A full list of music and films is available in the description.
It’s almost impossible to describe the impact that 2014 has had on me. Throughout the past year, I've learned that the magic of cinema isn't something that can be explained, but rather felt. Every year, we’re reminded what it means to be filmmakers, enthusiasts, critics, or even just casual goers - twenty-four frames at a time - and this year was no exception. Whether it be from heavy hitters such as 'Interstellar', 'Edge of Tomorrow', and 'Guardians of the Galaxy', to smaller, more heartfelt films like 'Birdman', 'Still Alice', and 'Begin Again', it seems that 2014 has left a small piece for everyone to make their own.
That’s exactly what I've tried to accomplish with 'Cinefile 2014'. As opposed to last year’s video, this is something I really wanted to delve into and take every risk I originally intended to take last year. I’m glad I did, because the end product is something that resonates with me so much more than anything I've ever done. 'Cinefile 2014' is my small piece of the year - take it or leave it.
From the bottom of my heart, I’d like to extend a deepest thank you to anyone who’s ever watched, shared, or enjoyed any of my work. You never go unnoticed.
Read more on ‘'Cinefile 2014', including the shot-by-shot breakdown, reasoning, and more: miguelsreverie.com/post/105692...
Music and films in order of appearance: miguelsreverie.com/2014
'Byegone' by Volcano Choir, taken from the album 'Repave', remains courtesy of Jagjaguwar, ℗ 2013.
'Colours to Life' by Temples, taken from the album 'Sun Structures', remains courtesy of Fat Possum Records, ℗ 2014.
'Hahaha Pt. 1' by Kishi Bashi, taken from the album 'Lighlght', remains courtesy of Joyful Noise Recordings, ℗ 2014.
'Mine And Yours' by The Horrors, taken from the album 'Luminous', remains courtesy of XL Recordings, ℗ 2014.
Edited by Miguel Branco, © 2014. 'Cinefile 2014' is a non-profit project made solely for entertainment purposes only. No copyright infringement intended. All content remains courtesy of its respective owners, none of which were notified of this project.