Yeah, you can definitely hear that one a lot in movie scream compilations :D

Really depends on who exactly demonstrates it, I'd say... Some people demo an M0 and I believe that's the original sound in the movie, but some people also demo irregular creaking (and I think I've done the latter too sometimes, but I prefer the "amplifier noise" description).

Thanks!

It is pretty nerdy, so if there's 10% that you can take out of it, I'm happy :) a lot of it really builds on the old videos (which, if I had to make them today, I'd approach slightly differently, apart from the obvious production value difference lol), so I don't expect masses of people to watch and fully understand the new videos either. Probably not the best marketing move, but I'm not really doing this for marketing purposes anyway (realistically, I'll maybe gain like 5 new students from this, and my calendar is already quite full). If you have any specific questions at some point, feel free to reach out to me on FB messenger!

@@ToniLinke Thanks so much!! I recommend you to a lot of friends, albeit with the nerdiness caveat haha :D

I'm gonna upload the diagrams in my public library! More about that in episode 4, which will be out this Saturday.

@@ToniLinke excellent can't wait to meet you in France this Winter ;)

Sick indeed! I'd say it's either a pushed hyper-compressed scream or something in between of a medium and pushed fry. Would be interesting to know how loud exactly he is.

Chest voice I'd say. Nut very pressed and relatively quiet

I just listened to an example of flageolet he did and it sounds like a very high quiet M2. I actually differentiate several kinds of falsetto too, but that's not too relevant for screaming, so I didn't mention it here.

I had to listen to his one take scream-through version again because it's a bit hard to hear from the studio versions, but I hear both basic fry as well as false cords. What's more important than the underlying techniques itself are the shapings: tunnels, gutturals, highs, lows... I'm gonna go more into detail about those in episode 4 this Saturday!

How precise is your vocal fold closure? If it's complete on your chest voice note, do you lose some of it when you break to falsetto? For me it helps not to think of it as chest and falsetto, but as thicker and thinner mixes (both with perfect closure, none of them super loud or super quiet). If you find that closure is, indeed, a problem, you're probably not pushing too hard per se; you're just not resisting it enough in terms of closure and twang. So to say: using a normal amount of pressure on the wrong shape makes the whole thing pushy even if it's not super "sporty" yet.

@@ToniLinke hm, I have to think about that. I'm not entirely certain tbh. Resisting what exactly? Sorry, I cannot quite figure out the "it" in that sentence. But thanks for your input so far. I'll try that "not falsetto but thin and thick mix"-approach.

@@wtfdelicious resisting the subglottic pressure/"support energy" with the necessary narrowing in your vocal tract I meant.

Fry scream is usually a combination of Creaking with other effects like Distortion (false folds) or Rattle (arytenoids). The way I teach fry scream is more focused on the vocal fold vibration and treats the false folds and arytenoids as "little cherries on top" that make the scream extra thick, so probably the people who scoped themselves on fry scream and saw the arytenoids move have particularly powerful fry screams!

Thanks so much! Sadly, the video is not available in Germany...