The 5 Licks That Will Teach You Altered Scale in 8 Minutes

Рет қаралды 3,535

Күн бұрын

Learning the Altered Scale is a matter of learning it the right way.
Learning it using licks is so much easier than studying the scale.
Learn the sound and you have immediate traction.
DOWNLOAD PDF + get access to 3000+ pages of learning material
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50+ PAGES LESSON TRANSCRIPTION CONTENT:
-Altered scale pattern, 3rds, arpeggio exercises
-written out lines using the exercised material
+ all lesson examples are transposed to the Tenor, Alto and Concert keys and bass clef
+ all released lesson manual material are available in all 12 keys
In this tutorial
00:00 You Are Learning Altered Scale Wrong, Fix it like this
00:49 Hear The Sound
01:58 What’s The Altered Sound
03:08 Hear The b9 and b13
04:05 Learn It Backwards
05:35 What About The Scale?
06:34 Isolate The Altered Sound
07:20 Do you like my videos - support me on Patreon
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Video links:
Practicing Like Parker, Brecker and Coltrane Will Change Your Playing Forever
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My setup:
Tenor saxophone: Selmer MKVI 82xxx
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Neck Strap for Tenor: BG S70SH Yoke Saxophone Strap
Alto - The Martin Alto
Soprano - Yanagisawa Elimona

Пікірлер: 10

@ronrobbins2737 28 күн бұрын

Fantastic practical intuitive way to teach this man! And love the crazy video clips to break it all up too!

@kuz5987 28 күн бұрын

I love the sound from the sax player.

@gtrbarbarian 28 күн бұрын

Serious question: do you and Jens have the same editor? I notice some similarities in the humor 😂 .. since I play both instruments, I may be the only one that notices

@zebozi 27 күн бұрын

Me too.

@sorenballegaardmusic 17 күн бұрын

@gtrbarbarian @zebozi thank you for noticing. Jens and I go 30 years back as friends. We know eachother pretty well and I guess have the same kind of humor. We do not have the same editor, but maybe some of the same mindset :)

@stephenswanson7140 Ай бұрын

True, but it's probably easiest just to go with the naming convention that the rest of the world uses to avoid confusion...

@sorenballegaardmusic Ай бұрын

That's probably true too :) music theory is a funny thing, try naming the tones in the Eb altered scale. The scale is E melodic minor, but seen from the Eb7 dominant perspective, that just gets crazy lol

@GARRY3754 Ай бұрын

@@sorenballegaardmusic I heard that Kenny Garret looks at everything in the key of C. I can dig that but his ears are extra large.☮️

@stephenswanson7140 Ай бұрын

You think it's weird to have two nines but it's not weird to have two tens?

@sorenballegaardmusic Ай бұрын

No not really beacuse I do not see the 3rd as the 10th. Only the b10. Maybe its me. When you talk extensions I think 9, 11, 13. b9, b10, #11, b5, b13. I try to use the extensions from the natural 7 tone scales, major, minor, melodic minor, harmonic minor, harmonic major - When looking at the extensions from these scale you do not get the overlapping numbers. Of course If you only look at the extension as individual sounds and not as a part of a chord beloinging in a scale, you can basically call the extensions any name. Like in the diminished scale - 8 tone scale. Here you get the double notes because of the extra note in the scale. I think its easier to overview when I see the extensions a parts of chords belonging to scales.