Thanks man. I’m testing out their latest release - RIP X DAW

Are there any particular pain points you’re experiencing with Mixing Immersive in Logic?

@@DolbyAtmosMixing i think mixing in atmos works great, even mastering (with hornet samp). maybe you could do a video about the samp. what we need in logic is something like the dolby assembler. the lufs measurment is a bit awkward, because we have to swith the dolby plugin to 5.1 and listen to the whole song in 5.1. (which is a p.i.t.a)! a logic-upmix plugin would be great (like the penteo or halo).

Only the highly trained ear could differentiate that mix from the original

@@DolbyAtmosMixing Hi, I'm a bit confused about how I can recreate the idea of a big and heavy-centered bass that can translate on every display. I usually put in on bed inside the center of the room (so that all the speaker except the rears plays it); is there any better place to recreate the energy of the stereo-mix bass?

RipX is a great tool, but a relatively old demix algorithm used by it. (often very good for bass separation though). I offer an Atmos-specific demix service using some considerably cleaner stem separation if you're interested.