Agreed

kzfaq.info/get/bejne/sNmUraybt6eZaJs.html&start_radio=1 For me Elena Obrazcova, Attractive, soft, and seductively feminine.

For me it is Obratzova

@@pureffm Obratzova is one of my favorite singers. She was also a very beautiful woman.

Perfect! I agree with you. Meravigliosa e bellissimo tono alto!

😊🎉

😁

🤣 every time I hear this aria I think the same

Exactement. Poisson. Je me demande si ça ne vient pas de sa pose de voix très dans le masque. Bizarre.

Que voulez-vous, en Russie il ne reste qu"une dizaine de bons professeurs de francais. La cantatrice en a eu de tres mauvais. Dommage, sa voix merite une prononciation sans faille.

@@maxgor-rus8838 mais je pensais qu'il y avait des professeurs de langue dans le théâtre où elle chantait.

+Mirka Bonomi su su non diciamo eresie...

marina cantele von gutherz la Verret è spesso crescente e ha una voce molto più sopranile. Che non è proiettata la voce dove lo sente?

Actually Verrett is inferior to Borodina in this role, mostly because she never managed to join the lower and middle parts of her voices, and she regularly uses strange and audible transitions from one to the other. Having sung taxing soprano and mezzo roles throughout her career might be the reason of her disjointed middle, because the balance of the transition shifts when you change fach. She is a great Delilah and I enjoy listening to her in this role, but Borodina is absolutely the golden standard in this.

Borodina has a gorgeous voice, but her technique is tipically russian. It means that basically her sings (beautifully) to herself, but the voice does not have any projection. The orchestra covers her voice all the time, only the high SIb reaches the place that all the singing should have in space.

That might be the case, I have never heard her live. I am only judging from what I have heard online. But I doubt the 'russian technique' encompasses "basically singing beautifully to myself as the orchestra covers me". There have been a multitude of Russian singers in recent times, both mezzos and sopranos who have no trouble with the French or Italian repertoire, despite their training or technique.

This is absolutely true. But generally those are singers who includes belcanto technique, harmonizing with their own. Like Netrebko .

Euh, j'entends vienZaider, avec un S. Par contre j'entends verse le poiSSON dans son sein...