This is a very well made video. Very well shot. Great graphics. And of course, great sounding voice!

You are really good at recording ensembles and I have used these mics for seven years…amazing value 🙏🏿🙏👍🎩🎵

❤❤❤love your review and effort you kept in video thank you

I have this set and they work great for overheads for drums as well as congregation mics hung above them

This is the best video I found on this subject. I am not sure why I have so much trouble with audio.

Have two pairs of these - one set for streaming choir and one set for a streaming acoustic grand piano! Great sound at this price point for both activities.

Good video that revalue my mics❤

Most excellent video, extremely informative and useful, thank you !

Great information

I really appreciated your honesty and straight forward approach. I am going to pick up a pair of these mics. Thank you for bringing them to my attention. Good job 👏

The "Office de Radiodiffusion-Télévision Française" was a public authority, in charge of broadcast medium (radios stations and TV channels) until 1974. It was a time when, in France, most medium were supervised by the Presidence and Government. Which is not the case nowadays, at all. This structure was splitted in multiple others, such as Radio France, France Télévisions, and various entities (such as INA, a huge facility in charge of recording archives of every single radio and TV braodcast, for France and many other countries too). The ORTF was rendered famous by the skill level displayed in those early stage of "neo-electronic" radio. Their engineers worked relentlessly to achieve the absolute best in sound quality (FM-band was in its early stages), supported the World's greatest team of produced-for-radio fictional programs, teamed up with major brands (Schoeps, Elipson, Cabasse, Beyerdynamic, Revox, Nagra, etc.) to create some of the finest gear ever produced for radio-program creation, initiated live-broadcasted music events on larger scale, operated (and still do) several radio and TV studios located in the "Maison de la Radio et de la Musique" ("House of Radio and Music"), etc. etc. And, among hundreds of others things, they set many of the technical principles and standards still used today in radio and TV production. The great Pierre Schaeffer was among them (and his assistant, Pierre Henry). He theorised microphone-specific techniques for voice artists, and, among numerous ones, developped the "groove-loop" in which a record groove plays endlessly forward, backward, in slow-speed, set-speed, etc. This very one became the signature of the Pink Floyd early year recordings, as is or through magnetic tapes. In "Office de Radiodiffusion-Télévision Française", only the last word is a bit tricky. In French, "française" means "french" in the feminime form, and must be pronouced "fran say z" (when "français" means "french" in the masculine form, and sounds like "fran say"). Simple. More than you thought ! 😉

Wow, just what i nedded!! Thank you!

Thanks! great review and info. I'm working in a charity project and I'm planning to use these mics. Can you tell me how is the cable management and suggested length?

Hi! Would you recommend this for a podcast? Or do you have any other recommendation? Great video, btw!

Hi Brother. Thank you so much for your review and testimony. I have four samson Co2 that I use for crowd voice capturing. But either one or two of them are giving me buzzing or static noise after an hour of use. Have you experienced such a thing? If so how did you solve it?

Thank you for this very interesting video and the nice recording examples. I wondering if you ever compared these mics to the rode M5. I am mostly interested in recording piano and wondering if the rode M5 are worth the extra money. Thank you in advance. Christian

What adapter are you using to space the mics vertically in the XY configuration? I don't see it as part of the mount bar and I can't find anything similar on your website.

Just bought a pair and connected to Yamaha mg 166 CX-usb. The mixer is connected to OBS though USB BUT cannnot get seem enough gain to hear through speakers and they seem somewhat faint in earphones. Any suggestions?

How would you set them up for a LIVE performance of a 30 or more voice choir?

Hi! Could you compare these microphones with Behringer C-2 please? Thanks a lot!

Does anyone know how these mics compare with Rode M5 ? Thanks 😊

Would a set of these for stereo sound go into the same channel on a mixer? Or separate channels?

Would this be a good route for attaching to your camera for filming?

so if you have 4 mics going into an h8 unit? how do you sink in post?

where can i find the two microphone mount?

Can U suggest me a Omni directional mic (small diaphragm) for nature recording including under water

Can i use it for live Choir?

Hello , what is Your best technic for choir recording 20 people , ortf ? Or xy , is always ortf Has 110 deegres ? Please help 😁

is it recomendded for live choir performances?

Were the audio samples raw audio samples or edited?

Hi I have Qn8 to record my Handpan / Rav Vast and a Roland Cube EX , I tried a few times to record videos but it seems the sound is at times loud or some notes on the instrument are distorted , Would better mics like the CO 2 work better the one that the recorder comes with?

Can the Zoom Q8 be used to record and put out a Facebook Live performance?

Can these microphones be used to mic a band for performance as well??

When you made your recordings, did you use the audio from the Zoom recorder's built in mic's as well, or do you purely use the audio from the Samson's?

The problem with modern mics is not the sound quality, it is more like the dynamic range and self noise which this cheap mics tend to have issues with.

how much is this Sir?

You just groomed an African sound engineer ☺️

They are too noisy...