People who built a nuclear reactor in their backyard 👇

McKamster’s beatbox was a magical experience that felt like a rollercoaster from start to finish. It was pure art, Simply Beautiful Sniper won.

Nah bro mckamster won S tier it made me cry and It made me rethink life, mckamster thank you so much for this I love this episode, the amount of time and care mckamster did was just on fire, and when he said adventure time it really went back for me, you know what mckamster is not even S tier, he’s T tier, amazing beatbox and episode

MCKAMSTER was so fire like honestly I lost lolololol, this was an awesome hydro that you brought this back! GG KAM 🔥🔥💪

Mckamster had the best in the community. He must have taken a lot of time on it. It was so 🔥. It was so heat my house set on 🔥 😢

That's so amazing video! 😊

Get well soon!!!

I’m so glad NNN is over. McKamster was beautiful

Sniper won.

Sniper won imo. I thought this series would never come back honestly but good episode.

FINALLY

Nah, Hydro, give Mckamister the Fortnite battle pass, he definitely beat this one

Super late, but congrats on getting 10k!

Sniper won Pretty nice episode

This is a certified host 23 moment

Sniper stomped

California is the third studio album by American experimental rock band Mr. Bungle. It was released on July 13, 1999, through Warner Bros. California Studio album by Mr. Bungle Released July 13, 1999 Recorded Late 1998[1] Studio Various studios across San Francisco[1] Genre Noise[2]pop[3]free jazz[2]Western[3]doo-wop[2] Length 44:16 Label Warner Bros. Producer Mr. Bungle Mr. Bungle chronology Disco Volante (1995) California (1999) The Raging Wrath of the Easter Bunny Demo (2020) The album's 1999 press kit by Warner Bros. Records states, California explores an ambiance new to the band, conjuring up the surly dance moves of Cyd Charisse and Fred Astaire; digging through the graveyard of riffs to find English pop, Elvis, Neil Diamond and Michael Jackson. The album is sure to alienate those expecting weird meter-changes and heartless vulgarities. To be sure, this is Western music, chockful of backbeats, strings and vocal harmonies. But like the original 49ers, the listener is headed into a desert land of drought and famine - the dark side of the California Dream.[3] The songwriting process for California was much less collaborative than the band's previous albums.[4] Despite having a more accessible sound than prior releases, saxophonist Clinton McKinnon has stated, "It wasn’t some attempt at reconciling how much we’d previously tortured our audiences with white-noise [...] it wasn’t some conscious attempt to normalise our music or make it all the more palatable."[5] On the album's writing and sound, Trevor Dunn stated in a 2017 interview that, "[we] never discussed our projected direction. We never sat down and said, 'ok the last record was like that so now let’s attempt this.' Instead we individually brought things to the collective table that somehow coalesced without premeditation."[6] He goes on to state that "the recording of California was a bit of a nightmare. We attempted frugality by recording a lot in our rehearsal space which [our guitarist] Trey [Spruance] had partially turned into a recording studio. But we also spread the work out over various outside studios with a number of engineers as well as additional musicians. In the end we had two 24-track tape machines and two ADAT machines linked. That record would have been much easier to manage had Pro Tools come along a bit sooner."[6] Regarding the album's title, drummer Danny Heifetz said in 1999, "More than anything, that title really sums up sonically what's going on on the record. It's very pleasant at times, and then there are a lot of little disasters that come up and present themselves, then blow over and go away like a storm. I would tend to explain it more like that, rather than, "Oh, California is this very deceptive place; it's bright on the outside and a really dark place on the inside." I mean, let's let the Chili Peppers do that."[5] Trey Spruance, who had recently covered the Beach Boys' "Good Vibrations" for the album Smiling Pets, said that the work of Brian Wilson (particularly Smile) was "definitely" an influence, "especially when it comes to the Faustian scale of it."[7] To support the album, Mr. Bungle embarked on a large scale tour covering North America, Europe and Australia.[8][9] They also notably appeared on the 2000 edition of the SnoCore Tour, performing alongside alternative metal acts whom they had influenced, such as Incubus and System of a Down.[10] According to Dunn, Mr. Bungle were "completely out of place" on the SnoCore Tour.[11] He remarked "We were sort of the grandpas of the tour, so we started really messing with the audiences. We dressed up like the Village People and acted super gay which really pissed off the metal kids."[11] Guitarist Trey Spruance reflected on the SnoCore tour in 2002, recalling "some of us were going, 'Well … I guess … this’ll be an … adventure?' And that was the whole spirit we went into it with. You know, there’s this thing of, 'Yeah, man, we’ll reach all these other people! We can expand the audience!' I didn’t fucking believe that for a second. That kind of logic-it doesn’t get you anywhere; it doesn’t work. It’s a recipe for failure and disaster."[12] When asked about the hostile audiences the band were subject to during the SnoCore shows, Spruance said, "those can be just magic moments. That’s definitely when Mike is at his best."[12] Dunn recalls at one Snocore show in Myrtle Beach, the crowd were so angry towards Mr. Bungle that he thought they "might actually kill us."[13] At the Myrtle Beach show, Mike Patton simulated giving his microphone a blow-job in an attempt to trigger the crowd, which angered them so much that they started throwing coins and other objects at his band.[14] Red Hot Chili Peppers conflict edit A controversy with the Red Hot Chili Peppers developed during the album's release, reigniting Patton’s feud with Red Hot Chili Peppers lead singer Anthony Kiedis.[15] It was scheduled to be released on June 8, 1999, but Warner Bros. Records pushed it back so as not to coincide with the Red Hot Chili Peppers similarly titled album, Californication, which was to be released on the same day. Following the album release date conflict, Red Hot Chili Peppers vocalist Anthony Kiedis had Mr. Bungle removed from a series of summer festivals in Europe. As a major headlining act at the festivals, Kiedis and his band had a say in which bands could appear.[16][17] The reasoning behind his actions have never been explained, although he had been involved in a public dispute with Mike Patton and his former band Faith No More a decade prior, where he accused Patton of stealing his style.[15] According to Mr. Bungle themselves, Kiedis didn't know anyone involved with the band, aside from Mike Patton.[18] Patton himself stated, "the rest of the band doesn't care. It's something to do with Anthony."[19] As a result of the concert removals, Mr. Bungle parodied the Red Hot Chili Peppers on Halloween 1999, in Pontiac, Michigan (the home state of Kiedis). Patton introduced each Mr. Bungle band member with the name of one of the Red Hot Chili Peppers, before covering the songs "Give It Away", "Around the World", "Under the Bridge" and "Scar Tissue", with Patton deliberately using incorrect lyrics, such as "Sometimes I feel like I'm on heroin" and "Sometimes I feel like a fucking junkie" on "Under the Bridge".[20] Patton impersonated Kiedis by wearing a blonde wig and speaking with a lisp, and while pretending to be Kiedis, mockingly said to the crowd: "Don't you call me Mike, my name is Anthony. How dare you make that mistake. Mike has been ripping me off for many years."[20] The other members of Mr. Bungle, amidst their on-stage antics, satirized many of the mannerisms of the band and simulated heroin injections, as well as mocking deceased guitarist Hillel Slovak and deceased friend of the band River Phoenix. In between "No One Knew They Were Robots" and "The Air-Conditioned Nightmare", Dunn (dressed as Flea) walked up to Spruance (dressed as the ghost of Hillel Slovak) and simulated injecting him with heroin, which Patton interrupted by shouting "You can't shoot up a ghost!".[20] (1/2)

Me waiting to be in a hydro series:

2:53 LMAO DID THIS BRO SAY SKIBIDI CC Also sniper won

Sniper rekt

.

Huh

Sniper won

IMO Sniper Took the Dub

I cooked 😤😤

Its official!!!!

Sniper won