SCORE STUDY EPISODE #19: SYMPHONIES OF WIND INSTRUMENTS (Igor Stravinsky)

  Рет қаралды 9,261

Anthony O'Toole

Anthony O'Toole

4 жыл бұрын

I DO NOT OWN THE RIGHTS TO THIS COMPOSITION OR THIS RECORDING, THEY ARE THE PROPERTIES OF THE COMPOSER, PUBLISHER AND PERFORMER. THIS VIDEO IS SOLELY FOR EDUCATIONAL PURPOSES AND HAS BEEN MONETIZED FOR THE COPYRIGHT OWNERS.
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composed by Igor Stravinsky (1920/1947)
published by Boosey & Hawkes
reduction and analysis by Anthony O'Toole
performed by the London Sinfonietta
conducted by Esa-Pekka Salonen
Piano recording of Chorale (1920) thanks to KZfaq user Emil:
/ channel
• Video

Пікірлер: 18
@jackaguirre8576
@jackaguirre8576 4 жыл бұрын
And exactly 100 years later, Anthony O'Toole would provide the public with an in-depth analysis of this wonderful piece. Well done!
@AnthonyOTooleMusic
@AnthonyOTooleMusic 4 жыл бұрын
that was my goal!! 100 years of perspective and interpretation of the piece. Music is still good in 2020! thank, jack -- appreciate the comment
@myles_idk
@myles_idk 4 жыл бұрын
4:55 no greater TRUTH has ever been spoken
@AnthonyOTooleMusic
@AnthonyOTooleMusic 4 жыл бұрын
i mean if you put a clarinet or trumpet against a violin in a 'just do a crescendo' challenge the violin would lose horribly. that being said, the violin has a great range and it can play much quieter and also with a plethora of playing techniques. Every instrument has it's strengths and weaknesses.
@jackdolphy8965
@jackdolphy8965 Жыл бұрын
Dear dear Anthony, Ever many thanks for your thoughtful, clear, and as complete as can be, oh - and -- just plain excellent discovery of this grande work. Many a Stravinksy-o-phile ranks this at the top of most important and favorite of the Master's works - as I might wonder you do also. Your exposé here is a huge gift to us here now, and to future searchers for this music. Wind at your back !
@civildesobidience
@civildesobidience 2 жыл бұрын
Great job! Thank you
@lisalamb5955
@lisalamb5955 4 жыл бұрын
This is the best! Thank you so much!! You should do Holst Second Suite in F next :)
@AnthonyOTooleMusic
@AnthonyOTooleMusic 4 жыл бұрын
I have others lined up but I will consider the second suite once I've done enough other composers -- I did Hammersmith by Holst so I don't want to double up before I get to 30 episodes bc there are a lot of other composers who deserve the spotlight just as much as Holst
@1george08
@1george08 4 жыл бұрын
Thank you for the video!! I'm planning to program this for my wind ensemble soon!
@AnthonyOTooleMusic
@AnthonyOTooleMusic 4 жыл бұрын
you're very welcome! Feel free to share the video and if you'd like to contribute visit the Patreon page. Thanks
@theawesomepianoman
@theawesomepianoman 3 жыл бұрын
Just wanted to point this out in case you hadn't noticed - the bassoon part at 6:06 is in the wrong clef - It should be in tenor, not bass. This then places it in-between the two lines happening on the other clef, and placing the melody it is playing in b minor, expanding the notes used mentioned in the analysis presented with this part of the reduction.
@AnthonyOTooleMusic
@AnthonyOTooleMusic 3 жыл бұрын
ugh... I forgot to change the clef. Good eye though, thank you!
@music8055
@music8055 4 жыл бұрын
♥Anthony O'Toole
@AnthonyOTooleMusic
@AnthonyOTooleMusic 4 жыл бұрын
thanks
@kyle-silver
@kyle-silver 4 жыл бұрын
I hear a lot of Gil Evans (especially from Miles Davis / Porgy and Bess) in this piece
@AnthonyOTooleMusic
@AnthonyOTooleMusic 4 жыл бұрын
Good ear! a lot of Gershwin influence and the style of voicing the chords are quite similar to Gil Evans.
@xxxmatt08
@xxxmatt08 3 жыл бұрын
Transposed 5 chromatic Notes Lower, Clarinet part (Low Notes) score {E Flat Alto Saxophone 1}, Bassoon part (High Notes) score {E Flat Alto Saxophone 2}, Bassoon part (Low Notes) score {Baritone} parts, Little of both Clarinet and Bassoon parts + added from much of French Horn and Trombone parts (Lower Notes/ making cues from High Notes) score {E Flat Alto Saxophone 3} {E Flat Alto Clarinet} {B Flat Tenor Saxophone 1}/ {B Flat Tenor Saxophone 2}, Trombone (Low Notes) and Tuba part score {E Flat Baritone Saxophone}. Written an octave higher (12 chromatic notes up) are Notes transposed that go beyond instruments range. Thus would be a modernized concert band Adaptation and Transcription of This Piece, ofcourse all transposed 7 (up) chromatic notes higher, same out of range rewrite would sound just as awesome ; ) Thus would creat
@scottgilesmusic
@scottgilesmusic 2 жыл бұрын
Good video. Very good! The piece, though, was already being written when he was approached by Le Revue Musicale and he wrote the final choral (which was not part of the sketches at that time).
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