PIANO masterclass by Michel DALBERTO | Mozart, Sonata No. 18 in D Major, 1st and 2nd movements

  Рет қаралды 6,228

Saline royale Academy

Saline royale Academy

Күн бұрын

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- Annotated sheet with the professor's advices
About this piano masterclass:
Sonata No. 18 in D Major, 1st and 2nd movements by Mozart
Michel Dalberto and Tingan Kuo explore contrast and color while playing the first movement of Sonata No. 18 in D Major by Mozart.
0:00 Intro and playing part from Tingan Kuo
6:22 Advice part from Michel Dalberto
This masterclass begins with a technical focus emphasizing on being closer to the keyboard in order to produce a warmer, deeper, and almost thicker sound. The two discuss the composition’s nick name: “The Hunt” and its significance to the spirit of the piece.
In addition, Dalberto instructs his student to not rush and stay in tempo and reflect on the direction of the piece. He reminds Tingan to not confuse adagio with lento or largo. One must feel the tempo in order ‘to move’ and not remain static. Other aspects that are worked on include adding contrast, depth, and more.
What we learn :
- Giving your sound an identity.
- Singing the passages.
- Staying in tempo.
- Adding more contrast.
- Playing adagio as it is intended.
About the Saline royale Academy:
The Saline royale Academy is an international music teaching center providing in-situ and online masterclasses taught by some of the most widely acclaimed teachers in the world at the Saline royale of Arc-et-Senans (France).
The Saline royale Academy focuses on helping to train tomorrow’s best musicians by giving them access to some of the greatest professor's teachings.​
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Пікірлер: 5
@shupingwang3392
@shupingwang3392 Жыл бұрын
Du spielst seht schoen !!! Danke.
@user-yr6nm7gq5p
@user-yr6nm7gq5p 4 ай бұрын
18:04
@rinforzato
@rinforzato 2 ай бұрын
Walter Benjamin revolting in his tomb?? Trying to describe an Aura by parameters and coordinates? Seems to me like a reproduction of a simulacrum already. Students need to be taught real observation and meaning, not like "here piu piano", "left pedal". They need to feel what it means when this little motive falls apart inside, when naive happiness turns into despair for a moment, when jolly thoughts turn suddenly into fear... - but then Mozart doesn't accept tragedy, because he never grew up to be an adult - or whatever. Otherwise this whole machinery of academic music teaching is just a copy of its own copy. Nothing against Mr. Dalberto, but this might not be the best example of his teaching mastery.
@sesamedoor6240
@sesamedoor6240 2 жыл бұрын
Attacking motion is good for the technique, but limit the colors
@rothschildianum
@rothschildianum 18 күн бұрын
Exactly, I have the same opinion watching how she played. Her tone is so thin, no singing quality whatsoever....But she is very accurate.
Super gymnastics 😍🫣
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