This band has potential and I like their rearrangement of Lucky Chops' arrangement. The Bari-Sax needs a wireless microphone so he wasn't forced to be so stiff. There were times that he looked like he wanted to get into the music, but couldn't if he wanted to keep the distance he needed with the mic. The band could use a bit more practice together. Also, the drummer could have joined in with the audience clicking his sticks together to the beat that the audience was clapping their hands, from my experience, sometimes they can get off beat and this would help. I really liked the sound chemistry of the band and many of the choices they made in the arrangement. Their transitions from song to song was on point and showed the biggest part of their potential. This is a great arrangement for them.

That poker face transition was smooth AF not gonna lie Also, speaking of poker face, nice double/triple/tuple tonguing by the trumpetist there

This is soooo great!!

Dużo im brakuje to tego poziomu ale fajnie że się starają

Keep up the great work

Genial !!❤

exelente muy bueno

What a Horn section!

Thank you very much for the support ✨

This kind of music/street theater is not for me but they play well and I respect the work they put into it. jw

Brutaaaal

Wow

Is there a transcription of this anywhere?

NYC never seen anything like this in the UK. WAKE UP ENGLAND

The tenor sax being the only one with sheet music

Amusing how many comments there are about this being a Lucky Chops knock-off-you’re telling me you clicked on “Funkytown/I Feel Good” and *didn’t* expect it to sound like Lucky Chops? Come on now. Not to even mention the fact that it diverts completely halfway through to tunes LC have never played.

Is this the lucky chops arrangement?

PLEASE SOMEONE MAKE A TRANSCRIPTION OF THIS I NEED IT THIS IS AMAZING

🎶🎶🧜‍♀️🌺🔥🔥🔥🌺🧜‍♀️🎶🎶

Lucky Chops nigdy nie podrobicie...Dlaczego bo byli pierwsi i nie osiągalni...Z szacunkiem do Was ...

Tenor is entirely too hot in the mix for the sections with all horns playing. It's good trombone, slightly overpowering saxophone, then a sousaphone covering up a lot of the acoustic blend. The tempo transition between Bad Romance and Viva La Vida was a bit jagged, and the dynamics in this recording are stagnant. Aside from the music itself, you can add a lot of visual flare to the group incorporating some form of synchronous dancing/movement within the arrangements you're putting together for yourselves. You can even use movement to add to crescendos/decrescendos/developmental sections etc. The contrast of going between fortissimo and piano can be accentuated with horns having their bells face back of stage, or for everyone to bend their knees slightly to give that visual "drop" on top of the group getting notably quieter. The band could have started moving in sync with the trumpet player at 2:13, and that would have added more weight to that section of the music. Of course, tough rehearsal time and hours of being nitpicky with yourselves is where the real progress will come from, but there's a load of very simple things you guys could add to your presentation that would bring shows and your connection to the audience to a "next level". In brass bands, the money is in getting the audience excited for what they're hearing, and to give them something to grab onto so they can feel like they're a part of the show you all worked toward. (Mr. baritone is gonna need a wireless mic before any dancing is gonna look cool on-stage.)

அடி தூள்

Too many zoos?

Lucky chops knock off.

go watch lucky chops there musch better.Juat trying to copy them . Try to be original and not a carbon copy

Nachmacher