Metric halo Eq, my to go Eq. Fabfilter Eq and All Waves plugins.

Fab Filter ProQ, Slate VMR, Slate Virtual Tape, Slate FG Grey, Soothe, and Gulfoss.

GGD - Smash and Grab 🤩

I use IPad to mix, so I use LRC5, RV01, RoughRider3

Fabfilter, melodyne, Valhalla, and stock reaper plugins

Yo his channel is one of the best

Seems like everyone's waiting for it. I'm sure it will happen soon :)

Soooo good!

Sarcasm?

Thanks for watching! Honestly I only follow a couple music channels, Rick Beato, Adam Ivy, Daimien keys and that’s about it. I’ll check in on produce like a pro, and I occasionally watch videos from other channels. But almost all of my KZfaq consumption is filmmaking stuff. Casey Neistat, Peter McKinnon, Matti Hapoia, And some other sports stuff I’m into. Thanks for watching!

@@ColtCapperrune Awesome! Somehow I knew Peter would be one of them! Definitely see some McCANON vibes in your videos. Great content for sure! Take care, Colt!

They're delay came out last year and won plugin of the year by multiple outlets. It's basically an instant classic and essential plugin in an oversaturated market.

Clayton Shay it’s a damn good looking hat! 😘

Right there with you - Black Box Analog Design

I'm sure it's coming. He might need to get permission from some of his clients though ;)

Yeah! Logic has pretty much everything you need to make a good mix.

Def not better than Waves or Black Rooster or NoiseAsh. They are cool tho and love the idea that Logic ans Studio One now come with they're own emulations

I’ve gotten so many questions about how to integrate hardware in mixing that I figure it’s time to do a video on it. Stay tuned, it’s coming soon!

@@ColtCapperrune 🔥🔥🔥 looking forward 🙌🏽

Mohnish Landge 😂😂😂

Yeah, everyone is using the same plugins. Maybe everything starts to sound the same. Look at cars now. Pretty much just different badges on different cars. Look at how unique cars used to be, before the homogenizing trend. I still use hardware, I don't have access to high end pieces or prices, I have crappy analog gear, but I prefer it. Things don't sound as objectively good, but things sound better to ME. My stuff just sounds different (worse, lol). I use some of the same plugins as everyone else, don't get me wrong, I'm hybrid, but I really hear the value of sounding different, rather than sounding better. Better, or best is terminal. Like everyone and everything is heading towards that platonic ideal, which when reached is a dead end. Like we're all here at the end of this tunnel, and this doesn't go anywhere. Meanwhile, there's that guy that is using cheap 80's analog gear, and his stuff sounds like crap, but at least it doesn't sound like all of our stuff. And before, "they're tools, they're so powerful, you can create any sound with them" uhm... yeah, okay. But to an extent. I've heard punters talking about vst synths, and they're like, just use one synth, it is a synth that can make any sound. But, if you've worked with hardware synths, you know, each synth sounds different... in every way. A saw wave, which is a mathematical abstraction, sounds different on each of my synths. And that is just the oscillator. Each amplifier, each filter, sounds different, each envelope opens and closes in a different way. So each synth becomes its own flavor, and it is mixing those flavors that makes the dish. And running all of those synths through rack gear, and effects pedals, yeah, it's all noisy and clouds all of the sounds to a degree... but for me, it sounds better. It sounds demo-ish, it sound unprofessional, but, I've had enough of professional sound. I've had enough of professional virtual distortion, and everyone using the same color plugins, like Decapitator. Or whatever. I think music, in almost every way... beat structures, melodic lines, sound... within each genre, there are like these platonic ideals of sound and structure that everyone is achieving now, and it is all so similar. There is more music being "made" I guess, recorded, than there has ever been, but its the most bland stuff ever. I'm a bit of an old timer, but I'm not a boomer saying music was better back then, but there were bands, I won't mention their names, if you heard 4 notes from the song, you could sing the whole song. Instant recognition. It's deep in your brain. And it is not from me listening to it for decades, it was like that when the music hit. And as new generations hear that music, they recognize the hook quality of the music. The hook is in everything in the song, not just a hook musical phrase, everything is hook, the sound, structure, it is all good and unique. It is like now, everyone is at that level of intro music theory, where chord structures are predictable, and people are trying so hard to write hooks, but they fall so far short, like everything is this peacock extravagant display, but none of it really ACTUALLY hooks. Of course there are still artists that are working that have this ability, and my hat is off to them. But... it seems like everyone is way more comfortable making normal music, and grand normal hooks... Shit man, I gotta go. What am I doing with my time?

Thanks for watching! You know, for whatever reason I’ve not ever really got into them. I’ve downloaded all the demos, and I have a handful of them. But they certainly don’t make it in every mix. Good stuff though!

Those are absolutely fantastic, but it was hard to justify $300 for the single EQ when I already had these, so I never ended up pulling the trigger

Thanks for the comment! My MIDI needs are pretty limited honestly. Soft synthesizers, and fairly simplistic program percussion is about all I use MIDI for. If you’re curious about a specific thing let me know and I’ll see if I can address it!

Interesting!

@@ColtCapperrune No problem, it's in the manual. Thanks for your videos, they are cool.

Very interesting... Seems like you could slap an analog hardware looking GUI over any code and fool a ton of people into thinking it's something special lol.