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This is actually a really good explanation of something I've been trying to tell people who are filming, because most of the time they just shot a bunch of shots and then sifted put everything together in the edit. I've always said that the main difference between video and cinema is exactly this. Videographers go out and shoot everything and then decide what works best to tell the story but cinematographers figure out what they need to shoot in order to tell the story. Even though much of todays video and film is shot and edited on the same equipment. Not that one way is better than the other one. But one saves production and post production time which can be expensive on larger projects and the other one requires more time in preproduction which can be done by a fewer amount of people saving on time and money. In essence it all comes down not what and how you're shooting but what are you trying to communicate and that depends on a multitude of different factors never just one like the lens type for a shot. At least that's how I interpreted filmmaking.

This explains a lot I couldn’t understand why you couldn’t just move closer or farther away with just changing the camera position instead of on the lens now seeing this makes more sense

This video was amazing Sam! I've had some real laughter because of the simple jokes yet REALLY learned something valuable about lens choices. I did for a long time know what they obviously will show you, but not exactly the reason to why you'd pick one over the other. You killed it!

KZfaq suggested your video today, I loved your presentation, the element of surprise, the way you kept the attention of the audience, and the way you linked your next video at last. more value in a limited time 👍 this is the 5th video I'm watching and I have already learned so much about framing, angles, lenses, etc... and also about how to present your videos to your audience. keep up the good work man

Great work sir. We started a small production company two years ago and these tips are absolutely gold. Because of creators like yourself and many others film school was not necessary. We were able to learn everything that we needed because people like you care to share it..

Sam mate, I've only recently come across your videos and they're so under-viewed. You get the perfect balance of addressing the technical side of things as well as the artistic side. Then you show how to connect those sides and the various ways the technique in each video can be used. All this while keeping things friendly, light, and humorous without becoming overbearing or an information overload. You also don't come across as some egotistical camera know it all, which is very refreshing. You've gained a new sub for sure. Thought id add something personal down here in case you happen to read all this soppy waffling. I've already taken things from your videos and used them to help me get better at my job in a small production company. I'm early in my career and thought you'd like to know you are one of the people genuinely helping me develop my skills, get better at my job, and better at my passion. Much love and respect bro, keep it up.

Thanks for the clarity of choosing focal lengths in the scenes

Just found your stuff as I've been researching a particular lens for an upcoming project. Your videos are entertaining, and while what you say in this video is mostly true, especially for those who are just getting started in "filmmaking" - myself, having actually been on Spielberg's sets when I worked at Universal Studios (was on his Jurassic Park 2 set and his Amistad set) and having been in filmmaking and studying film for decades, I can tell you that Spielberg shot almost exclusively with a 21mm lens, as does Tim Burton and Martin Scorsese. And many or my favorite Directors exclusively shoot with only wide angle lenses; Orson Welles and Jean-Pierre Juenet used 18mm and 25mm lenses, The Coen Brothers almost always use only 27mm for everything, as does Wes Anderson, David Cronenberg, and David Fincher. Of course there are exceptions... Ridley Scott loves 75mm Anamorphic. But in general, most of the top Directors don't like switching out to different focal lengths if they don't have to, because they know how to use their favorite Focal Length in all the ways that are needed to achieve that context and emotion of the scene. But for everyone else watching your video... good advice!

People are choosing lenses because of a spec sheet rather than telling a story, sick vid, love this new format, story telling is on point!

this was one of the best videos I've watched on this topic, only 7 minutes but so much actually useful information

Sam.. I am from India and I love your videos and have been watching them for more than a year. I like you because of a joy that keeps bubbling inside you and finds expression through your eyes. Its just a pleasure watching that. however I am 'angry'.. when I saw you have just 44.2k subs.... You must be at a million now... You are way ahead then your competition. The plays... the drama ... the comic... I love how you do them. Considering that none of them are easy. Its so nice to see how you have shed off your 'Introvert' skin. Have seen at least 30 of your videos.... keep the hustle on my friend. God Bless ..

Great video. We’ve been following you for a while and appreciate the work on improving your format.

Exquisitely shot, outstanding audio, humorous, comprehensive, insightful and downright excellent! Spot on job Mr. Holland.

Man, I just discovered you, and you do know your game. You're leading me from one video to another like a child. Very well done. And you have a funny bone too, made me laugh quite a few times.

Hi Sam! I just want to tell you that I'm extremely grateful for all your knowledge and especially the way you present it. I'm so glad that i found your channel! Cheers, mate!

My second video I watched from you. I just found a new diamond. I really hope to see you grow because you really deserve it! Great job mate!

Love Mr Spielborg, always fun to learn with him!

I only came across Sam Holland's videos in the last month or so and they're Gold! How come he hasn't got hundreds' of thousands of subscribers? These are *way* more informative than the bulk of the output from many of the "big names" on KZfaq. He has the depth of content of Gerald Undone but with a really accessible tutorial style that isn't overwhelming, a bit like Brandon Li, but rather more engaging to watch IMO.

I really like this way of teaching, contextual and engaging. Thank you

Freakin awesome lesson! Thank you greatly brother!

Love the information so enlightening but your conversational style and humour bring these to another level

CONGRATULATIONS SAM! This video was really nice.

This is important as a photographer as well!

I really needed this... I’m at a point in my career where I’m following a template for videos with little to no reason and emotion.

The way you explain is just on point. Thank you brother

I like how every video has a call to action at the end.

Videos like this really make me think and grow. Thank you! 🙏🏼

50mm prime is king, its rare i ever take it off my camera. 50mm usually gets close enough to the subject that I dont ever feel like getting any tighter shots and it gets wide enough for most shots. Sometimes I go down to 24mm for those wide shots.

Just some encouragement here. You are really stepping up your game….fire! Funny, informative, and engaging. Thanks for your effort👍

Dude, the strategy you use to point to the next video is really smart. Love your channel and energy.

this video came in clutch , right when I needed some inspiration for shooting a project

Just stumbled upon your channel while searching for film tips. Great job! I subscribed on the spot!

Man I love this style I can’t stop watching

Brilliant! The humour will cement the ideas in our minds

This was super helpful! First video I’ve seen of yours. I’m in!!

Great content as always! I find a standard 24-70 the most valuable piece of kit over primes simply because focal range feels much more important to filmmaking than DOF... And considering time (doing corporate work) it's the only thing I can find shooting on - I Would love to hear how primes have worked for your filmmaking career and workflow. Cheers!

Best channel I’ve found on film making ! Thank’s for thé réal good advices and techniques

Story telling...thank you man! I tend to forget about that part

Amazing video to explain what has been an elusive concept for me for some time. Subbed!

My ”trick” or train of thought is to start planning the shots with a normal 50mm, F4 and eye level shot as default, then motivate from there why I want to change the shot in any parameter, focal length, aperture and angle.

Finally I understand the basics of lens! ☺️

Sam you are a great teacher! I laughed hard AND took notes.

Easy for me I only have one lense

Utter mutter, Sam! Great spate! Love this fun, creative, _very_ helpful video. Thanks mammothly much. Cheers from the States! 💛🇬🇧

This video was Amazing. I'm Subscribed for life. Thank you for explaining this concept. Your style of teaching is Excellent

Your videos are quite engaging. You’re really great at storytelling. I am learning a lot, thank you for making these videos. It’s great content!

This was really useful - I learned how to use the equipment to tell a story, rather than just a list of specs - thanks!

Great hooks and engagement in your videos mate!

Great video. Thanks for sharing this! I have just started, and hope to learn more from creators like you.

Fantastic video. Very entertaining and informative. Thanks!

Throw in a super35 sensor with limited choices for super35 lenses. I end up using full frame lenses that have a crop factor of approx. 1.7. The crop my have the equivalent of certain focal length, but the lens still has it's own intrinsic focal length characteristics. Even more fun...

Great video Sam. As always! Keep up the good work 👏 🙌 📷

Fantastic video Sam! Great tips!

Loved this video. You demonstrated the lesson in a way that I’ll remember and will consider going forward.

Thank you so much. And the Spielberg thing was done so nicely.

Mate this is awesome! Can see how much time you’ve put into it. Great video!! 🎥💪😎

good on lens characteristics V informative.

This is fantastic. Really has me thinking more about the choices that I make to tell the stories! Loving the content as always Sam, so thank you.

Blooming BRILLIANT mate 👍🏻

Good video with a simple to apply principle. These things can seem super obvious once they're revealed, but obviously, it's not the case. I'll be using these a lot. Thank you!

Educational and hilarious! Great work my friend

Thanks for this. Gives me something to think about when I next go out and film!

Super cool Sam, adding funny a tone alongside clever filmmaking tips made this very entertaining to watch 😉👍

One fundamental flaw in your explanation that needs to be cleared up for beginners is that lens compression isn't due to the focal length or the lens itself. It's that you physically have to move for a better framing this causing the "compression".

Hey Sam. I have a very small KZfaq channel that focuses on mountain biking. I'm looking to buy a Sony FX30 to film handheld vlog-type intros & interviews, for my office set-up (similar sized room to yours), and for shooting people mountain biking out on the trails (probably 10-30 feet away from me). I'm a NOOOOB when it comes to camera lenses (learning a lot from your channel, btw). I was thinking I might be able to get away by starting with one lens: the Sony E 16-55 mm F2.8 G. I figure the 16mm will probably work well for in-office and handheld vlogging (and for context if interviewing people...see, I watched the video above!), and I could probably make use of the zoom to 55mm for shooting mountain bikers on the trails and for interviews. It would be very nice to hit the trails with only one lens. I'm also thinking of using a DJI RS 3 occasionally when I'm outside vlogging and shooting action shots. So I have a few questions.... (1) Do you think that lens would do the trick? (2) Is there a better video lens out there for what I'm planning on using it for (or a pair of lenses)? & (3) If that lens is a good call, does the fact that it extends on zoom make using a gimble a pain in the ass?

Informative and entertaining. Sock was hilarious 😂. Yes, i would like to see more videos like this. You shoud put Spielberg with sock for thumbnail.

Amazing work Mister, and it's really funny also, your videos are beautiful and enjoyable, cheers 🙌🏻👏🏼

This channel is outstanding....

Loved it Sam! Thank you. Perfect blend of humour and information 🙌🏻 Definitely something I need to work on myself, so this helped a lot!

The Pombears in the camera bag! Brilliant! 🤣

Absolutely Amazing lense for my FX30

SAM. Te video was entertaining, funny and informative. GREAT WORK. Keep it up!!

Aside the great editing and storytelling it was also very informational! thanks ❤

Yes. It did change the way I use lenses.

This was brilliant, Sam! Brilliant! And funny!

Nice vid. It's all about that ONE thing we always think about (no, not sex!) It's about: Best ways to tell a story!

Really great content. Nice tips!!

This is an incredible video thanks Sam.

Quality content! Love the playful, humorous delivery 👌🔥

Mate! It was a great pleasure to watch! SO entertained! Good lesson by the way! Cheers!👊

That was awesome. Love the humor. Keep up the great work 👍

Fantastic stuff Sam! really enjoyed and understood :) and subscribed

This was the third of your videos I'd watched in a row and was considering heading to market square to take some shots... and which location happens to appear?

Just ran into your channel. I'm loving the videos they are great! subscribed!

Great vids! Funny and easy to learn. Just what im after! Subscribed

So well put. Great content.

Haha I love Mr. Spielberg in this video! Made me laugh! 😂 Great tips! Thank you!

I just binge watched most of these videos. The problem I have, is I’m using the S5 and the L mount lens’s arnt cheap. I opted for the 50mm to start with, the wide angle lens’s cost nearly as much as the camera sad😢

Awesome explanation. Thank you for sharing

4:53 cracked me up. hahaha. such a nicely produced video, kudos! :)

Longer focal length - like 70mm or more can help to soften a woman's face. It can make an average girl look better if you really focus on her eyes.

holding it down for the panasonic gang. I am always going back n forth with what lenses I choose. What do you think of that panasonic 24mm?

Great video Sam! Informative! There a video on KZfaq, titled the soul of cinema, wish more videographers would run with the ideas from that video. Also, there's a small channel called the whole equation, great information that I feel you could also digest and present in your way. Keep up the good work!

Well done, Sam. You’re cranking up the subscriber count, but pushing your production and editing to shift up a gear… well done!

absolutely love this

Great video Sam - nicely delivered! Thanks

Great advice Sam. Funny too. More please

Not only informative but hilarious 🤣 you would watch this even I you didn't want the info ... smashed it !

Great video! Important info and you presented it in a really concise, engaging way. Thank you!