Slavoj Zizek, Judith Butler & Larry Rickels. Psychoanalysis. 2006 1/3

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European Graduate School Video Lectures

17 жыл бұрын

www.egs.edu/ Slavoj Zizek, Judith Butler and Larry Rickels discussing psychoanalysis. Segment of a public lecture at European Graduate School, Media and Communications Studies Program Department, EGS, Saas-Fee, Switzerland, Slavoj Zizek.
Judith Butler is the Maxine Elliot professor in the Departments of Rhetoric and Comparative Literature at the University of California, Berkeley and Hannah Arendt Chair at EGS, attended Bennington College and then Yale University, where she received her B.A., and her Ph.D. in philosophy in 1984. Her first training in philosophy took place at the synagogue in her hometown of Cleveland. She taught at Wesleyan and Johns Hopkins universities. Judith Butler is an American feminist and post-structuralist philosopher interested in feminism, queer theory, political philosophy, ethics, zionism, israel, oppression, academic freedom and cultural narrative. She is the author of Giving An Account of Oneself; Undoing Gender; Precarious Life: The Powers of Mourning and Violence; Contingency, Hegemony, Universality: Contemporary Dialogues on the Left (with Ernesto Laclau and Slavoj Žižek); Antigone's Claim: Kinship Between Life and Death; The Psychic Life of Power: Theories in Subjection; Excitable Speech: A Politics of the Performative; Bodies That Matter: On the Discursive Limits of "Sex"; Gender Trouble: Feminism and the Subversion of Identity; and Subjects of Desire: Hegelian Reflections in Twentieth-Century France.
Slavoj Zizek, a Slovenian sociologist, postmodern philosopher, and cultural critic is a professor at the Institute for Sociology, Ljubljana and at the European Graduate School EGS who uses popular culture to explain the theory of Jacques Lacan and the theory of Jacques Lacan to explain politics and popular culture. He was born in 1949 in Ljubljana, Slovenia where he lives to this day but he has lectured at universities around the world. He was analysed by Jacques Alain Miller, Jacques Lacan's son in law. His research focuses on Karl Marx, Hegel and Schellingfundamentalism, tolerance, political correctness, globalization, subjectivity, human rights, Lenin, myth, cyberspace, postmodernism, multiculturalism, post-marxism, David Lynch, and Alfred Hitchcock. He has published many books and translations in several languages. He is the author of The Sublime Object of Ideology, 1989, Beyond Discourse Analysis (a part in Ernesto Laclau's New Reflections on the Revolution of Our Time), London: Verso. 1990, For They Know Not What They Do, London: Verso. 1991, Looking Awry, MIT Press. Enjoy Your Symptom!, Routledge. 1992, Tarrying With the Negative, Durham, New Carolina: Duke University Press. 1993, Everything You Always Wanted to Know About Lacan, But Were Afraid to Ask Hitchcock,1993, The Metastates of Enjoyment,1994, The Indivisible Remainder: Essays on Schelling and Related Matters, 1996, The Abyss of Freedom, University of Michigan Press. 1997, The Plague of Fantasies, Multi-culturalism, or, the Cultural Logic of Multi-national Capitalism, New Left Review, issue 225 pgs. 28--51, The Ticklish Subject, 1999, Contingency, Hegemony, Universality (authored with Judith Butler and Ernesto Laclau), Verso. 2000, The Art of the Ridiculous Sublime: On David Lynch's Lost Highway, Washington: University of Washington Press. The Fragile Absolute, 2000, Did Somebody Say Totalitarianism?. 2001, The Fright of Real Tears: Kryzystof Kieślowski Between Theory and Post-Theory, British Film Institute (BFI), On Belief, Routledge. Opera's Second Death, Repeating Lenin, Zagreb: Arkzin D.O.O. 2001, Welcome to the Desert of the Real, 2002, Revolution at the Gates: Žižek on Lenin, the 1917 Writings, Organs Without Bodies. 2003, The Puppet and the Dwarf, 2003, Iraq: The Borrowed Kettle, 2004, Interrogating the Real, London, Continuum International Publishing Group. 2005, The Universal Exception, London, 2006, Neighbors and Other Monsters (in The Neighbor: Three Inquiries in Political Theology), Cambridge, Massachusetts: University of Chicago Press. The Parallax View, How to Read Lacan, New York: W.W. Norton & Company. 2007
Laurence Arthur Rickels is a Professor at the Department of Germanic, Slavic, and Semitic Studies at University of California - Santa Barbara. Co-editor (with Thomas Kniesche) - Die Kindheit Überleben. Festschrift. He is the author of Mahlendorf, Psychoanalysis, Only Psychoanalysis Won the War, Crypto-Fetishism, Acting Out in Groups. The Vampire Lectures, Poetry Poetics Translation: Festschrift in Honor of Richard Exner. Konigshausen Neumann, The Case of California. Reprinted with University of Minnesota Press, Gottfried Keller, Jugenddramen. Ammann Verlag, Looking After Nietzsche. State University of New York Press, iVoice Over: On Technology, SubStance 61, Der unbetrauerbare Tod. Edition Passagen, and Aberrations of Mourning: Writing on German Crypts. Wayne State University Press, 1988.

Пікірлер: 27
@egsvideo
@egsvideo 17 жыл бұрын
thank you for the comment. there are more lectures of zizek and butler on youtube and we will add more. please be patient ... thank you.
@egsvideo
@egsvideo 17 жыл бұрын
we have observed the same thing. be assured though, that our videos won't disappear, instead we will try to upload more and more of the lectures. please be patient for the next videos. thank you.
@mariethemetalhead
@mariethemetalhead 11 жыл бұрын
KZfaq's auto-captions for Zizek are absolutely hilarious
@taratasarar
@taratasarar 14 жыл бұрын
Great stuff!
@bbravo2
@bbravo2 14 жыл бұрын
butler is most appealing thinker to me, but she and rickels cant be accused of being charismatic. zizek is incredibly entertaining to watch.
@ultrak0w
@ultrak0w 15 жыл бұрын
man i cant hear rickels.. also there are some volume issues on the agamben vids... is there anything you can do about it ?
@bytedildo
@bytedildo 16 жыл бұрын
zizek's mind is so fast
@abovethewaves240
@abovethewaves240 17 жыл бұрын
what happened to all of of the other youtube Zizek lectures?...they have all disappeared from the web within the last 2 weeks :-(...Im guessing it concerns copyright issues.
@ShineThePath
@ShineThePath 16 жыл бұрын
I think Zizek and Badiou are beyond Laclau and Ranciere...but perhaps I am clinging on to too much Althusser
@MartianManhunter1987
@MartianManhunter1987 15 жыл бұрын
Interesting point. Surely a thoroughgoing engagement with pop culture is a valid route to follow. How would you define pop culture. Is it like the common sense knowledge that we engage with and reproduce on a daily basis?
@SwedxSimon02
@SwedxSimon02 14 жыл бұрын
Hand gestures keeps the mob pleased
@ipalindromei
@ipalindromei 16 жыл бұрын
what with all of zizek's support for popular movements across the world, i'd say he's "looking for justice" to some degree. which is not to negate your point, which made a lot of sense.
@Feuerader
@Feuerader 14 жыл бұрын
Any subtitles to what Zizek says?
@mynameistrue
@mynameistrue 16 жыл бұрын
the same could have been said of Lacan.
@ultrak0w
@ultrak0w 15 жыл бұрын
why is pop culture not an acceptable element of sound critical theory given that it plays an important role in the world today
@perryoparsons
@perryoparsons 15 жыл бұрын
but his accent is so funny :)
@MahatmaClarity
@MahatmaClarity 14 жыл бұрын
I also disagree.
@PtAltmVansanTarr
@PtAltmVansanTarr 13 жыл бұрын
@bbravo2 Zizek uses dirty jokes,ticks,and hand gestures to appea
@whimcynical
@whimcynical 15 жыл бұрын
So do I : see the way he keeps on touching his nose?
@juancreyna
@juancreyna 16 жыл бұрын
See Rickels hold his throat while Zizek is talking about Freud's deadlock. Talk about body language!
@BrunoAlvesCoelho
@BrunoAlvesCoelho 14 жыл бұрын
Butler uses a very cheap psichological tactic to make Zizek nervous. He gets clearly shaked by it but Is still able to expose his ideas well and properly crush her.^^
@ToroAzzurro
@ToroAzzurro 15 жыл бұрын
i absolutely disagree
@lloplop
@lloplop 11 жыл бұрын
judith butler isnt a feminist
@ElasticGiraffe
@ElasticGiraffe 13 жыл бұрын
Zizek is SO difficult to follow. He seriously needs to lay off the amphetamines. His accent, lisp, and impassioned delivery wouldn't be so bad if he weren't so stream-of-consciousness in his monologues and he took time to breathe in between sentences.