Kigeki: Collagen eines kosmopolitischen Pelikula Makata -Yeah!
By Olaf Möller
Kidlat Tahimik went to the two best schools a filmmaker could ever visit: First he studied economy in the old occupier’s nation, at Wharton School of the University of Pennsylvania (which is indeed the very some place attended by a linguistically challenged while Twitter-addicted, business-wise incompetent investor with a ridiculous hairdo now hell-bent for the bottom-spot in the historical ranking of US presidents); then he lived in a commune among film students in an exotic place called Bavaria in the south of a strange country called Federal Republic of Germany, observed what they did, and picked up the few things that to him looked useful (instead of listening to teachers telling him what’s important - information then over the years casually forgotten); in between, he worked for the OECD (Organization for Economic Co-operation and Development) in Paris, which was too depressing to stay, probably because it proved to Tahimik that the stuff he talked about in his M.A. thesis was correct; nobody wants to know that his nightmares are direct cinema. Tahimik, by the way, was back then still called Eric de Guia....
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