lol this comment bussin outta control for real, no cap

where!?

@@AfonsoCM 21:40

@@Pianodud based “the lick”

​@@AfonsoCM the past bagatelle is based off the lick

💀

💀

Who's that Hinton?

The whole Bagatelle is about the lick

Schott most likely

@@Bulacanos Definitely Schott. I bought op59 from them and this is it.

Score can be bought from Schott Music.

Notes a 12th apart create this weird harmonic effect when the top note is played very softly: an early example can be found also in Saint-Saens Piano Concerto 5, in the second movement.

@@EmilianoManna i think he meant the chord before, it all sounds like piano either way.

@@EmilianoManna The 12th is the 3rd harmonic in the harmonic series, and by doubling overtones in such fashion you obtain a sound not unlike that of an organ with the mixture stops pulled (the mixture stops double the upper harmonics). Indeed, Saint-Saëns does not only double the 3rd harmonic in his piano concerto, but also the 5th, omitting the 2nd and 4th harmonics, which double at the octave and double octave, respectively. Seeing as Saint-Saëns was an organist, he most likely got the idea for this effect from the aforementioned mixture stops. Another, more fully realised example of this effect may be found in Ravel's Boléro, after letter 8. The melody is in the horn (1st harmonic), while the celesta doubles the 2nd & 4th and two piccolos the 3rd & 5th upper harmonics. The horn is marked mf, the celesta p (doubling in octaves) and the piccolos pp. The 3rd and 5th partial deviate slightly from equal temperament, so I suppose he gave them to the piccolos because they are always out of tune anyway. This passage is sometimes cited as an example of polytonality, but it is really more of an effect than genuine polytonal music.

Я не понимаю ваш вопрос! Аккорд берётся на педаль и на его фоне двумя руками параллельно и на широкой дистанции НЕ в унисон, а в параллельном движении, ведется пассаж, что в этом удивительного или сверхъестественного?)