私もアル中でした😊。ですが長谷川さんが外見もカッコイイ方だと初めて知りました✨

吉田太郎さんのドラミングも好きですが、やはり音というかパワフルさが、長谷川さんより、負けてしまっている感じがしますね。本来ならTHE ALFEEは、長谷川浩二さんが良いんですけど、太郎さんも頑張って叩いているので、そこは応援しましょう。

@@user-vr1gl4bl8b 決して吉田太郎さんが下手と言ってる訳では無いんです。最近思うんですけど、逆に吉田さんが普通で、長谷川さんがアブノーマルなのかもしれません。こんなパワフルなドラミングするプレイヤーは長谷川さん以外日本には居ません。

@@26267 もちろん太郎さんも下手ではないのは、充分に承知してますし、好きなドラマーの1人でもあります。なんか太郎さんが下手みたいな、僕の言い方が良くなかったかもしれませんね。すみませんでした。 それと、太郎さんの師匠である、そうる透さんも、パワフルな叩き方で好きです。

確かに。^o^ 目をつぶって聞いてもアルフィーのステージが見える気がします。

@@S-band_boya もう、卒業してから17年も経ってるんですけど、全然変わってないですもんね。2005年12月大阪城ホール見てたんですけど、突然卒業発表されて崩れ落ちたの覚えてます。2007年までは見に行ってたんですが、それ以後はご無沙汰してますねぇ～😥

I agree! Love that snare tuning. What's the secret?

You nailed it with this comment! So true.

I appreciate your comment, as I am one of those musicians that never made it. But I'll say, this guy is a drummer, not a band. The difference between good musicians and good songwriters is a lot. This guy shreds, but can he collaborate on a song people would want to hear? I used to think along these lines, but now that there really are no more rock stars, there are no bands. Like the biggest stage you can be on these days is a social medium or KZfaq. You call that "better" than the scene in the seventies? When is the last time you heard a decent song on the radio that was (at least mostly) written by the people performing it while playing real instruments and not using DAW functionality to cheat and correct pitch and time? The answer is you don't because there are no more big bands. There are few concert stages left and it's mostly electronic acts and hip hop. So while it's nice to see some things on the modern Internet you may never have before, it's also taken away from the big shows and events that everyone you knew went to. I miss the gatekeepers a little, they generally put out well produced material.

@@orion681 I appreciate what you’re saying. Technology has altered the perception of talent, but when you watch live shows it’s obvious who has put in the time and who is a post production hero. My point was more to the availability of seeing musicians from around the world, hearing different styles, different techniques that we didn’t have back then. One of my brothers was a studio drummer and made quite a good living doing scores for movies, TV shows and advertising jingles. It wasn’t the world tour and groupie fest he left home dreaming about but it paid for the $800,000 house he retired in so it wasn’t all bad.

@@rwfrench66GenX I agree with you man....there are a lot of player that wouldn't have been nearly as well known if not for KZfaq. Guthrie Govan is on that list...he always would have been the most adept guitarist to ever live but not nearly as well known. I just know that the mainstream stuff everyone used to complain about still usually brought about good shows and good times. Every legit touring act at this point are legacy bands. Makes me sad.

@@orion681 Drummers are the heartbeat. People cannot live without a heart. Show me a great band and I'll show you a legendary drummer that helped them get that way. Some villages and tribes literally base all their music on drumming.

I'm an old Las Vegas drummer too. Early 90's Without Warning. Who did you play with, brother?

@@CBRansom35 Hey man! Painted Tears, Tenth of Never, Pandora, Submission, Silard Somorjay & Countless others. I remember you guy's, incredible band!!!

TAMA isn't a band. TAMA is a drum brand

@@stefanbecker468 I wrote brand!? Open your eyes

@@pascalkrzeminski7341 sorry

I met TAMA in 87’. He was so nice and signed my t-shirt. Just kidding . Those drums sound great and excellent playing!

Still got my RoyalStar...same shell, great drum

@@cpf383 I'm not sure, but I remember that they had 8-ply maple shells and heavy duty hardware. 13,15 and 18 toms, 24 kick, and 14 stainless snare. I got the deep sound I wanted out of it.