@@miroslavtabyashki thank you so much for the support 🙌🏽

hahaha

@@Nestorcpa hello Nestor! Thanks for reaching out… I see that it was sent to the email provided when you had placed your order… please check your spam or junk folder. If not there, please email me at apercussionlife1@gmail.com and I’ll send it to you again 🙌🏽

@@hdcoolman heyyy! Thank you so much for the support. An email should have already been sent to the email provided in the PayPal order. Please check your spam or junk folder… if not received there, please email apercussionlife1@gmail.com and the order will be resent to that email thread! Thank you!

Tienes Que usar Cueros sinteticos cuando toques afuera o en el calor

Osea de acrilico.

So these are based on tumbaos I’ve already covered… I haven’t done Milton Cardona… I’m trying to relaunch that series of cover the conga greats and their tumbaos but in much different way which is why I haven’t done one is awhile… but he’s actually one of the first ones I’m covering.

@@APercussionLife Thank you! I met him a few times on the west coast in the late 70's early 80's, and he was a really cool guy, sharing what he knew about things like Abakua, Palo, and Regla de Ocha, and was just about the coolest guy to watch play of any conguero. One time I saw him keep solid tumbao playing with willie colon, while he lit a cigarette with two hands. Never seen anything like it before or since. Also: I notice when a lot of these greats get interviewed, as in some of the interviews with Little Johnny Rivero formerly of La Sonora Ponceña, he was never asked nor did he mention the Tumbaos that made him famous to us, like on "Rumba En El Patio", where he does some signature Little Johnny type stuff, playing off of one of the greatest dance music timbaleros ever, Raymond Vega. Ray's left hand on La Sonora Ponceña albums is a thing of wonder. Jossie Colon would later adapt his style. Anyway I go on too long! Thanks again for this great channel.

Sheesh 🙄