He does that to you. He takes a complex topic you couldn't understand for the life of you and explains it so that a five-year-old could understand it, without omitting any important details. One point in which I have to object his explanations though is around 3 minutes in. He says that having a basically unlimited number of permutations in the oscillator is what gives wavetable synths their unique sound. I think this makes them absolutely not unique, since you can just imitate the oscillator of any other synth. The fact that analog synths all have slightly different characteristics in their oscillators, based on what components were used and how they're made, down to the very impedance in their circuits, gave each and every one of them a unique sound. Even when trying really hard, you couldn't make a Moog and a Roland sound exactly the same, they'd always have slight differences. With wavetables, this uniqueness is dead and gone.

@@LeBoomStudios yea that's true, but with enough skill and/or technology, you could create the uniqueness, and potentially create other unique stuff, exactly as it sounds in you head. That includes relatively simplistic sounds similar to the subtractive oscillators that ur talking abt. This is literally my first video on eavetables so idk if people use them for that already, but I think you could get some really sick sounds like that.

@@LeBoomStudios and another thing, I actually came to this after additive synthesis, which seems to be talked about like the graphene of synthesis lol, and for good reason. But anyways, I thought about combining wavetables with additive synthesis, and even using traditional oscillators as bigger packets of harmonics to use in the additive portion, which you could already recreate in modern wavetables, to basically create the ultimate sound synthesis machine lol. And if we're lucky then maybe with skill, and maybe the help of more technology like AI or something, we can learn pattern that create certain or specific sounds, including those in the physical world with accuracy, and maybe even recreate small unique kinks like you said in old analog synthesizers. As well as real physical sounds and instruments in the real world ofc. And then combine them and all kinds of things, can u imagine. I think that would be awesome and would love to see what people come up with with that.

For real 👌

FM: hardest synthesis to learn.

yep, thumbs up! Also granular would be cool, like with using the latest granular synth from Audio Damage: Quanta.

Helldorado fm is pretty simple

@Die Marmeladenfresse/Derrbenn im serious

This has everything you could ever want to know and more: kzfaq.info/sun/PLOMuI-j1vRxSB9oqcGoJg82N1Q7DlZJOU