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Noh [Tsunemasa] Kita-ryu Oshima Noh Theate Modern translation with subtitles English.ver

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QPJ VISION

QPJ VISION

Күн бұрын

A Japanese translation was added to the Noh ”Tsunemasa“ that was live-streamed and performed at the Kita-ryu Oshima Noh Theater on May 14, 2021.
Please enjoy the world of Noh, which is easier to understand and dynamically edited.
Noh[Tsunemasa]
In this noh, the spirit of the young warrior Taira no Tsunemasa who was felled in battle returns.
Although mercilessly killed in war, the young warrior Tsunmasa’s soul appears during a memorial service called forth by the sound of the biwa which he so loved. This noh is based on a story from the Japanese classical text Heike Monogatari (Tales of the Heike.
Shite (the ghost of the warrior Tsunemasa) Oshima Kinue
Waki (A high priest of Ninna Temple: Gyōkei) Esaki Kinjiro,
Flute / Takeichi Manabu, Kotsuzumi / Furuta Tomohide, Otsuzumi / Shirasaka Yasuyuki,
Chorus Leader, Kano Ryoichi
QPJ home page
www.qpj.design
Instagram
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Facebook
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#INoh #Noh tsunemasa #The Heike Story #Kyoto Ninnaji Temple #Omuro Imperial Palace #Tairano Tsunemasa #Battle of Ichi-no-Tani #Biwa #Gyokei #Ghost #Shura_mono #Seizan

Пікірлер: 8
@yuku9
@yuku9 Жыл бұрын
日本文化はどこをとっても興味深く奥深い。感謝。
@qpjvision
@qpjvision Жыл бұрын
どんどん深掘りしていくとそのレベルの高さを思い知らされる時があります。
@LifeInShell
@LifeInShell 2 жыл бұрын
Thank you!
@anthonybillings4077
@anthonybillings4077 7 ай бұрын
Thank you for the English subtitles. I will watch this many more times. The story gets more and more intense up to the end. It is haunting and filled with religious symbolism. A precious gift!
@vanessapassos7936
@vanessapassos7936 Жыл бұрын
Muito interessante, continuem postando ❤
@petergiljum
@petergiljum Жыл бұрын
arigato❤
@lamkuen
@lamkuen Ай бұрын
The cutting and editing need improvement, the camera angles changes too fast, very uncomfortable. Noh video shall not present in this way.
@sterlinglewis5700
@sterlinglewis5700 7 ай бұрын
I suspect that your video director either does not like, or does not UNDERSTAND, Nō drama. The constant switching of camera views - no shot lasting more than two or three seconds! - makes it extremely difficult to concentrate on the performance. This is a beautiful play, and for it to be treated like a 'pop' concert video is not only offensive, but totally inappropriate. If you think 'dynamically edited' is attractive - or a 'selling point' - you are sadly mistaken. It is not 'fashionable', and it winds up annoying the viewer. You can do better with steady, long views. I do appreciate having the subtitles, since I do not speak Japanese. But, even as a Westerner, I love this Art Form, and was very disappointed in how this was presented. I am giving you neither a 'like' nor a 'dislike'. Coincidentally, I am reading Helen Craig McCullough's translation of 'The Tale of the Heike', so I was very interested in seeing this adaptation, but in the event, sadly let down.
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