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Is analog summing just a big hoax? Or does my sound benefit from running it through this very flexible, good sounding mini console from the legends at SSL? I find out and I invite you to help me!
Support this channel on Patreon:
/ espenkraft
Regardless of the outcome of what mix is what, working with the SSL SiX has been a blast. It's so much fun to work with a quality console again. The headroom is huge, the 100mm faders have a very nice feel to them and everything is so well laid out in terms of routing, flexibility and features. I really can't see myself returning this any time soon.
The audio clips (two mixes, A and B) can be downloaded here:
drive.google.com/file/d/17h4t...
The song "Don't Go" can be found here:
iTunes Apple music: apple.co/35ZTdfR
Spotify: spoti.fi/38aoWMB
Bandcamp: espenkraft.bandcamp.com/
Google Play: bit.ly/2NrgXD9
Please join me on social media:
/ espenkraftmu. .
/ espenkraft
/ espenkraft
I use DistroKid for all my releases onto streaming services.
Try out Distrokid yourself and get a 7% discount off your first year by using this link:
distrokid.com/vip/espenkraft
Growing up I listened to so much synth-pop and it's only natural that my own music takes inspiration from many of the acts I loved back then. I still love them and listen to them!
Howard Jones, Depeche Mode, Pet Shop Boys, New Order, Erasure, Thompson Twins, Tears for Fears, The Human League, Propaganda. FGTH, Ultravox, OMD, Eurythmics, Duran Duran, Giorgio Moroder, Jean Michel Jarre, Jan Hammer, Alphaville, A-ha as well as loads of artists doing what is now called Italo Disco. And many more great acts like Nik Kershaw, Spandau Ballet, Wham, Dire Straits ++