He wasnt the best, he was the only 1 tenor on tapes, who singing like a tenor. Pav did a lot of forcing and was bad in heavy roles

Completamente de acuerdo contigo el brillo y el color de su timbre es único.

Absolutely disagree. They just put on him "GOD" label

@@Monnarchmonnarchy yes he was he didn't force anything, like domingo does, strains and drools and yowls and makes faces. pavarotti was superb at diction, in complete control due to 7 years of intense training with large resonating chambers. and the most beautiful voice ever given to a man, the best male voice of all time, its just a given fact because so many experts agree.

@@trottgizz1946 thats because he was the god of all male voices of all time. listen to anyone then him and if you cant hear the superiority well I am sad for you.

Absolutely. I wish male Opera Singers used head voice/falsetto more often.

@@CipherSerpico same it sound so beautiful

@@Shicomogs 👊

his high F - Beauty? Really?? That shows how little you understand in vocal))

@@trottgizz1946I can only speak for myself, and yes I know very little. Can you provide us an example of a good F5 from a tenor? Thank you.

Thanks You so much!

you are an extremely low bass than?

@@ArtGarfunkel1941 Just a bass, Pavarotti is a tenor, that's why lol

@@yourhappyuncle6055 i'm a bass too my range goes from D2 to D4 but how can a B2 be your highest note? what is your lowest chest note than?

B2 no ones lowest note lol. Literally I have never heard of that happening. Youd need to be able to sing down to at least B0 in full operatic voice. Ive never heard of that being done. Ive certainly heard some oktavists do it in decently loud and clear fry, but not with full vibrato and tone and everything. And even those guys can ALSO sing up to at least an A3

a friend of mine is a really high tenor, and he can't physically sing below C3. however, he can pretty much project a C6, where as i, as a lyric baritone can sing down to D2, but my power notes bottom out at A2 ( G2 if i have a really super relaxed open voice, B2 if strained) i can push out a C6, but loose all resonance in my falsetto after A5, and realistically my voice looses most of its support after F5. generally speaking, i can't project above A4 in chest voice.@@andrewbloom7694

I think C#3 is the low chest voice he can do haha

@@jhdde8001 i think it is D3

Bruh it sounds nothing like vocal fry

probably because of the vibrato

i mean he was a leggiero tenor what would you expect

This is all from studio, except the b2, but Pavarotti sang a High D live at the met in 1976

@Benjamin Washington yes...

Yes, the Eb5 is a D and the Ds are from the studio recording of vieni fra queste braccia with Sutherland

No... I have got a live recording of I Puritani (60's I think) and he sings Vieni fra queste braccia in key. Those high Ds (natural) are just stunning

@@gabrielgabriel8096 Any chance your recording got sped up and hence sharpened during transfer or something? That's usually what happens especially with old recordings.

It is, thats Pavarotti's magic

@@todoopera4996 i wish he could sing some contratenor arias, His head voice was clear and sweet 😭

@@farrinellibroscci3881 It was really beautiful, but i don't know if he could Sing that kind of repertoire 😅

@@todoopera4996 oh well sadly we will never know 💔😞

F5 it's not his vocal range, because it's not chest voice or head voice

falsetto bro

jay choi and pavarotti are two different styles bro what

Maybe, but remember, Pavarotti had a light lyric voice, I vocalize an E2, But singing in the stage i can sing down to a Bb2

I am a bass and for me an F2 is middle voice and E2 same, lol.

@@Pachinanonim middle voice?? Damn😳I could never. my larynx drops to hell at E2

I can actually hit a Bb -0.02 quite comfortably.

For me the B is even above my first passagio :-D But you can never compare opera range to microphone range. Opera singers don't just need to sing a note but the note must be heard over the orchestra. He probably struggled to make the note loud enough. I mean the B is still higher than his speaking voice so just hitting it is most probably not a problem for Pavarotti or any other tenor.

He was probably as much of a tenor as any tenor can be. One of those who had absolutely nothing baritonish to themselves. B2 probably was the absolutely lowest one he was physically capable of singing on stage, it is an audible strain to him here in this recording. So probably yes, the really powerful notes started at the C#3, D3 level in his case. But a certain weakness in terms of low notes is perfectly acceptable for a lyrical tenor. Especially for a wonderful lyrical tenor with wonderful middle and high notes and no difficulties with the C5 and even some way beyond. (Well, he did develop difficulties hitting the C5 eventually, but not before his old age when probably every tenor does)

​@@mysteriumvitae5338 Pretty good analysis. I think his speaking voice probably went down to Ab2, G2 at most. A spinto/dramatic tenor will be able to touch F2/E2 when talking, and have a useable A2 when sung. Not that you'd ever need that note as a tenor lol

You’re such a hater, holy shit.

hahahhaaha. no. his voice is UNDERVALUED in the modern society, by ignoramuses like you lol

"O Muto Asil del Pianto" That C5 is from the Cabaletta "Corriam Voliam"

​@@todoopera4996 Gracias ❤

Rigoletto

But Bonisolli didn't sing I Puritani. Giuseppe Di Stefano is the best Arturo ever.

@@BaroneVitellioScarpia1, yep, you are right. But i’ said in general, not only about this role

not so pleasant to the ear.

@@BaroneVitellioScarpia1 Pava did) With falsetto))

@@mikenicolaev...But true)

?

Umm, so you’re not that good then. 😒

@@m.e.w.4394 pavarotti isnt that good....rubbish vocal range and sounds the same in everything....glad you agree

lol lol JEALOUS MUCH? And to be clear, No I don’t agree, at all.

I think I understand your point the high notes on girls sound better but he is good I mean if u put a high note from Monserrat caballe and him she is gonna sound better