30 Introduction 0:30 - 4:20 Quick Overview + Substractive Synthesis Explanation 3:14 - 4:20 Modulator Purpose Explanation 4:20 - 4:47 Modulators Assignment Explanation 4:47 - 7:01 Modulator Assignment on AMP 7:01 - 13:20 Modulators Assignment on FILTER ( ENV ) 13:20 - 17:42 Modulator Assignment on FILTER ( LFO ) 17:42 - 19:12 Modulator Assignment on FILTER ( Both ENV & LFO ) Thanks a lot Point Blank, can you pin this comment ?

4 years later and this video is still useful 👍👍👍. Thanks for this amazing tutorial, its well constructed, organized and straight to the point. Something most KZfaq videos lack.

My first sound design video! Really helpful thanks!

Wonderful tutorial. I've watched many on Massive, but I love that is one isn't "how to make dubstep/gnarly sounds". Great stuff

This is so helpful, because now I don't have to rely on stock presets or presets online that are going to be used by hundreds of other artists.

Very well explained. Nice focus on actually explaining Massive's features, not gabbing on about "what I like to do is ....". Very brilliant! Thanks Chris.

Fantastic video, thank you! This really helped me understand exactly how modulation is affecting parameters. Very helpful.

this is an outstanding series of tutorials

good stuff. I'm new to sound design and this was simple and straight to the point. i guess that's why yall are called point blank. thanks!

This is the best synth review I’ve watched. Thanks

extremely helpful...thanks for spreading the knowledge

This is an excellent video. It give a really clear explanation of the oscillators, filters, and envelopes. It's also very indepth and shows some great examples. I will be watching all of these!

Love these videos!

Absolutely fantastic tutorial, very professionally done. Thank you very much

Great tutorial! Can't wait to see the next part

Perfectly explained, very good!!! Thank you very much :-)))

All of 3 videos are very good! Thank you!

Great explanation. Easy to understand and follow!

Very cool, thanks! Looking forward to part 2 :)

Delightful illustration

great video! thanks you!

Brilliant, so well explained.

Very good. I begin to get a grasp of what is going on.

Great video!

Fantastic video! Thank you!

great explanation, thank you

I learned a lot from this and I am going to Keep watching these videos everyday to improve. Thanks for the vid bro

Lovely. Thanks!

much better than most of the other crappy unscripted 100k views tutorials out there that are upvoted by rookies

Very Nicely Explained. Thanks

Very well explained, much needed fundamental knowledge. Thank you.

Extremely helpful. Thank you!

very nice..!

Can't believe this video got dislikes! Thank you for this super-useful tutorial! :)

Great video

Great, great video Thanks x 1000

Great! Really clear and helpful. Thank you!

Cool!

Very good.

Great tutorial! Thank you ! 🔝🔝

Omg thanks for this!!!!

great job

thanks a lot .... very useful.... !!

Beautiful tutorial! Can't wait for part 2! By the way will you explain also how the envelope assign box SC (is it Side Chain?) works and what's the difference with the "-" Boxes?! :) Tnx!

Great video, thanks!! :)

nice tutorial!

Wow! AN *ACTUAL* TUTORIAL!! ...And not some bullshit idiot poking around making noises and reading from the presets list!! Thank you!!!

thank u so much!!!!!

Worth noting for anyone really new to this, the envelope's mod depth ranges from 0 to 1, whereas the LFO mod depth ranges from -1 to 1, so with the settings applied here, we were only hearing half of the LFO's full range, which is why it wasn't truly sinusoid and the filter cutoff spent twice as long at the bottom than it did at the top.

How do you make the Reaktor Oscilloscope?

i also would like to know where to find oscilloscope in reaktor please?

thanks!

My bass sound never stops playing after I release the key..? Anyone knows how to fix this issue? Please help! anyone! thank you!

good tutorial

Calling it subtractive is a bit if an understatement. Isn't it a wavetable synth (with the usual subtractive filtering you find in some FM synths)?

Didnt quite get the impact of reducing the LFO green bar, apart from that this is super helpful ill be playing around to figure all this out i think. Between this and Tom Cosm’s baseline series using abletons oscillators i think i have enough to practice with for days!!

Nice

When you assign two modulation parameters to the filter cutoff, it almost sounds like there are 2 filters now effecting the sound- does this actually split the sound into two differently filtered outputs that combine to make the overall sound?

How did you get the reaktor oscillator routed to Massive so as to receive it's output?

Great explanation. Thanks for theory, so I don`t need to study it too much from the books.

This is great tut! However, modulation in any VST is a fraction of what you can do in a good DAW. Plus, the DAW modulation process is the same for every VST. I look forward to VERY simple VSTs with no effects or built in modulation. Just totally open to the DAW automation and midi modulation.

I want to do one survey here. When you use massive, somtimes you might need to find out the sound preset that match with your requirements. I think it really bother you to load all massive presets if you can't do sound desing properly for your needs. I have some possible solution for this matter, I would export all sample sounds of massive in audio format, so you can listen in your phone at any time. I give the audio file name as same as massive preset name. So If you like particular sound, then you can simply find it in massive. How about that work? Please answer me it will be helpful or not coz it 's a ton of works and take a lot of time to export all massive audio files. Thanks.

So in the HPF - high pass - the high frequencies are cutoff, and you hear more of the low frequencies. In the LPF - low pass - the low frequencies are cutoff, and you hear more of the high frequencies.

people still use massive?

Goes into detail way too much, but very helpfull nonetheless. Thanks

Great video