Pandit Shiv Kumar Sharma - Raga Bilaskhani Todi

Рет қаралды 38,772

8 жыл бұрын

Пікірлер: 41

@DrKapoorKD 2 жыл бұрын

Ustad Shaffat Ahmed Khan was my Tabla Teacher, He passed away too soon. He represented the Delhi Gharana and was one of the finest human beings. His passing was such a tragedy ! btw Pt Shivkumarji himself is a good Tabla Player, His sense of rhythm combined with his knowledge of music brings out the best in his performances. BTW I was fortunate to learn Santoor from Pt. Shivkumarji. An unbelievable teacher. MY PRANAM to the Late Ustad Shafat Ahmed Khan sahib and Pt. Shivkumarji.

@sanjaysinha8887 2 жыл бұрын

THE ONLY ONE . UNIQUE N UNPARALLELED PERSON CAN DISPLAY SUCH DEVINE N SPIRITUAL MUSIC. NAMAN🙏🙏🌹🌹

@ranjitbhattacharji1360 5 жыл бұрын

Once again I must pay my respect & gratitude to Late Ustad Bilas Khan Saheb.

@sanjaysinha8887 2 жыл бұрын

DEVINE N MESMERIZING. JUST INCREDIBLE

@npsahuja2714 6 жыл бұрын

This gives the feeling of heaven

@user-en7fw8wp4d Жыл бұрын

Unbelievable

@bashirrazvi8824 6 жыл бұрын

Peaceful music. Excellent

@DrKapoorKD 5 жыл бұрын

Excellent rendition by Pt Shiv kumar Sharmaji

@anitamehta5803 2 жыл бұрын

Om Shanti Pandit Ji 🙏🏻🙏🏻🙏🏻

@Fall1976 7 жыл бұрын

Thank you for this wonderful recording. It sounds like the late Ustad Shafaat Ahmed Khan is accompanying Panditji on the tabla.

@associazionemusadistefanog2058 2 жыл бұрын

YES. It is indeed late Ustad Shaafat Ahmed. I have the original CD reporting his name

@npsahuja2714 6 жыл бұрын

sangeet takes us to heaven

@manasroy7159 9 ай бұрын

Amazing performance brings mental peace

@shrikantkelkar9869 2 жыл бұрын

Really enthralling. Such a wounderfull performance

@siddheshmavalnkar3884 6 жыл бұрын

Panditje ka sangeet yane adhyatma mai smadhi ka anubhav

@nationalemerald4054 7 жыл бұрын

Simply great

@prasannahegde15 2 жыл бұрын

❤️❤️

@prabhatmukherjee6049 3 жыл бұрын

blissful

@44migg 8 жыл бұрын

SubhanAllah

@samsamy123 3 жыл бұрын

48:20

@niharulislam6344 Жыл бұрын

শ্রদ্ধা...

@DrSRanjanMBBSAcupuncturist 6 жыл бұрын

8 am Morning Music .. Raag Bilaskhani Todi

@premsingh-xv8cy 2 жыл бұрын

Sur ka kam Kay bat ha

@ashispaul4201 11 ай бұрын

God is nowhwre,but He is here,here,here

@ranjitbhattacharji1360 4 жыл бұрын

YES TABLA PLAYER IS SHAFAAT AHMED KHAN.

@associazionemusadistefanog2058 2 жыл бұрын

Tabla accompaniment by late Ustad Shaafat Ahmed.

@ARINDAMMANDAL 5 жыл бұрын

Can anyone please let me know who was the Tabla player? Just outstanding sangat.

@reshijaved831 2 жыл бұрын

Ustad Zakir hussain

@shobha5624 Жыл бұрын

Late Ustad Shaafat Ahemad Khan

@hp.ramesh Жыл бұрын

It’s Ustad Shafat Ahmed Khan, a very close associate of maestro Shivkumar Sharma. Shivji told me that this is the first time that Shafatji played Matt Taal of 9 beats. What an incredible performance!

@shivkumarparashar7602 6 жыл бұрын

@hp.ramesh Жыл бұрын

This is a Chhanda Dhara recording and original studio recording has a far better audio quality. It’s sad that we upload recordings without mentioning anything about the copyright holder.

@srimurtisrivastava4780 Жыл бұрын

Yes, Chhanda Dhara was established by Gopi and Shefali Nag in Stuttgart Germany in 1971 and it organised and recorded several live concerts which were released in LPs, CDs and Cassettes later on. Almost entire collection of Chhanda Dhara is a treasure and musical delight for Classical music aficionados.

@Mizantropiciel Жыл бұрын

sound quality is very bad here, try to listen orginal from CD...

@reshijaved831 2 жыл бұрын

Bilaskhani todi pe mazaq hai ye kash pt bhajan Sopori saheb ji hote toa jalwa alag hota

@wmrajput 5 жыл бұрын

I m sorry. Bilaskhani todi can not be played on an instrument like santor that has no meend

@bivaskoley3749 4 жыл бұрын

Mind blowing

@bivaskoley3749 4 жыл бұрын

Just playing and go to sleep as your choice

@abhishekrajopadhye717 3 жыл бұрын

well said...either vocals or sitar, sarod would do full justice to bilaskhani todi..but be careful not to tread the bhairavi way as it ruins the real mood of bilaskhani todi

@rajadawn 2 жыл бұрын

I had asked Pt. Sharma exactly this question directly during a SPIC MACAY programme at my college (Univ of Roorkee 1992) He avoided a direct answer saying it is too technical for others to understand. My understanding is that he creates an illusion of meend by playing both swaras at the same time and slowly changing the emphasis from one to the other. That gives an illusion of "meend"

@associazionemusadistefanog2058 3 ай бұрын

Very interesting remark. But in same way it makes the interpretation on santoor still interesting and a great challenge.