Divine rendition of Raag Jogiya by Vid Dr. Ashwini Bhide Deshpande live at Pune on 12 Feb 2021.In conclusion, Ashwini taai sang the final two compositions in Raag Gunkali to complete this rendition.
00:00 - Vilambit Khayal in Raag Jogiya : Jogiya Tore Karan
34:16 - Madhyalay Khayal in Raag Gunkali : Damaru Harkar Baaje
41:38 - Drut Khayal in Raag Gunkali : Jay Shree Shankar Sut Ganesh
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Raga: Raag Jogiya and Raag Gunkali
Taal:
Composition: Jogiya Tore Karan
Damaru Harkar Baaje
Jay Shree Shankar Sut Ganesh
Composer:
Vocalist: Vidushi Dr. Ashwini Bhide Deshpande
Style: Jaipur-Atrauli Gharana
Tanpura: Shamika Bhide
Shruti Abhyankar
Tabla: Shri Bharat Kamat
Harmonium: Shri Tanmay Deochake
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📝Lyrics:
***********Jogiya Tore Karan***********
स्थाई : जोगिया तोरे कारन
हम बन बन फिरत है
कोउ ना पायो खोज ।
अंतरा : खोज लगो ये नेहा रंगीले
तासो हैं ये बोझ ॥
**********Damaru Harkar Baaje**********
स्थाई : डमरू हर कर बाजे
त्रिशुलधर अंगभस्म भुखन
ब्यालमाला गले बिराजे |
अंतरा : पंचवदन पिनाकधर शिव
वृषभवाहन भूतनाथ
रौंड मौंड सभही सोहे
अनादि पुरुष नारायण ||
******Jay Shree Shankarsut Ganesh******
स्थाई : जय श्री शंकरसुत गणेश
नायक दायक सुख जय जय सिद्धिपती |
अंतरा : मोदकग्रासन मुषकवाहन
पालक दासन सुतगिरिजा
जय चंद्रभाल बल भुज विशाल
गले अमर माल, छबी जाल भरी ||
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About Artists:
Dr. Ashwini Bhide-Deshpande:
Ashwini Tai belongs to the Jaipur-Atrauli gharana tradition. Ashwini Bhide-Deshpande was born in Mumbai on 7th October, 1960, into a family of music connoisseurs and musicians. She completed her Sangeet Visharad from the Akhil Bharatiya Gandharva Mahavidyalaya. Being a scholar, Ashwinitai also obtained a PhD in Biochemistry from the reputed Bhabha Atomic Research Centre, Mumbai.
Ashwinitai‘s journey into classical music began under the tutelage of Narayanrao Datar, who belonged to the Paluskar branch of the Gwalior gharana. Later, her disciplined taleem under her mother, Manik Bhide (who herself was trained under the legendary Kishori Amonkar) was largely made up of learning the traditional aspects of the Jaipur-Atrauli style of raga development and also studying the nuances of raga-music. She then went on to train under Ratnakar Pai, a renowned teacher of the gharana, from whom she received further guidance and a great repertoire of the traditional paramparik compositions and ragas. Because of her influences from the Jaipur-Atrauli, Mewati and Patiala gharanas, she has created her own musical style. She holds a strong command over the three primary saptaks.
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