Thank you Manny 🤘💯

I love this idea. Especially because when I can sing and play at the same time it’s a better performance. When I track each by itself it loses something. Thanks for this trick.

Hope you dig this trick a dear friend used to record top Artists! It’s freaky but a super cool tip! Black Magic of science lol it’s cool AF.

Thank you for the knowledge drop!

Great to see this manny. And old British producer named Hugh Jones taught me this very trick . He used a pig nose amp to do exactly the same thing . Pump a tone through it and he’d put it in the snare stand facing g upwards making g sure it was the same height as the snare skin and adjust the overheads in the same way to remove the tone virtually with the phase flipped . Similar with guitar amps and acoustic instruments . Great to see someone else use it too Loving this series mate . So many great tips and techniques from the old school way. I learned same as you in the late 80s early 90s on tape machines and consoles and making lots of coffee and lining up 456 and 499 tape reels on Studer machine 🤣😂🤘.

Very cool, thanks!

Oh man this video came just in time! I’m recording two acoustic songs this weekend. I’m stoked to give this a shot. I’ll be recording a banjo/ acoustic guitar duo in a month or so. I’m trying different room positions and treatments. I appreciate your years of experience

Thanks Manny! All the best!

Love this Manny.Your explanation is right on.The basics are never overlooked,setting up ahead,spending time in the studio can improve my recordings and this is golden.Peace A.M.

That is a brilliant brilliant trick!! Did you learn that from the phase master Steve Albini?

Hey Manny, that's a really good trick man. Save a bunch of time and have the artist confident in your abilities, when they hear the foldback mix with that mic set-up. Reminds me a little of a trick you once done with the clackers ( I think that was the name ) they used in the movies for phase. I still often think about trying to make something like that and have them remotely controllable. I like to tinker with some stuff. Do you think that could ever be built in to a mic and be able to adjust the phase via a remote function inside the mic? via software? Thanks alot Manny. Great watching your videos, gives lots of inspiration

Zounds great

sorry to sound like a boring tech, but wouldn't white noise be more appropriate as a test source? [as it covers a broader spectrum of tones]

Didn’t understand anything in this video. What is phase? Seems like this video was made for intermediate level recordists and not beginners like me. How do I apply this concept with my TEAC 144 4-track cassette recorder with no Neve, no Compressors, just a ribbon, a dynamic, an amp and a cassette? Can anyone explain a more simplified version?