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Many musicians are genre-hoppers these days, but few have an inventive take on every style they touch. RBMA alum Objekt could be an exception to the rule.
Objekt delved deep into the intricacies of his sound design process, as well as his meticulous approach to DJing in his lecture from RBMA Berlin 2018.
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#Objekt #DJing #RedBullMusicAcademy
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His first record, the white-label Objekt #1, came out in 2011. Across his subsequent club output on labels such as Hessle Audio, Leisure System and Power Vacuum, audacious sound design and meticulous arrangements have served to buckle and twist dancefloor conventions. His debut album, 2014’s Flatland on PAN, consolidated his influences - IDM, electro, techno, industrial and ambient, among others - into a sonically adventurous narrative imagining “a world in which any scene can be seen from every angle at once.”
His 2018 follow-up, the introspective Cocoon Crush, deploys a more organic sound palette of foley recordings and ASMR-inspired textures in service of more personal themes. In parallel, Objekt has built a reputation as one of the must-see DJs of his generation thanks to a deft, highly technical mixing style combined with a technician’s mindset honed through his years working as an instrument developer at music software company Native Instruments.
TOPICS:
7:37 - The lessons of engineering studies
14:51 - Developing sounds for synths
23:09 - Detailing a methodical workflow
38:49 - Sampling and searching for “sonic satisfaction”
43:47 - Approaches to mixing and mastering
55:33 - Discussing DJ techniques
MUSIC:
27:10 - Objekt - “One Fell Swoop” • Objekt - One Fell Swoop
52:50 - Objekt - “Live at Freerotation 2017” extract
VIDEO:
33:48 - ASMR example
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