depends on the sony camera you have. Some sony cameras can't do 24bit recording and only 16bit

@@JasonMorrisphotocinema My A7SIII has it so I think the ZV-E1 has it as well?

Is there a 24bit compatibility list anywhere?

@@SystemParanoia just check your audio options in the camera after connecting it.

@@Bo_Hazem yes and the a1 too checked both using the adapter

ease of use. Can also hit record on the transmitter at the same time to get a separate 32bit float file as well as the internal recording

My previous Gen DJI Mic set is setup to auto record as soon as I pull them out of the charging case so you can't even forget to hit record!

I'm here for the same question

Nah Same experience here. I think a firmware update is needed.

nice! what camera do you have?

@@JasonMorrisphotocinema I own an fx3, a7siii and a7cii. Initially it wouldn’t connect and if it did, it didn’t route any audio. Even made a video about it, a few others mentioned same issue. Then realized my DJI mic 2’s needed a firmware update and now the adapter connects seamlessly!

@@mirrorlessmemory oh good. Thanks for sharing. They work on all three now?

@@JasonMorrisphotocinema yup, I get the little camera emblem with a green check mark now on all 3. I wasn’t getting that prior to updating the DJI Mic 2’s. I was even about to return the adapter lol glad I saw your video first!

I don't understand why other brands aren't getting onto the hotshoe design. So convenient. Surely it isn't patented

@@JasonMorrisphotocinema Hoping for Fujifilm version. The large Tascam has caused my hot shoe metal plate 2 times to break off my camera.

Yeah i was surprised and really didn't think there would be a difference

@@JasonMorrisphotocinema I don’t know how the hotshoe works but I can imagine that the adapter hands off a direct digital signal from the DJI receiver directly to the camera. Instead of converting the signal to an analog signal for the 3.5mm cable which is sent to the camera which converts this analog signal to a digital again. But that’s just a theory.

@@boostfx4203 that’s how the Sony mics work through the MI shoe as you would most likely be correct there

No professional will care of these subtle differences. I think you missed the point of the video.

yeah agreed!

If you still have an FX6 you may want to try it. This guy Jay Anthony @ImJasonAnthony has a video using it.@@JasonMorrisphotocinema

Only the mics themselves can record 32 bit via the internal storage. The receiver doesn’t output 32 bit.

@@Taylored-Mediayep i know that. You can record 32 bit while transmitting at the same time

@@iamalexchua gotcha! Yeah just making sure haha - just had to explain this to a few of my buddies that had just bought these.

for some reasons it's not working with my FX6 even after updating the camera and the dji hardware did you managed to make it work ?

You won't be able to use a top handle no. I use a hotshoe relocator when I use my sony mics. I honestly haven't used it for long interviews. I always hit record on the device to get the 32bit float file instead

Agreed. Mentioned that in the video. Just godox were first to introduce the MI Shoe compatibility is all

This. I need an answer as well

Have you found an answer? I’m trying to find out the same thing.

i hope they do something like this

I thought so. When I listen to it too often I was going crazy and thinking maybe I was making it up haha

Agreed!

? it says ZV-E1 is supported on list

not sure if they make a canon version for their hotshoe

yes agreed. I had to give raw side by sides without any EQ. wouldn't be fair to EQ the audio in a test as it gives unrealistic comparisons

yeah i mentioned that. Not sure if 32bit float is physically possible over wireless signal

it is between this and Rode wireless pro in my opinion

They need to have the digital capable ‚intelligent hot shoe‘. Older gens don‘t have that, they were analogue only.

Yes

@@AJCoReTV Thanks bro !

@@AJCoReTV TRYING HERE KKKK

I don't have it so I can't test for you sorry

Their problem is these Asian companies have direct access to this tech at direct cost. Companies like Rode, GoPro being based out of their native countries have to 3rd party components for their products costing them more. They have to outsource for Asian companies to built chips and put in big orders for components for their stuff while DJI/insta360 and some of these other Asian based companies practically makes this stuff themself and since they manufacture their own stuff (and if not, being in Asia they can get stuff made for dirt cheap) and don't have to worry about paying large salaries for select employees in their native land. Everything is cheap and easily accessible and I think Asian companies are now kicking this exploitation into high gear

agreed. Rode need to try make this happen

Yeah that is how I do it mainly for the 32bit float file flexibility

what? terrible how? please explain

@@JasonMorrisphotocinemaok so I rewatched and I can tell a positive difference with the adapter compared to the 3.5mm jack. It does still sound a little muddy and almost blown out, but it’s not nearly as bad as when I watched this morning - I might’ve had my volume turned up too loud on my iPhone 13PM, and the contrast between your studio mic and the DJI mics made either iteration of the DJI sound worse in comparison - your studio mic sounds absolutely amazing which showcased that contrast when swapping between systems in the video. But that’s apples to oranges. Ill edit my original comment in a bit - since I’m pretty sure my dumb@ss just had the volume up too high

@@jamesloop these are also raw with zero EQ. I don’t add EQ on audio testing just so people can hear the raw file. Both of these files will sound infinitely better if you EQ them to your preference