Now & Then - Don Quixote Act 1 pas de trois compilation 1960s-2010s Kirov/MT

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Navarre Brixen

Navarre Brixen

8 жыл бұрын

Don Quixote Act 1 pas de trois, from 9 performances spanning half a century. Only Kirov/Mariinsky productions or derivatives. The dancer is/was a Kirov/Mariinsky dancer (not necessarily Vaganova trained).
Don Quixote compilations • Don Quixote 'Now & The...
Other than the pas d'action, the tempo of the pas de trois did NOT change over the time (there is a little variance but nothing out of the ordinary). It takes about 36-38s to do it. The faster tempo is a bit too fast for the dancers to do clean footwork.
The changes in the choreography affect only the begin, the end, and the rond de jambe section. I guess the tempo was too fast to attempt anything else, though one dancer managed to jump a little during the renverses section and Nureyev put double pirouettes in the following section.
The rond de jambe changed from two singles with the working leg extended to second position (1960s), to a double with the working leg extended to second position before and after and the circle clearly recognizable (1973), to a single followed by a double with the working leg extended to second position after each (1983). After that the extensions mania took over, they rose the thigh above 90 degrees and made the banal discovery that there's no time for 90 degrees in an allegro. Still, they wanted it badly, so something else had to be traded for it. The first thing to go was the straightening of the working leg after the single, sometimes after the double, sometimes after both. The next one was to reduce the amplitude of the swinging motion. Sometimes they cut the last turn (the fourth) of the previous section.
Last but not least, if there's no time for tricks during the allegro, there's always the begin and the end :-) For half a century MT dancers did either a pirouette or a tour at the end. After that they did two, then three. It almost looks like the dancers are taking shortcuts in order to arrive as quickly as possible at the jumping part. After all, tricks and thrilling visuals are seemingly the only incentives for attending ballet performances nowadays... If they continue in the same vein they could as well borrow the Bolshoi's. The Big Brother managed to get rid of everything that isn't a jump or a turn long time ago ;-)
For the montage I used footage available on YT. Many thanks to the uploaders.
1960s Budarin • Vadim Budarin and Kale...
1973 Nureyev
1983 Baryshnikov • O DON QUIXOTE MIKHAI...
1988 Ruzimatov • Don Quixote 1
1990s Batalov • Video
2006 Sarafanov • Video
2008 Shklyarov • Don Quixote - Shklyarov
2013 Ermakov • "Don Quixote" Evseeva-...
2014 Kim • Ki Min Kim Вариация Ба...

Пікірлер: 52
@freddiemercury4evr
@freddiemercury4evr 5 жыл бұрын
All lovely. But 1983, Baryshnikov..Magic! ❤
@lochXnessie
@lochXnessie 8 жыл бұрын
Wow Wow Wow!!! I love this montage! Thanks for putting so much work into this :-D
@user-yd7up7ff6u
@user-yd7up7ff6u 6 жыл бұрын
Они все великолепны! Какое мастерство! Кажется более совершенного и сделать уже нельзя. Браво!!! Спасибо!
@marujaaparicio1009
@marujaaparicio1009 3 жыл бұрын
¡¡Gracias!!!
@simaraft7373
@simaraft7373 8 жыл бұрын
How come nobody is saying how great Batalov was?! I think he's the best by far.
@doris6526
@doris6526 3 жыл бұрын
Hermoso todo😗
@liangliang3278
@liangliang3278 Жыл бұрын
1983
@p.kayward6966
@p.kayward6966 4 жыл бұрын
Baryshnikov 1983 is the best (imo). But I think I prefer his pas de trois from DQ in 1971, with the Kirov. Here is the link if anyone is interested. kzfaq.info/get/bejne/ZreUhst6qMnXgYk.html
@liangliang3278
@liangliang3278 Жыл бұрын
thanks 谢谢
@user-gh3tz6ng4y
@user-gh3tz6ng4y 16 күн бұрын
А где Базиль Ивана Васильева? Вот где огонь, страсть и харизма!
@lochXnessie
@lochXnessie 8 жыл бұрын
I've watched this half a dozen times now. Nureyev is my favorite: It seems the tempo is too fast but he does manage a lot of passion, power and energy. He also seems to be enjoying it, which is missing from a number of performances. It also looked like he didn't have time to finish it properly... The Baryshnikov interpretation is neat and tidy as always. And beautifully graceful - although I do not think graceful is really what one should be aiming for is this allegro! I also like Kim - he also seems to be enjoying his work and puts some passion into it. Shklyarov seemed to be just trying to get through it. The rest are blah.... Just my opinion. Your technical analysis is really insightful, and makes watching this montage multiple times mandatory. Thank you again.
@pediatrapaola
@pediatrapaola 8 жыл бұрын
+Navarre Brixen wow think l saw budarin here in italy in occasion of an half 70's tour of kirov soloists ,he was a great dancer one of the best of that period in kirov ,now he teaches in argentina. here on you tube there are some clips with him
@pediatrapaola
@pediatrapaola 8 жыл бұрын
+Navarre Brixen in this time 1973 imo rudy had already developed some ugly mannerisms and unwatchable arms and hands .imo west did him famous and rich but not a better dancer.
@pediatrapaola
@pediatrapaola 8 жыл бұрын
Navarre Brixen infact ,l know it ,but that he lived long time on his previous skills and qualities is a fact ,l saw so many awful perf from him that really l still feel bad when remember it. sometime he was really unwatchable ,but people was like blind ,he was rudy lol
@pediatrapaola
@pediatrapaola 8 жыл бұрын
Navarre Brixen im few words he fooled people for a long time . l am 61 l saw all that ,but despite the respect l have for what he did for ballet and maledancing he never fooled me lol
@pediatrapaola
@pediatrapaola 8 жыл бұрын
Navarre Brixen the last time l saw dancing live vladimir vasiliev was in 1990 verona arena in zorba the greek he was 50 but still stunning l know he danced less than rudy but was 50 and the young dancers in performance were still nothing near him.
@janellehernandez8335
@janellehernandez8335 Жыл бұрын
3:30
@alexingresss2420
@alexingresss2420 8 жыл бұрын
Budarin's and Ruzimatov's are killer tempos, but the men don't have any finish. I wonder if Ruzimatov's recording wasn't sped up... Nureyev looks like he had trouble to coordinate the lower body with the upper body, he's stiff at the waist most of the time, and stiff in the legs when he's walking... Baryshnikov is the whole package: beautiful posture, musicality, technical finish, nonchalance of execution. Doesn't attempt to squeeze in extra turns where they don't belong, or to make Kitri's Friends circle him to buy himself time (instead of him circling them). Ruzimatov, Sarafanov and Ermakov are actually wrong for the part - too lanky, too willowy, no strength in the core, arms and legs like windmills all over the place. Ruzimatov excepted, the tempo is incredibly slow. The rest are trying too hard, it's not the Olympic Games ;) Batalov is very promising here, but he too succumbed to self-indulgence...
@lochXnessie
@lochXnessie 8 жыл бұрын
+alex ingresss I agree with 99% of what you say here. Having looked at this again, I now have a different opinion. Nureyev's trois looks rushed because he put too many steps in - it is really a mess! Yes, Baryshnikov's interpretation looks quite good. I just object to the jump at the end - I think that's what got the later performers jumping! Windmills indeed. I thought Budarin looked like a grasshopper - not his fault really - he should not have performed that pas de trois imo.
@passionballettopfru
@passionballettopfru 8 жыл бұрын
+Navarre Brixen What do you mean under this "new style", please?
@passionballettopfru
@passionballettopfru 8 жыл бұрын
+Navarre Brixen Well, the very modest person named Vladimir Vasiliev also told that thing about demi-point revolution by Nureev. But I think that Vasiliev was the dancer who really made revolution in the male dancing. And why do you refer all these changes to Russian dancers only? Does it mean that somewhere else they danced more "refined" than in the USSR?
@passionballettopfru
@passionballettopfru 8 жыл бұрын
Navarre Brixen His dancing was strong and elegant at the same time, each movement full of meaning, he could fly and he could act. And he and his generation began to dance on semi-point just after Nureev - as he said being very modest (as already mentioned). As far as male dancing is concerned it was probably really revolutionized by Grigorovich and his dancers.
@passionballettopfru
@passionballettopfru 8 жыл бұрын
Navarre Brixen I think we have different points of view: you think Russians leraned from the West and I believe it went in the precisely other direction. And Vasiliev was and will stay the only of his kind. I think pediatropaola will agree))) Thank you again for your wonderful videos.
@iskander21024
@iskander21024 Ай бұрын
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