Attire

It doesn't work the other way round.

May you please share some other songs like this with me?

@@thekeygod9810 Most certainly. My pleasure. 1) CHRIS BARBER...Le Martinique. 2) BUNNY BERRIGAN...Can't get started with you. 3) STAN GETZ...Desifinado. 4) SAINT LOUIS BLUES MARCH...Perfidia... 5) KEN COLYER...Postman's lament. Hope you enjoy, Kind regards to you.

@@ronaldstrange8981 Thankyou man !! You don’t know how much help you’ve been !!

@@thekeygod9810 -Thank you so much for your courteous reply. If you enjoy them, I will happily recommend some more, but, please remember, "one man's meat is another ones poison". Regards.

I Man dig it. Jah Herb. I jus 51. Some people grow old other jus grow Cold. Ok. I got a coal train to catch. 🚆

❤

I highly recommend Alan Dawson playing Take Five with Dave Brubeck and Gerry Mulligan in Berlin in 1972. He substitutes for Joe Morello and does a magnificent solo - see kzfaq.info/get/bejne/Z9qShtyj0r7TZmQ.html.

I also recommend the footage of Bill Evans, Lee Konitz, NHØP, and Alan Dawson in Copenhagen 1965 if you haven't seen it.

Wow I thought I was the only person that felt this way , you should check out his work with Coltrane !

@@thekeygod9810 where can I find Dawsons work with Coltrane?

At Northeastern in Boston, I took a couple of lessons from lan at Berklee. I thought Buddy Rich had fast hand, but Alan was exceptional. What a great person!!! @@thekeygod9810

Hey man who was playing the bass on this one ?

Craaazy that he was 19 or 20 when this was recorded

Yeah his flow is so flawless it’s scary

yeah, man. who needs a piano player anyhow.

same

I would say Sonny was at his best in the late-Fifties, but still very good in '65. Dawson is on a ton of recording sessions, so he is pretty well known.

What piano? Rollins didn't work with them very often. Monk being one exception.

Nikolaj Lunøe Absolutely incredible! Immense talent on display here

Sounded to me like nhop went into his walking out of his solo kind of early, maybe feeling the pressure to create. Nice how Sonny started adding some background tones to flesh it out out a bit. NHOP solid though young.

He plays good, but, sorry, not that level of those legends. He shouldn't be alowed to play with masters just because of mutherfucking rules of fucking TV.

Getting a chance to play with more experienced colleagues helps young talents mature, and Mr. Rollins’ decision to give the 19 year old a chance at his Copenhagen concert was not influenced by the TV broadcaster. Dexter Gordon spoke highly of NHØP in letters he wrote to friends at the time, and Ben Webster and Bud Powell also said they enjoyed working with the teenager. However, I do not have the time to look up those texts right now - so suffice to quote what Oscar Peterson wrote about a more mature NHØP in his 2002 autobiography, A Jazz Odyssey: “Niels Pedersen is the type of player whose talents on his instrument are such that he is almost unaware of what he does. His virtuosity on the bass surpasses anyone else that I have known. His melodic sense is impeccable, his choice of harmonic sequences is a pure delight to play with, and his time is flawless … He is now arguably the most inventive bassist in jazz.” When given a choice, pianists as different as George Shearing and Michel Petrucciani also asked for NHØP to accompany them. And, by the way, on top of his facility on bass NHØP, an autodidact, was a decent human being, tolerant & appreciative of others, firm but polite, highly intelligent, and quite erudite (particularly in the field of history).

too bad he totally lost the form during the trading 4s

That is incredible. He was one of the all time teachers. Rudimental Ritual. Geez. Played with Brushes!

I've been to his clinics , a Master

Amazing like Tony. Luck you! Did you run through his rudimental warm ups regularly?

Remember my Dad (who was a drummer and public school band director for years) coming back from a summer camp with his older students. Telling me all about Alan Dawson. This would have been in the late 1960's or early 70's. My dream was to get to Boston area to study with him when I got older, alas was not meant to be....I studied his approach to the kit as much as I could. Even thou I never got to met him in person, he had a very big influence on my playing.

that's awesome - the Richard Davis/Alan Dawson rhythm-machine is a great team!

He did stuff like that on his records too, at least moving around with the bell, and it creates a sort of "phasing" effect. Always loved that. Joe Henderson got that too sometimes.

yeah I mean I can HEAR the changes in everything they play, that's what separates the men from the boys in jazz. I'm a pianist and saxophonist and the lack of a chordal instrument is what makes this amazing to me, they improv over every change, never play the head once and if you know the song you can hear it all. nothing but greatness.

Marcus Cornelius Aurelius like a person who has never studied math opening a calculus book and saying “it’s nothing but gibberish. I don’t like it”

I'm still visiting regularly, a go to trio performance 🔥

funny

14 now.

You don't have to be "miserable" to have likes and dislikes. You're the one who sounds like a miserable person!

@@peterj.andros3996 No, YOU ARE!

@@peterj.andros3996 you sound like a dick