YEP!

opuswerk he has another interview where he describes see ing a synth pop band as a kid on Eurovision song contest ,age 5 or so. Hooked. I had the same iove,life changed that day. When Gary numsn ,facing away at an angle holding Mic stand glanced and I heard ..it's cold outside ....then turned away,mind truly blown . I mentioned it to someone at school next day to much ridicule 're liking the freak ,it was love with synthesizer music ,,i am not into anything that's not electronuc ,i won't apologise,the infinite nature of techno,every dsy i hear a sound that ive never heard before. The sendai system policy one,PvP mis actually seems almost painful , can feel a differrng sensation in last 7,8nears than of old ,old school is not bettef ,no matter what anyone says !

holotropik

exactly my thoughts, not so bad with modular wiggling, but surely trying to play transient stuff in time would be a pain

Check out apb-dynasonics.

thanks!

Got it, it's Oscar's blood.

Peter Van Hoesen - Quadra

It's called GAS (Gear Acquisition Syndrome). Mentioned often over on the Keyboard Corner Forum here. forums.musicplayer.com/ubbthreads.php/ubb/postlist/Board/18/page/1

I'd imagine most of them were born into money.

The process of record producing is a necessary step to play around, and being credible, and gathering follow up from a live point of view brings in some necessary monetary bacground which enables to push further the personal desire to make music... some are indeed born into money, most are struggling, but some manage to focus on something more than spending money on cars and iphones...

If you have a 15k studio full of vintage analog synths, you are not struggling. If you're making beats in Ableton with a Midi controller on a 5 year old Macbook, you're probably struggling. The most amusing part is that very rarely does the music made with the 15k studio sound much better than bedroom producers with Ableton. It's another case of the privileged bourgeois taking a subculture and fetishizing the tools of it's trade in an attempt to seem relevant. Luckily you can just ignore them though, there's always good music being released by people other than trendy yuppies.

might take some time to build such a space rocket... visited his previous studio back in the days and it was already built on a effective way. I guess he's spending his booking fees in what he loves and he totally deserves this

Thank you for the insight Philippe. You are the first to answer my question clearly. It sounds like DJ booking fees is a common way for producers to pay their rent, is that right?

Can you blame him when he has that modular setup?

the sequencing is equally important as the sound. could argue about the price bit tho.

so ?

It really doesnt matter what DAW you use these days. FL, Ableton, Logic etc are all high quality industry standard DAWs. Its all a matter of preference and what workflow you like the most. So try all of them and see which one you like working on the most.

They are all amazing, I think Ableton is probably the best for Live performance and also their time-stretching ability is pretty amazing. i personal use Logic because its cheap only $200.00 and it has a lot of virtual instruments and plug-ins. You almost can't go wrong these days they are all great.

I tried FL studio , too complicated for me , still have it in my computer but switched to Ableton