Orchestrate Devilish Bitonality [Quick Tips]

Рет қаралды 5,595

4 ай бұрын

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Пікірлер: 31

@Maplefoxx-vl2ew 4 ай бұрын

omg so cool, thanks, i really love that one short you did about doubling when you show the different uses from different films,.

@mikecarson7769 4 ай бұрын

i always enjoy your walkthrough videos. thank you for sharing!

@i_like_bananas1034 3 ай бұрын

This is so helpful! Thanks for making these videos!

@SDSMOfficial 4 ай бұрын

Why are there so little views on this? You need more on something as good as this.

@jeremyseay 4 ай бұрын

To be fair, the video is only 3 hours old at the time of this writing.

@DigitalPiece 3 ай бұрын

I didn't get notification that this was uploaded. Maybe same for others.

@odysseuskal 3 ай бұрын

thanks for this! great ideas and tips!

@mrpappa4105 4 ай бұрын

Fantastic, more of this thought process anytime

@Pooter-it4yg 3 ай бұрын

Not quite as bitonal as you might think, since the most altered B dominant chord is a mode of the C melodic minor scale. B C D Eb F G A = (as a B chord) root b9 #9 3 #11 #5 dom 7. Depends how you use it of course...

@MusixPro4u 3 ай бұрын

These videos are gold.

@IshimwePelerin 3 ай бұрын

Great material

@roman9711 2 ай бұрын

Hello! Thank you for the great videos! Can i ask you to make video how do you do mastering of your tracks! Thank you , appreciate any help !

@omarallen4203 3 ай бұрын

So good

@TheCoolj1212 3 ай бұрын

Another banger. I prefer longer format but short and sweet is always nice too. I see you've added Infinite Brass to your template. How are you liking it?

@ZachHeyde 3 ай бұрын

Thank you! Infinite Brass is awesome for exposed lines and bendy brass 🙂

@severaleffects 3 ай бұрын

Would love to hear you talk about that theremin a bit more! I can’t seem to find a way to get to that sound in Logic

@ZachHeyde 3 ай бұрын

Try the Soundiron Theremin!

@severaleffects 3 ай бұрын

I will, thanks for the tip!@@ZachHeyde

@romaingreffemusic 4 ай бұрын

It's remind me some Luigi's Mansion songs! Haha! Great job, again and again..! 😁

@anatomicallymodernhuman5175 3 ай бұрын

Given the C in the bass, is that a B/C or is it a C dim Maj7? The only difference is whether you spell it C-D#-F#-B or C-Eb-Gb-B. Same “notes” on the keyboard. The diminished analysis is arguably more traditional. It might even make a difference to how the brass tune it if they’re thinking harmonically rather than going by ear. Of course, if the mockup is the master, you can call it anything you like.

@LearnCompositionOnline 2 ай бұрын

Polytonality in titles in most of the time a scam...

@ericfalley 3 ай бұрын

This comment only applies for working with live harpists, but harp pedals tune every individual letter note name across the entire harp's range either flat, natural, or sharp. For example, tuning all C's sharp, all D's natural, all E's flat, etc. So, harps only have 7 of the 12 chromatic notes available at any one time. I could be wrong, but this might make the octatonic run impossible unless the harpist can change the pedals partway through, since an octatonic run requires 8 different pitches. But in virtual orchestration we don't have this limitation, so have at it! :)

@ZachHeyde 3 ай бұрын

Good point! But I believe I skipped a note to fix that issue (haven't checked back but it's what I usually do). So something like C, Db, E, F#, G, A, Bb would work in that situation. Good observation!