I can't put recommend picking up a brassinstrumet! Have you considered taking lessons?

@@42SV692s I took some introductory lessons, but online due to the pandemic which has been ever raging here in Brazil. It is difficult to have classes online, as the call quality is not always the best. It helped me start off with proper posture and embouchure, I guess! Hopefully I can take some further lessons next year.

Derek Bourgeois concerto for trombone

Was bedeutet das? 🤣

He is Danish.

I think it’s a Conn 88H

@@FzBone198 also recommend Conn 88H

It might be a newer conn 88h but the sound isn’t as good as a older conn from the 60s. He needs a better trombone.

I think Jürgen Voigt J-188

Yes😂😂

まじでそれ思いましたw

dawg just shut up you dont know what youre talking about, these guys are there for a reason and hes not a "band director"

@@AyushZ22 I do not mean to lessen the importance of people like Jesper Sorensen or the huge value and opportunity that listening to and learning from an expert musician like him is. While my language was admittedly casual and a little rude what I was meaning to get across from my comment was simply that professional musicians and people in that space like band directors, music teachers and adjudicators are often the artistic sort of person who describe technical things in abstract and emotional terms and that it can be frustrating or difficult to translate the great advice they're giving into something more concrete/practical. I do not mean to seem like I'm discrediting or insulting anyone nor do I want to appear like I'm giving advice from an expert's point of view as I'm of course not one. I'm only reminiscing over the kind of thoughts and feelings other music students and I shared with eachother way back in the day during my years taking learning a musical instrument seriously.

I get what u mean. But certain phrases when attached to emotional and more human feelings will more likely produce the result wanted. When you are asked to play more legato, many people will focus too much on the technical espect and not on the musical one. Osinato staccatos can be just described as that, however the feeling it is trying to convay can be different according to the piece. It can be light and bouncy or sharp and brash and many more. Musical notations are not perfect, that's y conductor often bring in emotion when describing what they want I personally feel that music is almost all emotion and putting too much emphasis on the technical espects of music can actually negatively affect it