I've been getting the same challenge put to me frequently; can you show us what you could do with some cheap vintage gear.
I've been on the lookout for suitable contenders and I snagged a Korg SuperDrums (DDM-110) a while back and a Korg DW-6000 recently.
I set the max budget for this to £200 and these pair cost a total of £190, so I thought that matched the criteria in a world where vintage synths can cost thousands or tens of thousands!
0:00 Intro Jam & Setup
1:22 Processing the Super Drums
5:07 Working with the DW-6000
8:31 End result / Mini Song
9:56 Summary of thoughts
More details for the nerds:
The Super Drums were designed to be as affordable as possible at a time when programmable, digital drum machines were still very expensive. In 1983 the LinnDrum was listed as £2,650 here: www.muzines.co.uk/articles/lin...
That's £9,500 in today's money, and so the £229 (£780 today) DDM-110 was obviously going to have to be heavily compromised.
With 9 uneditable samples (8 bit / 15.625kHz*) and with only din sync and no mixer or individual outs, this unit is a challenge to say the least.
*The specs are taken from Paul Bundock's "Bit-depth and Sample Rate 1984-style" assessment of the schematics from this 2001 article: www.soundonsound.com/reviews/...
The Korg DW-6000 is a hybrid, six-voice polysynth from 1985. The oscillators are digital samples of additive waves that emulated the spectra of various acoustic instruments. With two oscillators and 8 waves there are 44 unique combinations (if my maths is correct) and so that's surprisingly flexible. There's also a noise generator to boot.
Each voice then runs through an analogue voltage controlled low-pass resonant filter and an analogue voltage controlled amplifier. The VCF and VCA are a combined proprietary chip Korg made called the NJM2069.
There are two ADBSSR envelopes, (VCF / VCA), which are like an ADSR with an additional level and decay in the middle (break point / slope). The filter EG polarity can also be reversed.
There's a basic LFO ("modulation generator") with delay that can modulate the oscillators and filters, but that only has one fixed waveform (presumably sine or triangle).
There's a stereo chorus at the end of the chain to widen the sound considerably.
There's also portamento, a performance joystick and poly 1, poly 2 and unison modes, 64 memory slots, midi and some footswitch inputs.
The DW-6000 was £1,099 in 1985, about £3,500 now, so it was relatively affordable for the time, but not a toy.