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scale madness part 1 - what to (really) play in gypsy jazz

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Sven Jungbeck

Sven Jungbeck

Күн бұрын

Hey fellows,
once again I recorded a lesson for you.
This one is about improvising in a Gypsy jazz context, and will help you to visualize your fretboard and choose the right sounds.
It's about
The major triad, plus
chromatics
6th
major 7
9th
Major scale
If you like my channel and want to support me
:www.paypal.me/svenjungbeck
Notice that I give face to face lessons!
Contact me via:
Sven.jungbeck9@gmail.com
Or:
Buy my new albums:
Swing guitars cologne
Across the city
Use the same mail address!
Cheers and see you soon! 😉🍻

Пікірлер: 75
@LEOPORT5
@LEOPORT5 3 жыл бұрын
Best gypsy teacher on the internet
@Marubi2
@Marubi2 3 ай бұрын
Agreed 👍
@displaychicken
@displaychicken 3 жыл бұрын
This is a tremendously important lesson and concept. It’s precisely what I’ve been focusing on over the past year or so and my playing has improved more in that time than the previous 20 years combined. People should really follow your advice. I’d love to see you do the minor chord as well.
@SvenJungbeck
@SvenJungbeck 3 жыл бұрын
All chords will be uploaded soon!
@chrisdavlantes8750
@chrisdavlantes8750 3 жыл бұрын
Sven, you're such a godsend.
@hamzou2
@hamzou2 3 жыл бұрын
This is insanity! Thanks for giving lessons we simply cannot play guitar without playing gypsy guitar
@berwickpatterson2367
@berwickpatterson2367 3 ай бұрын
You're an excellent teacher, Sven.
@SvenJungbeck
@SvenJungbeck 3 ай бұрын
Thank you so much!
@bathroompass
@bathroompass 3 жыл бұрын
Very helpful, thanks for the videos. The proper chord videos are super helpful as well, but seeing more of this, including a breakdown of a minor chord and other chord types, would be much appreciated. Keep up the great work!
@zaherfaraj4936
@zaherfaraj4936 4 ай бұрын
great lesson thank you
@kermitpeterson
@kermitpeterson 3 жыл бұрын
Wish I had this quality of teaching when I started learning. Would've helped me a lot, well done.
@user-dh8yn5gb3q
@user-dh8yn5gb3q 3 ай бұрын
Look up duved dunayevsky
@edwardfranceschini1774
@edwardfranceschini1774 3 жыл бұрын
Fantastic lesson More more more please thanks for your knowledge and effort thanks
@rogerstonemuisc
@rogerstonemuisc 2 жыл бұрын
Awesome lesson.. You are very generous to share this information with everyone. Please ignore the thumbs down. People who are not ready to receive information, are not able to understand what you're talking about. Thanks so much !
@dingoswamphead
@dingoswamphead 3 жыл бұрын
So valuable and systematic. You have answered so many questions I have wondered about for years, and given me a direction to pursue for a long time. It is practical ear training, turned into music.
@GeeksPlayOfficial
@GeeksPlayOfficial 3 жыл бұрын
This kind of lessons are rare to find ! All the videos are worth so much. Thanks very much.
@mrbanksy7303
@mrbanksy7303 3 жыл бұрын
Thanks Sven. Such a good teacher - getting down to the essence
@hearpalhere
@hearpalhere 3 жыл бұрын
Thank you for another fantastic lesson Sven! I'm learning so much from you because you give us a way to make use of what you're teaching in a musical way, pretty much instantly.
@jaredtousain
@jaredtousain 3 жыл бұрын
Thank you very much. This helps a lot!
@johncummins3254
@johncummins3254 3 жыл бұрын
Sven another great lesson. My understanding of how to play this music and how it all hangs together has improved dramatically since I started watching your videos. Thanks I look forward to more. John
@roidochannel7086
@roidochannel7086 2 жыл бұрын
Thank you for this, exactly what I need as a beginner in gypsy jazz improvisation
@aybabtu2834
@aybabtu2834 7 ай бұрын
sometimes juste a short video is enough ! thx a lot Sven
@adelaidd194511
@adelaidd194511 3 жыл бұрын
Thank you,Sven. Very interesting. Cпасибо✌
@alward5678
@alward5678 2 жыл бұрын
Great lessons. Thank you
@precastengineer
@precastengineer 3 жыл бұрын
Thanks Sven, love your videos
@ThomasHope73
@ThomasHope73 2 жыл бұрын
Great teaching style; adding context to detail, without being confusing. Subscribed! 🙂👍
@jadenavery2341
@jadenavery2341 5 ай бұрын
Best lesson ive ever had. THANKYOU
@gerrypower8350
@gerrypower8350 3 жыл бұрын
Thanks for a great lesson
@gustavorodrigues3826
@gustavorodrigues3826 2 жыл бұрын
Thanks man!
@uritheural
@uritheural 4 ай бұрын
This is very helpful. Thank you 😊
@i.m.6115
@i.m.6115 3 жыл бұрын
Excellent video, thank you 👍👍👍
@ilkayatay87
@ilkayatay87 2 жыл бұрын
wonderful teacher !
@trevorhall2832
@trevorhall2832 Жыл бұрын
omg so much help! thanks!
@viktorviktor9995
@viktorviktor9995 3 жыл бұрын
Vielen Dank Sven!
@jakollee
@jakollee 3 жыл бұрын
At 5:47, I thought for a moment you were going to play the Tennessee Waltz! Great lesson, thanks!
@aberhan
@aberhan 3 жыл бұрын
Absolutely, a scale by itself sounds like nothing. (but a scale) 👍 Which explains why so many shredders play it at lightning speed, to try and make it sound like something. I like your approach.
@kwright3929
@kwright3929 3 жыл бұрын
Really good lesson. Subbed!
@rainfieldmusic
@rainfieldmusic Жыл бұрын
Excellent Keep it simple 👌
@meuconsagrado
@meuconsagrado 3 жыл бұрын
Thank you so much
@davidkelly831
@davidkelly831 3 жыл бұрын
Useful, succinct overview
@Matthew-pf9mj
@Matthew-pf9mj 2 жыл бұрын
Geesh this is gold
@joelove7662
@joelove7662 3 жыл бұрын
Ich bin total begeistert von deiner Art die Dinge zu erklären. Habe mich direkt in dem "scale Gitarristen" wiedergefunden. Dein Lösungsansatz für das Problem trifft bei mir voll auf den Punkt. 👍
@SvenJungbeck
@SvenJungbeck 3 жыл бұрын
Bei den meisten Gitarristen ist das zu einem bestimmten Punkt so, es gibt ja auch Stile wo man mit Scales prima klarkommt. Es freut mich, dass mein Video für dich eine Hilfe ist. Viele Grüße!
@joelove7662
@joelove7662 3 жыл бұрын
Beim wiederholten sehen stellt sich mir die Frage was "avoid notes" für dich ausmacht? Hast du Lust das kurz zu umschreiben? Danke im voraus
@SvenJungbeck
@SvenJungbeck 3 жыл бұрын
@@joelove7662 Töne die man vermeiden sollte. Je nachdem wie man klingen möchte und welchen Stil man spielen will, sind das auf ein und demselben Akkord manchmal ganz unterschiedliche Töne. Grundsätzlich kann man ja spielen was man will, aber Stile zu lernen und Regeln zu befolgen verschafft uns ja anfangs überhaupt erst die Möglichkeit differenziert und akkurat zu musizieren, denke ich jedenfalls 😉
@joelove7662
@joelove7662 3 жыл бұрын
@@SvenJungbeck Danke für deine schnellen Antworten. Ich bin schon häufiger über den Begriff der "avoid notes" gestolpert und konnte leider keine "richtige Definition" finden. Habe es mir bisher halt nur selbst zusammen gereimt was damit gemeint ist. Meine Überlegung war folgende: Avoid notes sind grundsätzlich alle Töne auf denen man nicht "landen" sollte beim isolieren. So wären , bei einem normalen dur Dreiklang die Stufen 2,4,6 und 7 avoid notes. Also alle Töne die nicht im aktuellen Dreiklang enthalten sind. Kann man das so generell sagen?
@phlox7792
@phlox7792 3 жыл бұрын
Great video. I'd like some help this way with approaching dominant, diminished and whole tone sounds if you can. I've been looking at some of Djangos solo improvisations and while a lot of it is cycles of the same progressions over and over his use of harmonic devices and dominant tensions are what make the movement through the same harmony so much more compelling. I'm trying to get to that point where I have a lot of options for tension and adding movement to my playing but its a slow process as always. Thanks!
@georgechristiansen6785
@georgechristiansen6785 3 жыл бұрын
Great explanation! Only thing I suggest and do differently is focus on the interval names and fingerings more so than the note names per se. Obviously you need to know the note names to even find the 1, but it is faster to think "Where is the 3rd of G" and play it than to think "The third of G is B...now where is B" and then play it.
@dingoswamphead
@dingoswamphead 3 жыл бұрын
I struggle here too, but once it is firmly in your nut that the 3rd of G is B and they are interchangeable, it might increase your flexibility, as you would know that the 3rd of G is also the 5th of E, the 6th of D and so on. Actually this has given me an idea for an ear training exercise: play the B against G, then E, D etc. What do you think?
@nicolasmecaj
@nicolasmecaj Ай бұрын
​@@dingoswampheadI'm entering this conversation 3 years later, the approach that's working better on me is playing all diatonic chords with 7 as well, checking all the intervals, the triads and the note names xD so everything all together basically would be the best in my opinion. Because of the fact that I transcribed all of the diatonic arpeggios in all the positions and I strongly use the name of the notes rather than the number of them in the diatonic arpeggios when I get into improvising on a scale mode shape for example or just if I think about it like 'starting from a string' rather than from a position, but and the same time while moving across the fretboard using the very same diatonic arpeggios to improvise I tend to search for the intervals first, while thinking about what chord arpeggio I'm playing at least,
@ridgerunner4943
@ridgerunner4943 3 жыл бұрын
I can't wait until Scale Madness Part 2!
@SvenJungbeck
@SvenJungbeck 3 жыл бұрын
Coming soon!
@j.r.goldman3279
@j.r.goldman3279 3 жыл бұрын
TY
@themusiccovenant
@themusiccovenant 3 жыл бұрын
Gypsy King 🤴
@superflysoulbrother
@superflysoulbrother 3 жыл бұрын
im impressed you could sing that high b note lol
@boOoq1
@boOoq1 3 жыл бұрын
Regards.
@corneliousism
@corneliousism 3 жыл бұрын
This is a good angle to take when learning, personally I don’t see any help in learning the letter/name of the note, understanding visually the chords and where each note from the arpeggio is should be enough for you to allow your ear to guide you. After all music is you making sounds by moving around in patterns. It seems to be an unnecessary extra thing to learn note names. I’m with you totally on your angle involving focusing around chord tones and then playing chromatically into it. Thanks for all your lessons Sven. Your a great teacher !
@corneliousism
@corneliousism 3 жыл бұрын
Oh I would also like pdfs of the proper chords series, do you have this as a Patreon bonus which I could subscribe or just make a donation for?
@SvenJungbeck
@SvenJungbeck 3 жыл бұрын
Hey, concerning the note names I can say, that the way you organize your stuff doesn't matter, as long as you got the fretboard under your control. Stochelo Rosenberg for example, I played gigs with him, talked to him. He says" I don't know any theory " that's actually not true. Only thing he doesn't know are the terms to name it. If you find the notes it doesn't matter, but for not so talented players it's an additional help. And that's not meant to sound disrespectful. It's a vast range of talent and I'm surely not a genius. But however you do it. You need the sounds precisely at your command. Against a donation I can send you my chord glossary and minor swing plus Troublante Bolero in detail. The chord glossary contains all important voicings from the same root. So you got to move them yourself. All the best, Sven!
@2jazzed
@2jazzed Ай бұрын
Why do you start the G Major 7 with the F#…..F# G B D?
@cscochran
@cscochran 3 жыл бұрын
This is super helpful. Just to clarify--when you apply this to improvisation, you have to change which triad notes you are landing on/working with every time the chord changes right? So you really need to know the chord progression beforehand.
@SvenJungbeck
@SvenJungbeck 3 жыл бұрын
Hi, That's how it works! Being the music instead of playing a scale patterns "to" the music. 😀👌
@cscochran
@cscochran 3 жыл бұрын
@@SvenJungbeck Awesome. Sounds a bit daunting, but I'm very excited about changing the way I approach soloing. Thanks so much!
@cscochran
@cscochran 3 жыл бұрын
@@SvenJungbeck Oh, that reminds me of one further question. When the rhythm player plays those quick (1 or 2 strum) embellishment chords in between the main chords (like to walk the bass or something), do you follow that in your solo and briefly use the new triad, or is it so quick you can ignore it? I would think you might need to follow them, but the rhythm player often adds those embellishment chords in on the spot, right? So you wouldn't know beforehand where to go next.
@SvenJungbeck
@SvenJungbeck 3 жыл бұрын
@@cscochran no need to follow! Think simple in the melody. These passing chords are not recognized by one's ear as new harmonies that matter. We tend to hear harmony in its most direct meaning, even if people are not educated at all. So we hear - this is tonic like - subtonic like - that goes there.... etc
@cscochran
@cscochran 3 жыл бұрын
@@SvenJungbeck Great, makes sense. Thanks!
@poisonapple1991
@poisonapple1991 Жыл бұрын
Singing the added 2 arpeggio backwards really makes you a dbag 😁
@AndreJDaniels
@AndreJDaniels 2 жыл бұрын
This is great stuff but I find it difficult to pick up the chords he is using and/or sit through the fingering. I would pay good money for the chord charts to these Proper chords lessons
@SvenJungbeck
@SvenJungbeck 2 жыл бұрын
Hi Andre, Just give me your email! I can send you a chord glossary. Then you can PayPal me on my email: Sven.jungbeck9@gmail.com What you consider as decent.😉 What do you think?
@CallMetheMusicMan
@CallMetheMusicMan 9 ай бұрын
Are you using a pick on nylon strings?
@SvenJungbeck
@SvenJungbeck 9 ай бұрын
This is a steel string guitar !
@CallMetheMusicMan
@CallMetheMusicMan 9 ай бұрын
@@SvenJungbeck the headstock threw me for a loop. Great lesson, though!
@geetarwanabe
@geetarwanabe 3 жыл бұрын
Love your playing but music theory is so boring 😴😪
@thewiltedplums
@thewiltedplums 3 жыл бұрын
You picked a hell of a genre to not like theory...😂
@phlox7792
@phlox7792 3 жыл бұрын
as far as theory goes this was very very light. merely just talking about intervals to add color.
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