I agree with you .

Emmylou is second

Agreed!❤

The backing singers Juniors bobmore Bradley Floyd Cramer we're all Elvis Presley musicians as well Patsy Cline was back by complete Elvis Presley band and backing singers which added the unique brilliant sound to a brilliant voice

@@ajsmith5295 I am a huge Elvis fan. Patsy didn't need Elvis or his band.

Tony S... you're exactly right!! I'll always love Patsy. Her music touches something deep down in my soul.

Very few artist can give you chills, Patsy Cline is one of them.

Don't forget Wayne Newton!

i agree

Yes you are correct. No singer can bit her clear voice, one and only. I love to listen all her songs.

👏!YES!‼️>=I!>SO!=AGREE↔️WITH YOU!‼️”WOW!‼️↔️>What A Beautiful!: WOMAN+VOICE/(s)+TALENT(s)+RECORDING+COMPOSITION+PRODUCTION!‼️➕▶️MY↔️↔️!‼️MOST!‼️FAVORITE!‼️>SONG!‼️>of “ALL TIME”!‼️➕Thanks To “ALL”,+”NPR”!‼️↔️ FOR SHARING!‼️👏✅👍↔️😘!‼️

kzfaq.info/get/bejne/eLR9fqqKzrDUpps.html

I love Patsy n Loretta and Tammy! ❤️

Ditto!!

🌻

LeAnn Rhimes comes close but only when she sings Patsy

▶️😷!‼️

Nobody comes close to Patsy! Loretta is my second favorite! I don't want to see Willie Nelson or Loretta Lynn leave us. Ever!

The Jordanaires sang on all of her records from late 1959 until her death. Their first appearance was on "Moving Along". Before they joined her she was backed by the equally great Anita Kerr Singers.

Visited Patsy's grave last year. Left a shiny quarter and played "i Fall to Pieces" on my stereo. It was surreal, knowing that below me was Patsy Cline. The great singer, the legend and my favorite.

I am crazy

@@thelakeman5207lool

Actually they are non-gendered.

Maria Vasquez what Bible are you reading. When referring to Angels it's always a masculine term. If you don't believe me look it up.

Richard

AMEN.. YES SHE WAS...

Yes she was!

Love the Dutch girl. If I want to feel happy, I play her. Even Que Sera, soothes my spirit,

AMEN ~~~ PERIOD🧡

It’s 38 sad people now. Who doesn’t like Patsy Cline?! She’s an icon. It’s their loss, she’s stirred my soul since I was young. Love her voice and wish she hadn’t died so young. 31... wow. Just imagine how many more wonderful songs we’d have from her if she’d of lived. 💔💔💔

Lol I am 80 decibel loss hearing aids like Karen Carpenter Anne Murray Sylvia Tyson and Roy Orbison- the best singers ever to sing

@@amichellep82 I don’t know who Patsy Cline is. As I don’t listen to music from the 60’s. I was born in 70’s. But, suddenly this happened to me. I was overtaken by something. Let me know what you think. I was heartbroken. The woman is a country Cowgirl. kzfaq.info/get/bejne/gqmKeqpilb-RiIk.html

I would not put Etta James in the same class as Patsy Cline

I dont understand the statement. I hear that before her voice comes across you can hear "you" begin in the background a split second early but I dont know why.. Can you explain what you are talking about?

@@jaysilverheals4445First off - it's only noticeable in the original stereo mix. You'll notice on the mono single mix, you can't hear the pre-echo. kzfaq.info/get/bejne/qrePks6dr53Kc2Q.html Read below to find out why. For a real good primer - go watch `Grace of My Heart' with Eric Stoltz and Illeanna Douglas - and pay special attention to the scene where Matt Damon takes a scratch piano track and a scratch vocal track that's going to be erased later - and makes a HUGE production out of it. In the early days of multi-channel recording of the 50s and early 60s there was only three tracks. Earlier than that though you can look up ``Recording Stages'' and ``Overdubbing'' in any decent History of Recording book you care to name. In Recording Stages for great big budget recordings - they would come in and lay down the bass, rhythm guitar and piano, maybe with a scratch drum track they were going to replace later. That would all be mixed down to mono and flown over to a 2nd 3-track tape leaving two open. The other two would be used for say two tracks of background singers or one track of singers and maybe a soloist or sideman would come in that couldn't make the original date. That was mixed to mono and flown back over to the first deck along with a 2nd generation copy of the basic track leaving one open for the leadman or -woman to lay down their final production vocal. If producers in the early 60s would have tried to do what Matt Dillon did with the technology then available - we'd be there for a month in the days when record companies made you lay down four songs in a three hour session counting setup and breakdown. Your whole album better be done in under a week or there'd be a heavy price to pay. Look up the Beach Boys sessions for `Good Vibrations' on which the scene is based. $50,000 to produce one side of one single when everybody else was doing a whole EP inside of three hours and spending less than $2,000. Matt Dillon would have had to have at least that much if not more to realize his sonic visions just like Brian Wilson had to have - and the resulting tape hiss from all the flying back and forth would have been unbearable. Listen to an un-denoised original copy of Les Paul and Mary Ford doing their hit How High the Moon and you'll get an idea. In those days, shellac what 78s were made out of was hissy enough - so the fact that they did 12 overdubs back to front to back to front adding a layer of hiss each time didn't matter. When they went to nearly noiseless vinyl surfaces for 45 - all of a sudden it was nearly unbearable. Good thing it had already made itself a hit on 78. Same thing with the echo here. It made itself a hit off a mono 45 on AM radio and mono jukeboxes LONG before people were able to get it on a stereo LP. It was commonplace in those days to isolate the new recordings in a booth so that their playing or singing would not bleed over into the other tracks except through headphone leakage. With the basic tracks it was only baffles that redirected the sound towards the mic assigned to it TRYING with only varying degrees of success to reduce or eliminate the bleed onto the other tracks. It didn't matter THAT much because it was all going to be mixed to mono later anyway (which is why some early stereo sounds strange to a modern ear). But to get greater separation, better baffles and larger distances were necessary - but then the band would have trouble staying in sync with each other because they could neither hear nor see their bandmates clearly. But when it came time for the leadman/woman to do their final production vocal - they were in a soundproof room by themselves with just headphones. Now in Patsy's case, she did actually try and sing along on several of the outtakes recorded that night, but it was decided to only use the best INSTRUMENTAL take (they didn't splice in and out of different takes in country the way they did with pop and rock and roll). The other incident that contributes to the pre-echo is the fact that Patsy's ``soundproof room'' on this song was not a room by any stretch of the imagination. What actually happened was the isolation area was actually formed by a series of 8 foot tall wooden baffles with pillow-type material on the bottom and windows in the tops. Patsy's microphone was mounted on a giraffe and lowered way down into the isolation area to sit right in front of her face. Since there was no roof to the isolation space, faint echoes of her voice were captured by the other microphones nearby recording the band mere feet away outside the isolation area (remember - later on when they were recording for Stereo on purpose instead of just to get a better balance in the Mono single mix that would be heard on the radio - it was tough to stay in sync). So even though they only flew the two band tracks over to the other tape so Patsy would have the third track to record her new vocal onto - if she ended up with a quiet place in the track where she herself had been loud in the original recording - the echoes of the original track would bleed through. Several people doing digital sync-up have re-aligned that final `You' from her isolated production vocal to sync up with her echoes from the original session - but it always turns out bad because even tho THAT is lined up now - other things are not - so it makes for a worse sin than just leaving it alone.

Those who know music are aware those who don't it's their loss. Although Willie Nelson is a Country Legend and I'm pretty sure most know he wrote Crazy now as for Hello Walls or Mr. Record Man and the other 350 He wrote or Co wrote it's doubtful

Willie can write. He can't sing, pick or stay in time.

Definitely 100% agree!! Willie Nelson is a true American Icon and legend that doesn't get talked about nearly as much as he should!! An Awesome talent in every sense of the word. Both his song writing and his vocal sounds will be a part of music history FOREVER!!!

There are three songs of Patsy's that reach into me emotionally. 1. Sweet Dreams (Of You), 2. Faded Love, 3. Lonely Street. There is something about those three songs, her vocals, and the music. The harmonica in Lonely Street, the violins in Sweet Dreams, and at one special spot in Faded Love--so emotional. it was like she was living the song. I had never heard of Patsy Cline until the movie Sweet Dreams was released, I fell in love with that voice, and wanted to know more about this special lady. I even sent a letter to Owen Bradley asking him where I could find out more about her. He was so kind as to reply back to me, putting me in touch with her fan club. I still have that letter today. It was typed on a typewriter, no fancy word processor. I wish I could have met Patsy and Owen, they made a fantastic team.

You're welcome

I still mourn her and won a singing constant and prizes with Crazy. And my mother who recently passed and was stingy with her compliments told me if she'd closed her eyes she thought Patsy was on the stage. Greatest compliment I received and in 61 I was 8 and idolized her forever... What a woman to look up too and saddened so many for her untimely passing to this day. It must've been an absolute thrill to know her dear.

Beautifuly said and you will be with your lovely Mother and Aunt's soon. The Lord is returning to take His Bride home soon.

Joshua Smith Not Even.

No One Can Sing Like The Grate Patsy Cline

LOL..Houston NOT !!!! Try Ronstadt and Summer.

Houston yes, but Karen was the best.

@@gerrigates4447 *great

It's called "print through". If you understand that magnetic tape is covered with tiny iron particles that get magnetized when something gets recorded, when you wind the tape on a spool those magnetic particles can magnetize the particles on the next layer of tape, usually not noticeable. But during a moment of silence you're able to hear anything that's been transferred from one layer of tape to the next. I've made tapes that printed through 3 layers of tape, each one fainter than the previous. Hope this helps.

Do you have a Bible with very thin pages? You can see the print on the next page before you turn it over.

I’ll take Karen first, Patsy second.

Maria Callas.